Guto Parente

As a virus spreads throughout Brazil, a young filmmaker goes back to his village and tries to rekindle his relationship with his father. But as they become closer, stranger events start to happen, making their connection more difficult.

As a virus spreads throughout Brazil, a young filmmaker goes back to his village and tries to rekindle his relationship with his father. But as they become closer, stranger events start to happen, making their connection more difficult.

As a virus spreads throughout Brazil, a young filmmaker goes back to his village and tries to rekindle his relationship with his father. But as they become closer, stranger events start to happen, making their connection more difficult.

Lud vive um intenso amor com seu namorado Afonso

Renan says goodbye to Elena and Veronica and leaves for a new great love. However, when he realizes that he is being eaten alive, he decides to run away, counting on his friends to save him from the curse that haunts him.

O riacho Pajeú, em Fortaleza, vítima do processo de urbanização da cidade, corre silencioso debaixo dos arranha-céus. Para a professora Maristela (interpretada por Fátima Muniz), recém-chegada na cidade, a invisibilidade do riacho toca o íntimo do seu ser: transformado em monstro ultra-poluído, ele lhe aparece em sonho com ares de filme de terror. A tentativa de contornar o esquecimento (seu e da cidade) torna-se, então, o esforço em recuperar os fragmentos dessa história, em criar memórias coletivamente. Sob um regime ficcional perfurado pelo encontro com espaços reais e ilustres desconhecidos, o filme refaz o curso do rio de modo a restaurar os pedaços de sua gente.

O dia a dia desafiador do jóquei cearense Antonio Davielson e de sua família, que vivem em um país estrangeiro do outro lado do planeta.

O dia a dia desafiador do jóquei cearense Antonio Davielson e de sua família, que vivem em um país estrangeiro do outro lado do planeta.

O dia a dia desafiador do jóquei cearense Antonio Davielson e de sua família, que vivem em um país estrangeiro do outro lado do planeta.

Inspirado por um livro dos Panteras Negras, o introvertido Saulo Chuvisco tenta impor mudanças em sua escola e acaba entrando em conflito com alguns colegas e professores. Após reagir a um insulto em sala de aula, Saulo é expulso, mas recusa-se a deixar as dependências da escola por tempo indeterminado.

Otavio e Gilda são da elite brasileira e membros do The Cannibal Club. Os dois têm como hábito, comer seus funcionários. Quando Gilda acidentalmente descobre um segredo de Borges, um poderoso congressista e líder do clube, ela acaba colocando sua vida e a de seu marido em perigo.

Otavio e Gilda são da elite brasileira e membros do The Cannibal Club. Os dois têm como hábito, comer seus funcionários. Quando Gilda acidentalmente descobre um segredo de Borges, um poderoso congressista e líder do clube, ela acaba colocando sua vida e a de seu marido em perigo.

Na periferia de Contagem, Marcos busca uma saída para sua rotina de bicos e pequenos delitos. Surge uma oportunidade arriscada, mas que pode solucionar todos seus problemas. Para isso, ele precisa convencer sua namorada, Ana, a se juntarem a Selma e executarem o plano que pode mudar suas vidas para sempre.

Melodrama com bastante humor que se passa todo dentro de um bar, chamado Inferninho, em um lugar distante.

Melodrama com bastante humor que se passa todo dentro de um bar, chamado Inferninho, em um lugar distante.

Melodrama com bastante humor que se passa todo dentro de um bar, chamado Inferninho, em um lugar distante.

Presa numa manifestação popular de 2013, Janaína consegue escapar anos depois. Em sua ausência, um golpe político instaurou-se no país. Na periferia de Fortaleza, as nuances violentas de um governo antidemocrático camuflado por palavras de paz e fé são vivenciadas cotidianamente por sua amiga Cássia. Carregando marcas de violências sofridas na mão da polícia, elas agora encaram uma nova corporação, que camufla os mesmos atos de opressão...

A man caught in the verge of freedom. He penetrates a city where the boundaries between reality and dream disappear. He crosses the landscape without belonging to it anymore. A farewell before departing.

Solange fica desolada ao descobrir que Manuel, seu noivo e parceiro de trabalho, não quer mais casar com ela. Sem saber como seguir a vida, acaba abrindo uma barraca de tapioca, que compete com a de Manuel.

Gilda projeta os dias numa tela de cinema.

Após a morte súbita de sua mulher, Ezequiel vive triste e resignado em solidão. Até que um curioso fenômeno acontece e muda por completo a cor do seu destino.

Após a morte súbita de sua mulher, Ezequiel vive triste e resignado em solidão. Até que um curioso fenômeno acontece e muda por completo a cor do seu destino.

Erik Satie’s work is at the heart of modern music. However, who was Satie? An elusive genius or a visionary misanthrope? The film tries to sketch an identikit of the musician through his notes and the places he lived in. Musicologists mostly agree in describing Satie’s music as inhabited by voids and holes. The long pauses between one musical passage and the other are musical structures unto themselves; therefore, the filmmakers create a dissonant Satie-like universe in which empty spaces are adjacent to eloquent passages. Like a mysterious flower visible only to the eye that is willing to dance with its charm, the film unfolds little by little through mental associations and creative juxtapositions. There are no answers in the universe inhabited by the ghosts of Satie’s creations. Architectural forms and recollections from desires and acts of creative hubris compete to create a new world, which ultimately is the image of a new and more seductive pleasure principle.

