Lucile Desamory

参加作品

Télé Réalité
Hilde
Three Congolese producers are planning a reality TV show about the carnival in Belgium. Hawaly, their Burundian show-runner, is supposed to prepare the shooting in Belgium effectively, but her Belgian colleague is too busy with the supernatural.
Télé Réalité
Costume Designer
Three Congolese producers are planning a reality TV show about the carnival in Belgium. Hawaly, their Burundian show-runner, is supposed to prepare the shooting in Belgium effectively, but her Belgian colleague is too busy with the supernatural.
Télé Réalité
Production Design
Three Congolese producers are planning a reality TV show about the carnival in Belgium. Hawaly, their Burundian show-runner, is supposed to prepare the shooting in Belgium effectively, but her Belgian colleague is too busy with the supernatural.
Télé Réalité
Producer
Three Congolese producers are planning a reality TV show about the carnival in Belgium. Hawaly, their Burundian show-runner, is supposed to prepare the shooting in Belgium effectively, but her Belgian colleague is too busy with the supernatural.
Télé Réalité
Director
Three Congolese producers are planning a reality TV show about the carnival in Belgium. Hawaly, their Burundian show-runner, is supposed to prepare the shooting in Belgium effectively, but her Belgian colleague is too busy with the supernatural.
Seen from the Outside
Director
With Vu de l'extérieur Lucile Desamory reflects on the possibilities of a distant view from inside one’s own culture. The inside is Belgium and its cultural codes. Consisting of a white box with a hidden entrance in the screen, only visible in some moments while the video is running, the installation creates a situation where inside and outside are obscured. The projection shows parts of the feature film Télé Réalité directed by Desamory, Glodie Mubikay, and Gustave Fundi: Three Congolese women are discussing a reality TV show they plan to produce in Belgium during carnival. When visitors enter the video screen, they find themselves in a secret chamber with a surveillance monitor. On it, strange characters evolve in the house where the brotherhood of the Blancs Moussis of Stavelot make and store tons and tons of confetti.
Abracadabra
Director
Damien, a convivial and spineless reporter, wants to write a biography of the famous spiritual leader Father Pierre; not really a subject that gets your blood flowing. A few ominous omens try to avert him from his decision, like a bloodstain on the floor or his tongue turning black, but Damien pays little attention. He arranges a sojourn at one of Father Pierre’s centers. When he arrives, he’s greeted by the three employees of the center, a trinity as silent as disturbing who slurp from their soup as voraciously as Hannibal Lecter from a dish of lamb brains. Just like Alice In Wonderland, our reporter finds himself in a surreal universe. Every door he opens, will confront him with his own demons : his cowardice, his incapacity to decide anything and his continuous flight from responsibility.
Abracadabra
Writer
Damien, a convivial and spineless reporter, wants to write a biography of the famous spiritual leader Father Pierre; not really a subject that gets your blood flowing. A few ominous omens try to avert him from his decision, like a bloodstain on the floor or his tongue turning black, but Damien pays little attention. He arranges a sojourn at one of Father Pierre’s centers. When he arrives, he’s greeted by the three employees of the center, a trinity as silent as disturbing who slurp from their soup as voraciously as Hannibal Lecter from a dish of lamb brains. Just like Alice In Wonderland, our reporter finds himself in a surreal universe. Every door he opens, will confront him with his own demons : his cowardice, his incapacity to decide anything and his continuous flight from responsibility.
Abracadabra
Damien, a convivial and spineless reporter, wants to write a biography of the famous spiritual leader Father Pierre; not really a subject that gets your blood flowing. A few ominous omens try to avert him from his decision, like a bloodstain on the floor or his tongue turning black, but Damien pays little attention. He arranges a sojourn at one of Father Pierre’s centers. When he arrives, he’s greeted by the three employees of the center, a trinity as silent as disturbing who slurp from their soup as voraciously as Hannibal Lecter from a dish of lamb brains. Just like Alice In Wonderland, our reporter finds himself in a surreal universe. Every door he opens, will confront him with his own demons : his cowardice, his incapacity to decide anything and his continuous flight from responsibility.