Nathalie Biancheri

Movies

Wolf
Screenplay
Jacob, a man who believes he is a wolf trapped in a human body, is sent to a clinic by his family where he is forced to undergo increasingly extreme forms of "curative" therapies at the hands of The Zookeeper. Jacob’s only solace is the enigmatic Wildcat, with whom he roams the hospital in the dead of night. The two form an improbable friendship that develops into infatuation.
Wolf
Director
Jacob, a man who believes he is a wolf trapped in a human body, is sent to a clinic by his family where he is forced to undergo increasingly extreme forms of "curative" therapies at the hands of The Zookeeper. Jacob’s only solace is the enigmatic Wildcat, with whom he roams the hospital in the dead of night. The two form an improbable friendship that develops into infatuation.
Nocturnal
Writer
Laurie, a cynical schoolgirl, builds a secret friendship with Pete, an older handyman who is obsessed with her.
Nocturnal
Director
Laurie, a cynical schoolgirl, builds a secret friendship with Pete, an older handyman who is obsessed with her.
Xavier Corberó: Portrait of an Artist in Winter
Director
The first and last glimpse into the universe of iconic Spanish sculptor Xavier Corberó since his passing in 2017. A kaleidoscopic life and career that traversed a turbulent moment of Spanish history.
Pompeii: The Mystery of the People Frozen in Time
Bella Donna
In a one off landmark drama documentary for BBC One, Dr Margaret Mountford presents Pompeii: The Mystery Of The People Frozen In Time.
I  was Here
Director
Do you want to be in a documentary? A bunch of Englishmen have turned up at the casting for a film that turns out to be the one we are sitting and watching. A mixed gallery of characters, who paradoxically are hoping to be cast in the roles of themselves. 'I was Here' is a social experiment with brains, a heart and underplayed humour. The many attendees are as diverse as people are in the real world. Young and old, funny and bitter, self-confident and nervous - what are they hoping to find by taking part in a film? The obvious answer is the simplest one: themselves. We look on from the other side of the camera, as they take part in the experiment. The contradiction between authenticity and performance is not just a question of identity. It is also one of the basic conflicts of modern documentary filmmaking, which Ola Jankowska and Nathalie Bianchieri turn into both a premise and a method.