Erik Satie’s work is at the heart of modern music. However, who was Satie? An elusive genius or a visionary misanthrope? The film tries to sketch an identikit of the musician through his notes and the places he lived in. Musicologists mostly agree in describing Satie’s music as inhabited by voids and holes. The long pauses between one musical passage and the other are musical structures unto themselves; therefore, the filmmakers create a dissonant Satie-like universe in which empty spaces are adjacent to eloquent passages. Like a mysterious flower visible only to the eye that is willing to dance with its charm, the film unfolds little by little through mental associations and creative juxtapositions. There are no answers in the universe inhabited by the ghosts of Satie’s creations. Architectural forms and recollections from desires and acts of creative hubris compete to create a new world, which ultimately is the image of a new and more seductive pleasure principle.

At dawn, a boy, a city and unexpected encounters.

À noite eles se juntam em bando, como se fossem um pelotão que tivesse desertado de uma mesma parte, para este pedaço de bairro no subúrbio de Fortaleza.

Um homem solitário vaga perdido por uma cidade pós-apocalíptica.

O animal está em movimento, é impossível segurá-lo. Os corpos vibram, dançam e desejam.

Pérola é uma jovem brasileira que se muda para uma pequena cidade da França para estudar numa escola de arte. Longe de casa e de seu namorado, vivendo sozinha em um apartamento antigo e sombrio, Pérola sente os efeitos de um tempo que passa pesado e mordaz, sendo cada vez mais tomada por nostalgia e medo, solidão e pavor, a um ponto onde sonho, fantasia e realidade perdem suas fronteiras. Depois da misteriosa morte de Pérola, o namorado ausente se torna presente e busca por sua alma. Exercício filmado excelente sobre a solidão aplicada ao espaço.

Pérola é uma jovem brasileira que se muda para uma pequena cidade da França para estudar numa escola de arte. Longe de casa e de seu namorado, vivendo sozinha em um apartamento antigo e sombrio, Pérola sente os efeitos de um tempo que passa pesado e mordaz, sendo cada vez mais tomada por nostalgia e medo, solidão e pavor, a um ponto onde sonho, fantasia e realidade perdem suas fronteiras. Depois da misteriosa morte de Pérola, o namorado ausente se torna presente e busca por sua alma. Exercício filmado excelente sobre a solidão aplicada ao espaço.

Pérola é uma jovem brasileira que se muda para uma pequena cidade da França para estudar numa escola de arte. Longe de casa e de seu namorado, vivendo sozinha em um apartamento antigo e sombrio, Pérola sente os efeitos de um tempo que passa pesado e mordaz, sendo cada vez mais tomada por nostalgia e medo, solidão e pavor, a um ponto onde sonho, fantasia e realidade perdem suas fronteiras. Depois da misteriosa morte de Pérola, o namorado ausente se torna presente e busca por sua alma. Exercício filmado excelente sobre a solidão aplicada ao espaço.

Pérola é uma jovem brasileira que se muda para uma pequena cidade da França para estudar numa escola de arte. Longe de casa e de seu namorado, vivendo sozinha em um apartamento antigo e sombrio, Pérola sente os efeitos de um tempo que passa pesado e mordaz, sendo cada vez mais tomada por nostalgia e medo, solidão e pavor, a um ponto onde sonho, fantasia e realidade perdem suas fronteiras. Depois da misteriosa morte de Pérola, o namorado ausente se torna presente e busca por sua alma. Exercício filmado excelente sobre a solidão aplicada ao espaço.

Pérola é uma jovem brasileira que se muda para uma pequena cidade da França para estudar numa escola de arte. Longe de casa e de seu namorado, vivendo sozinha em um apartamento antigo e sombrio, Pérola sente os efeitos de um tempo que passa pesado e mordaz, sendo cada vez mais tomada por nostalgia e medo, solidão e pavor, a um ponto onde sonho, fantasia e realidade perdem suas fronteiras. Depois da misteriosa morte de Pérola, o namorado ausente se torna presente e busca por sua alma. Exercício filmado excelente sobre a solidão aplicada ao espaço.

Roteirista brasileira e ator colombiano se apaixonam em meio a um festival de cinema. A história é desenvolvida em outros cinco encontros, todos em festivais.

Após 10 anos longe do Rio de Janeiro, Marina recebe um cartão postal misterioso que a faz retornar à cidade. Em busca de respostas, ela se depara com a realidade da qual fugiu tempos atrás.

Os jovens Antônia e Pedro formam um casal que vivem em união estável e se julgam felizes juntos. Porém, quando eles conhecem a bela Luana, o relacionamento começa a se fragilizar: Antônia se apaixonada pela nova mulher e começam a viver um intenso relacionamento.

