Hilde
Three Congolese producers are planning a reality TV show about the carnival in Belgium. Hawaly, their Burundian show-runner, is supposed to prepare the shooting in Belgium effectively, but her Belgian colleague is too busy with the supernatural.
Costume Designer
Three Congolese producers are planning a reality TV show about the carnival in Belgium. Hawaly, their Burundian show-runner, is supposed to prepare the shooting in Belgium effectively, but her Belgian colleague is too busy with the supernatural.
Production Design
Three Congolese producers are planning a reality TV show about the carnival in Belgium. Hawaly, their Burundian show-runner, is supposed to prepare the shooting in Belgium effectively, but her Belgian colleague is too busy with the supernatural.
Producer
Three Congolese producers are planning a reality TV show about the carnival in Belgium. Hawaly, their Burundian show-runner, is supposed to prepare the shooting in Belgium effectively, but her Belgian colleague is too busy with the supernatural.
Director
Three Congolese producers are planning a reality TV show about the carnival in Belgium. Hawaly, their Burundian show-runner, is supposed to prepare the shooting in Belgium effectively, but her Belgian colleague is too busy with the supernatural.
Director
With Vu de l'extérieur Lucile Desamory reflects on the possibilities of a distant view from inside one’s own culture. The inside is Belgium and its cultural codes. Consisting of a white box with a hidden entrance in the screen, only visible in some moments while the video is running, the installation creates a situation where inside and outside are obscured. The projection shows parts of the feature film Télé Réalité directed by Desamory, Glodie Mubikay, and Gustave Fundi: Three Congolese women are discussing a reality TV show they plan to produce in Belgium during carnival. When visitors enter the video screen, they find themselves in a secret chamber with a surveillance monitor. On it, strange characters evolve in the house where the brotherhood of the Blancs Moussis of Stavelot make and store tons and tons of confetti.
Director
Damien, a convivial and spineless reporter, wants to write a biography of the famous spiritual leader Father Pierre; not really a subject that gets your blood flowing. A few ominous omens try to avert him from his decision, like a bloodstain on the floor or his tongue turning black, but Damien pays little attention. He arranges a sojourn at one of Father Pierre’s centers. When he arrives, he’s greeted by the three employees of the center, a trinity as silent as disturbing who slurp from their soup as voraciously as Hannibal Lecter from a dish of lamb brains. Just like Alice In Wonderland, our reporter finds himself in a surreal universe. Every door he opens, will confront him with his own demons : his cowardice, his incapacity to decide anything and his continuous flight from responsibility.
Writer
Damien, a convivial and spineless reporter, wants to write a biography of the famous spiritual leader Father Pierre; not really a subject that gets your blood flowing. A few ominous omens try to avert him from his decision, like a bloodstain on the floor or his tongue turning black, but Damien pays little attention. He arranges a sojourn at one of Father Pierre’s centers. When he arrives, he’s greeted by the three employees of the center, a trinity as silent as disturbing who slurp from their soup as voraciously as Hannibal Lecter from a dish of lamb brains. Just like Alice In Wonderland, our reporter finds himself in a surreal universe. Every door he opens, will confront him with his own demons : his cowardice, his incapacity to decide anything and his continuous flight from responsibility.
Damien, a convivial and spineless reporter, wants to write a biography of the famous spiritual leader Father Pierre; not really a subject that gets your blood flowing. A few ominous omens try to avert him from his decision, like a bloodstain on the floor or his tongue turning black, but Damien pays little attention. He arranges a sojourn at one of Father Pierre’s centers. When he arrives, he’s greeted by the three employees of the center, a trinity as silent as disturbing who slurp from their soup as voraciously as Hannibal Lecter from a dish of lamb brains. Just like Alice In Wonderland, our reporter finds himself in a surreal universe. Every door he opens, will confront him with his own demons : his cowardice, his incapacity to decide anything and his continuous flight from responsibility.
