Guto Parente

As a virus spreads throughout Brazil, a young filmmaker goes back to his village and tries to rekindle his relationship with his father. But as they become closer, stranger events start to happen, making their connection more difficult.

As a virus spreads throughout Brazil, a young filmmaker goes back to his village and tries to rekindle his relationship with his father. But as they become closer, stranger events start to happen, making their connection more difficult.

As a virus spreads throughout Brazil, a young filmmaker goes back to his village and tries to rekindle his relationship with his father. But as they become closer, stranger events start to happen, making their connection more difficult.

Lud experiences an intense love affair with her boyfriend Afonso.

Renan says goodbye to Elena and Veronica and leaves for a new great love. However, when he realizes that he is being eaten alive, he decides to run away, counting on his friends to save him from the curse that haunts him.

A terrified young woman is staring at a disturbing monstrosity, a kind of Pagan spirit that has sprung out of a river. Such is the opening scene of Pajeú, named after the creature, a fantastic character which follows the meanderings of the river and drives the story. Eager to get rid of a nightmare that is infecting her life, Maristela is looking into the story of Pajeú, the now forgotten figure buried in the depths of the city of Fortaleza. The film goes through successive urban transformations leading to the burying of Pajeú, a mystery imbued with supernatural elements.

The challenging daily routine of Ceará-born jockey Antonio Davielson and his family living in a foreign country on the other side of the planet.

The challenging daily routine of Ceará-born jockey Antonio Davielson and his family living in a foreign country on the other side of the planet.

The challenging daily routine of Ceará-born jockey Antonio Davielson and his family living in a foreign country on the other side of the planet.

Leader of the student union, Saulo is the target of racist curses inside the classroom. When he retaliates, he is called to the principal's office, but refuses to suffer the consequences of the attack alone, since the aggressor is not responsible for his speech. Inspired by readings about the Black Panthers, the boy decides to stay in school until justice is done. Meanwhile, he exposes the neglect of the establishment's structure with his cell phone. Gradually, colleagues, teachers, directors and even politicians get involved in the conflict that is highlighted in the media.

Otavio and Gilda are a very wealthy couple of the Brazilian elite who have the habit of eating their employees. Otavio owns a private security company and is a notable member of The Cannibal Club. When Gilda accidentally discovers a secret from Borges, a powerful congressman and the Club’s leader, her and her husband’s lives are in grave danger.

Otavio and Gilda are a very wealthy couple of the Brazilian elite who have the habit of eating their employees. Otavio owns a private security company and is a notable member of The Cannibal Club. When Gilda accidentally discovers a secret from Borges, a powerful congressman and the Club’s leader, her and her husband’s lives are in grave danger.

The inhabitants of the Brazilian city of Contagem yearn for a better life. At the core of it all is Selma, a woman dreaming about the heart of the world: it could be anywhere, as long as it's a place where to feel happier.

Desimar is the owner of Inferninho, a dark and run-down bar that is refuge of dreams and fantasies. Her dream is to leave everything behind and go away to any distant land, as far as possible from that place. Falling in love with Jarbas, the handsome sailor that arrives at the bar, dreaming of finding home, will completely change her life and the lives of the bar employees: Luizianne, the singer; Rabbit, the waiter; and Caixa-Preta, the cleaning lady.

Desimar is the owner of Inferninho, a dark and run-down bar that is refuge of dreams and fantasies. Her dream is to leave everything behind and go away to any distant land, as far as possible from that place. Falling in love with Jarbas, the handsome sailor that arrives at the bar, dreaming of finding home, will completely change her life and the lives of the bar employees: Luizianne, the singer; Rabbit, the waiter; and Caixa-Preta, the cleaning lady.

Desimar is the owner of Inferninho, a dark and run-down bar that is refuge of dreams and fantasies. Her dream is to leave everything behind and go away to any distant land, as far as possible from that place. Falling in love with Jarbas, the handsome sailor that arrives at the bar, dreaming of finding home, will completely change her life and the lives of the bar employees: Luizianne, the singer; Rabbit, the waiter; and Caixa-Preta, the cleaning lady.

Arrested since a popular demonstration in 2013, Janaína escapes and meets her friend Cassia in a context of an ongoing coup d’etat. Their reunion brings along their drums and attempts to break out the imposed silence over black lesbian bodies.