Amianto lives isolated in her own fantasy world, inhabited by her delusions and unbridled hope, where her ingenuity and her melancholy coexist hand in hand. After feeling abandoned by her love (The Boy), Amianto finds shelter in the presence of her dead friend, Blanche, that will protect her against her pain - at least as far as she can. Her inner universe collides with the reality of a world that does not accept her, a world to which she doesn't belong and that invariably she comes back with her playful delusions, mixing reality and fantasy. With the help of her Fairy Godmother, Amianto gathers strength to continue living in the hope of being happy someday.

Amianto lives isolated in her own fantasy world, inhabited by her delusions and unbridled hope, where her ingenuity and her melancholy coexist hand in hand. After feeling abandoned by her love (The Boy), Amianto finds shelter in the presence of her dead friend, Blanche, that will protect her against her pain - at least as far as she can. Her inner universe collides with the reality of a world that does not accept her, a world to which she doesn't belong and that invariably she comes back with her playful delusions, mixing reality and fantasy. With the help of her Fairy Godmother, Amianto gathers strength to continue living in the hope of being happy someday.

Amianto lives isolated in her own fantasy world, inhabited by her delusions and unbridled hope, where her ingenuity and her melancholy coexist hand in hand. After feeling abandoned by her love (The Boy), Amianto finds shelter in the presence of her dead friend, Blanche, that will protect her against her pain - at least as far as she can. Her inner universe collides with the reality of a world that does not accept her, a world to which she doesn't belong and that invariably she comes back with her playful delusions, mixing reality and fantasy. With the help of her Fairy Godmother, Amianto gathers strength to continue living in the hope of being happy someday.

Amianto lives isolated in her own fantasy world, inhabited by her delusions and unbridled hope, where her ingenuity and her melancholy coexist hand in hand. After feeling abandoned by her love (The Boy), Amianto finds shelter in the presence of her dead friend, Blanche, that will protect her against her pain - at least as far as she can. Her inner universe collides with the reality of a world that does not accept her, a world to which she doesn't belong and that invariably she comes back with her playful delusions, mixing reality and fantasy. With the help of her Fairy Godmother, Amianto gathers strength to continue living in the hope of being happy someday.

Amianto lives isolated in her own fantasy world, inhabited by her delusions and unbridled hope, where her ingenuity and her melancholy coexist hand in hand. After feeling abandoned by her love (The Boy), Amianto finds shelter in the presence of her dead friend, Blanche, that will protect her against her pain - at least as far as she can. Her inner universe collides with the reality of a world that does not accept her, a world to which she doesn't belong and that invariably she comes back with her playful delusions, mixing reality and fantasy. With the help of her Fairy Godmother, Amianto gathers strength to continue living in the hope of being happy someday.

An omen, a shred of time only. Suddenly the huge-bellied man jumps into the pool holding a glass of whiskey.

An omen, a shred of time only. Suddenly the huge-bellied man jumps into the pool holding a glass of whiskey.

Um filme sobre a cidade. Um filme sobre pessoas. Estamos vivendo o começo da era da sociedade urbana. Um novo campo ainda ignorado e desconhecido. E o cenário do futuro ainda não se encontra estabelecido.

Um filme sobre a cidade. Um filme sobre pessoas. Estamos vivendo o começo da era da sociedade urbana. Um novo campo ainda ignorado e desconhecido. E o cenário do futuro ainda não se encontra estabelecido.

Four friends are reunited in a night that is moved by a game of lies and truth with unexpected consequences. This movie is based on the theatrical play “Eutro” directed by Rodrigo Fischer.

Four friends are reunited in a night that is moved by a game of lies and truth with unexpected consequences. This movie is based on the theatrical play “Eutro” directed by Rodrigo Fischer.

Four friends are reunited in a night that is moved by a game of lies and truth with unexpected consequences. This movie is based on the theatrical play “Eutro” directed by Rodrigo Fischer.

Four friends are reunited in a night that is moved by a game of lies and truth with unexpected consequences. This movie is based on the theatrical play “Eutro” directed by Rodrigo Fischer.

Four friends are reunited in a night that is moved by a game of lies and truth with unexpected consequences. This movie is based on the theatrical play “Eutro” directed by Rodrigo Fischer.

Nenhum homem é um fracasso quando tem amigos.

Nenhum homem é um fracasso quando tem amigos.

A pair of eyes is no longer enough.

“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis

“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis

“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis

“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis

“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis

“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis

“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis

“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis

Science fiction based on real facts.

Paris - estrangeira recém-chegada ao Brasil - e a brasileira Thais iniciam uma amizade singela compartilhando sentimentos e sensações, mesmo que não entendam uma única palavra no idioma alheio.

Paris - estrangeira recém-chegada ao Brasil - e a brasileira Thais iniciam uma amizade singela compartilhando sentimentos e sensações, mesmo que não entendam uma única palavra no idioma alheio.

Se uma imagem vale mais que mil palavras, essa vista custaria a biblioteca inteira.

“Foam and Bone” is an experimental video directed by Ticiano Monteiro and Guto Parente, in 2007. The TV, bathroom, window, kitchen, light and shadow. Under the supervision of crickets and cockroaches inhabit the strange and common.