Nathalie Biancheri

Filmes

O Lobo
Screenplay
Numa casa onde jovens acreditam que são na verdade animais ao invés de seres humanos, um jovem (George MacKay) acredita que é um lobo e apesar do tratamento humilhante que recebe de seu médico, ele não pode escapar de sua própria verdade pessoal.
O Lobo
Director
Numa casa onde jovens acreditam que são na verdade animais ao invés de seres humanos, um jovem (George MacKay) acredita que é um lobo e apesar do tratamento humilhante que recebe de seu médico, ele não pode escapar de sua própria verdade pessoal.
Nocturnal
Writer
Laurie, a cynical schoolgirl, builds a secret friendship with Pete, an older handyman who is obsessed with her.
Nocturnal
Director
Laurie, a cynical schoolgirl, builds a secret friendship with Pete, an older handyman who is obsessed with her.
Xavier Corberó: Portrait of an Artist in Winter
Director
The first and last glimpse into the universe of iconic Spanish sculptor Xavier Corberó since his passing in 2017. A kaleidoscopic life and career that traversed a turbulent moment of Spanish history.
Pompeii: The Mystery of the People Frozen in Time
Bella Donna
In a one off landmark drama documentary for BBC One, Dr Margaret Mountford presents Pompeii: The Mystery Of The People Frozen In Time.
I  was Here
Director
Do you want to be in a documentary? A bunch of Englishmen have turned up at the casting for a film that turns out to be the one we are sitting and watching. A mixed gallery of characters, who paradoxically are hoping to be cast in the roles of themselves. 'I was Here' is a social experiment with brains, a heart and underplayed humour. The many attendees are as diverse as people are in the real world. Young and old, funny and bitter, self-confident and nervous - what are they hoping to find by taking part in a film? The obvious answer is the simplest one: themselves. We look on from the other side of the camera, as they take part in the experiment. The contradiction between authenticity and performance is not just a question of identity. It is also one of the basic conflicts of modern documentary filmmaking, which Ola Jankowska and Nathalie Bianchieri turn into both a premise and a method.