Iron Head
Master Law awakes from a 30-year coma without memories, but his martial arts skills are intact. His renowned kung fu academy is now a teahouse, and greedy developers are trying to steamroll it to make way for condos
Sheng's Diamond Appraiser
Hung Tai-Kong aka Rice Pot and Chan Yin-Tung aka Chimney are two friends who work with their master Kam Ming and his daughter Ann as a team of pickpockets.
Ah Wei used to be a policeman but his many battle scars and bullet wounds have demoted him to the daily grind of a sercurity guard. His existence is anything but boring, however, as this Hong Kong film like all the others, thrives on shoot-outs, chases, and enough violence to keep an audience awake.
Mak Kar, a faithful and honest constable, was ordered to arrest Dean Saki, a pickpocket. However, each time he was caught, he was released by lack of evidence. Although Dean was a tricky man, the money he pickpocketed from those dirty rich people was spent on the seven poor orphans with whom he lived in an old shaky church. Dean had an intention to buy a house where he could keep more orphans.
An undercover cop goes deep undercover to inside one of Hong Kong's most notorious Triad gangs only to find him getting consumed by a life of crime and seediness.
Gambler
Tung Wei (18 Fatal Strikes Enter The Dragon) is a lad who wants to learn kung fu. He trains in two different styles: Hung Gar and Wing Chun. Everything is fine until a jealous master creates a rift between Tung's two teachers, and he has to choose sides. But a bigger problem looms ahead. The Tiger Master, played by Philip Ko (Dragon On Fire, Fearless Dragons), wants to fight both men to the death. They're no match for him, so Tung goes to the one man who can train him properly: Sammo Hung
Famous dancer and film actress Fong Nan (Mao Mei) desires both a career and a family after marrying an eminent doctor (Guan Shan), who, however, wants her to be a stay-at-home wife. They are on the brink of divorce when he finds out she secretly rehearses for her dance and movie…Taking inspirations from Hollywood musical films, the movie is beautifully directed and meticulously produced by Yuen Yang-an and his Sun Sun Film Enterprises. While most films at the time usually depict how grassroots people rise above adversity, this one tells the story of a famed actress who thrives for success and never gives up on her artistic ambition. This reflects that women's liberation and employment was a dominating theme in left-wing movies. The finale was shot in Eastman colour negative film, which was rare before mid-60s given the limited technical resources in Hong Kong film industry, and thus a valuable record in the city's cinematic history.