A man caught in the verge of freedom. He penetrates a city where the boundaries between reality and dream disappear. He crosses the landscape without belonging to it anymore. A farewell before departing.

After the sudden death of his wife, Ezequiel lives sad and resigned in solitude. Until the day that an extra-terrestrial being appears in his life and changes the color of his destiny.

After the sudden death of his wife, Ezequiel lives sad and resigned in solitude. Until the day that an extra-terrestrial being appears in his life and changes the color of his destiny.

Erik Satie’s work is at the heart of modern music. However, who was Satie? An elusive genius or a visionary misanthrope? The film tries to sketch an identikit of the musician through his notes and the places he lived in. Musicologists mostly agree in describing Satie’s music as inhabited by voids and holes. The long pauses between one musical passage and the other are musical structures unto themselves; therefore, the filmmakers create a dissonant Satie-like universe in which empty spaces are adjacent to eloquent passages. Like a mysterious flower visible only to the eye that is willing to dance with its charm, the film unfolds little by little through mental associations and creative juxtapositions. There are no answers in the universe inhabited by the ghosts of Satie’s creations. Architectural forms and recollections from desires and acts of creative hubris compete to create a new world, which ultimately is the image of a new and more seductive pleasure principle.

Erik Satie’s work is at the heart of modern music. However, who was Satie? An elusive genius or a visionary misanthrope? The film tries to sketch an identikit of the musician through his notes and the places he lived in. Musicologists mostly agree in describing Satie’s music as inhabited by voids and holes. The long pauses between one musical passage and the other are musical structures unto themselves; therefore, the filmmakers create a dissonant Satie-like universe in which empty spaces are adjacent to eloquent passages. Like a mysterious flower visible only to the eye that is willing to dance with its charm, the film unfolds little by little through mental associations and creative juxtapositions. There are no answers in the universe inhabited by the ghosts of Satie’s creations. Architectural forms and recollections from desires and acts of creative hubris compete to create a new world, which ultimately is the image of a new and more seductive pleasure principle.

At dawn, a boy, a city and unexpected encounters.

In Fortaleza, Brazil, loving, drinking and singing. The return home, braving stray dogs. And taking photos, up to the moment the plastic camera bought in 2013 gives up the ghost.

A lonely man wanders lost by a post-apocalyptic city.

The animal is in motion, it is impossible to hold it. The bodies vibrate, dance and desire.

Away from home, living alone in an old and gloomy apartment, Pérola feels the effects of the time passing, being increasingly taken by nostalgia and fear to a point where dream, fantasy and reality lose its borders.

Away from home, living alone in an old and gloomy apartment, Pérola feels the effects of the time passing, being increasingly taken by nostalgia and fear to a point where dream, fantasy and reality lose its borders.

Away from home, living alone in an old and gloomy apartment, Pérola feels the effects of the time passing, being increasingly taken by nostalgia and fear to a point where dream, fantasy and reality lose its borders.

Away from home, living alone in an old and gloomy apartment, Pérola feels the effects of the time passing, being increasingly taken by nostalgia and fear to a point where dream, fantasy and reality lose its borders.

Away from home, living alone in an old and gloomy apartment, Pérola feels the effects of the time passing, being increasingly taken by nostalgia and fear to a point where dream, fantasy and reality lose its borders.

Filmed over six years in four countries: Portugal, Brazil, Colombia and United States, this romantic drama tells the story of Luzia, a Brazilian screenwriter, and Adrian, a Colombian actor, that fall in love during a film festival in 2009 and will live a fragmented love story while competing in different film festivals around the world.

After receiving a strange picture postcard, Marina knows there’s nothing else to it but to return to Rio de Janeiro, the beautiful city that here seems threatening and almost enchanting.

A young couple, Pedro and Antônia, have their relationship weakening after meeting Luana. Romance, seduction, fear and anguish from the future are established in this story of liquid love.

Amianto lives isolated in her own fantasy world, inhabited by her delusions and unbridled hope, where her ingenuity and her melancholy coexist hand in hand. After feeling abandoned by her love (The Boy), Amianto finds shelter in the presence of her dead friend, Blanche, that will protect her against her pain - at least as far as she can. Her inner universe collides with the reality of a world that does not accept her, a world to which she doesn't belong and that invariably she comes back with her playful delusions, mixing reality and fantasy. With the help of her Fairy Godmother, Amianto gathers strength to continue living in the hope of being happy someday.

