Leung Hung

이소룡, 성룡, 적룡과 더불어 홍콩의 네 마리 용으로 불리는 양소룡과 제자들이 벌이는 왁자지껄한 무술 코미디. 허름한 찻집에서 파리만 날리고 있는 드래곤과 타이거, 쿵푸의 고수 로썬의 제자로 이름을 날리던 그들은 30년 전 로썬이 코마에 빠진 후 꿈도, 젊음도, 무술 실력도 잃은 지 오래. 그런 그들 앞에 젊은 부동산 중개인이 나타나 로썬을 깨우는데!

Hung Tai-Kong aka Rice Pot and Chan Yin-Tung aka Chimney are two friends who work with their master Kam Ming and his daughter Ann as a team of pickpockets.

Ah Wei used to be a policeman but his many battle scars and bullet wounds have demoted him to the daily grind of a sercurity guard. His existence is anything but boring, however, as this Hong Kong film like all the others, thrives on shoot-outs, chases, and enough violence to keep an audience awake.

Mak Kar, a faithful and honest constable, was ordered to arrest Dean Saki, a pickpocket. However, each time he was caught, he was released by lack of evidence. Although Dean was a tricky man, the money he pickpocketed from those dirty rich people was spent on the seven poor orphans with whom he lived in an old shaky church. Dean had an intention to buy a house where he could keep more orphans.

경관 호윙추는 경찰에 근무하면서 부조리한 현실에 회의를 느낀다. 그러던 중 강력반장의 지시로 범죄 조직에 잠입하여 범행 정보를 보고하는 잠입 수사 임무를 맡지만 현실적인 문제에 점점 열정을 잃어간다.

Tung Wei (18 Fatal Strikes Enter The Dragon) is a lad who wants to learn kung fu. He trains in two different styles: Hung Gar and Wing Chun. Everything is fine until a jealous master creates a rift between Tung's two teachers, and he has to choose sides. But a bigger problem looms ahead. The Tiger Master, played by Philip Ko (Dragon On Fire, Fearless Dragons), wants to fight both men to the death. They're no match for him, so Tung goes to the one man who can train him properly: Sammo Hung

Famous dancer and film actress Fong Nan (Mao Mei) desires both a career and a family after marrying an eminent doctor (Guan Shan), who, however, wants her to be a stay-at-home wife. They are on the brink of divorce when he finds out she secretly rehearses for her dance and movie…Taking inspirations from Hollywood musical films, the movie is beautifully directed and meticulously produced by Yuen Yang-an and his Sun Sun Film Enterprises. While most films at the time usually depict how grassroots people rise above adversity, this one tells the story of a famed actress who thrives for success and never gives up on her artistic ambition. This reflects that women's liberation and employment was a dominating theme in left-wing movies. The finale was shot in Eastman colour negative film, which was rare before mid-60s given the limited technical resources in Hong Kong film industry, and thus a valuable record in the city's cinematic history.