Amianto lives isolated in her own fantasy world, inhabited by her delusions and unbridled hope, where her ingenuity and her melancholy coexist hand in hand. After feeling abandoned by her love (The Boy), Amianto finds shelter in the presence of her dead friend, Blanche, that will protect her against her pain - at least as far as she can. Her inner universe collides with the reality of a world that does not accept her, a world to which she doesn't belong and that invariably she comes back with her playful delusions, mixing reality and fantasy. With the help of her Fairy Godmother, Amianto gathers strength to continue living in the hope of being happy someday.

Amianto lives isolated in her own fantasy world, inhabited by her delusions and unbridled hope, where her ingenuity and her melancholy coexist hand in hand. After feeling abandoned by her love (The Boy), Amianto finds shelter in the presence of her dead friend, Blanche, that will protect her against her pain - at least as far as she can. Her inner universe collides with the reality of a world that does not accept her, a world to which she doesn't belong and that invariably she comes back with her playful delusions, mixing reality and fantasy. With the help of her Fairy Godmother, Amianto gathers strength to continue living in the hope of being happy someday.

Amianto lives isolated in her own fantasy world, inhabited by her delusions and unbridled hope, where her ingenuity and her melancholy coexist hand in hand. After feeling abandoned by her love (The Boy), Amianto finds shelter in the presence of her dead friend, Blanche, that will protect her against her pain - at least as far as she can. Her inner universe collides with the reality of a world that does not accept her, a world to which she doesn't belong and that invariably she comes back with her playful delusions, mixing reality and fantasy. With the help of her Fairy Godmother, Amianto gathers strength to continue living in the hope of being happy someday.

Amianto lives isolated in her own fantasy world, inhabited by her delusions and unbridled hope, where her ingenuity and her melancholy coexist hand in hand. After feeling abandoned by her love (The Boy), Amianto finds shelter in the presence of her dead friend, Blanche, that will protect her against her pain - at least as far as she can. Her inner universe collides with the reality of a world that does not accept her, a world to which she doesn't belong and that invariably she comes back with her playful delusions, mixing reality and fantasy. With the help of her Fairy Godmother, Amianto gathers strength to continue living in the hope of being happy someday.

An omen, a shred of time only. Suddenly the huge-bellied man jumps into the pool holding a glass of whiskey.

An omen, a shred of time only. Suddenly the huge-bellied man jumps into the pool holding a glass of whiskey.

A film about the city. A film about people. We are living at the beginning of the era of urban society. A new field still ignored and unknown. And the scenario for the future is not yet established.

A film about the city. A film about people. We are living at the beginning of the era of urban society. A new field still ignored and unknown. And the scenario for the future is not yet established.

Four friends are reunited in a night that is moved by a game of lies and truth with unexpected consequences. This movie is based on the theatrical play “Eutro” directed by Rodrigo Fischer.

Four friends are reunited in a night that is moved by a game of lies and truth with unexpected consequences. This movie is based on the theatrical play “Eutro” directed by Rodrigo Fischer.

Four friends are reunited in a night that is moved by a game of lies and truth with unexpected consequences. This movie is based on the theatrical play “Eutro” directed by Rodrigo Fischer.

Four friends are reunited in a night that is moved by a game of lies and truth with unexpected consequences. This movie is based on the theatrical play “Eutro” directed by Rodrigo Fischer.

Four friends are reunited in a night that is moved by a game of lies and truth with unexpected consequences. This movie is based on the theatrical play “Eutro” directed by Rodrigo Fischer.

No man is a failure when he has friends.

No man is a failure when he has friends.

A pair of eyes is no longer enough.

“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis

“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis

“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis

“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis

“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis

“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis

“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis

“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis

Science fiction based on real facts.

Paris - an American who recently arrived in Brazil - and the Brazilian Thais begin a simple friendship sharing feelings and sensations, even if they do not understand a single word each othar says.

Paris - an American who recently arrived in Brazil - and the Brazilian Thais begin a simple friendship sharing feelings and sensations, even if they do not understand a single word each othar says.

“Foam and Bone” is an experimental video directed by Ticiano Monteiro and Guto Parente, in 2007. The TV, bathroom, window, kitchen, light and shadow. Under the supervision of crickets and cockroaches inhabit the strange and common.