Producer
Nathan was diagnosed with paranoid schizophrenia. Now he's better, before he was much worse. He films himself, his relatives at the hospital, his bipolar best friend, his father, his sister, his mother and his love between 2011 and 2018. For him, everyone is a "loulou", in his own way. It is thanks to them that he finally begins to become a man instead of a madman.
Producer
Summer '76, there's a heatwave and the Swiss countryside is drying out at top speed. In this stifling environment, Gus who is thirteen years old and son of a farmer, sees both his family environment and his innocence relentlessly breaking. He's living the end of a world.
Producer
She is alcohol-phobic. He is a deep alcoholic. After their passionate night, Suze will find out she is allergic to her new friend. In this hyperbolic world, pathological characters are in search of tenderness. They suffer from bodily disorders : sentimentality for Suze and Dallas is manifested through violence, allergic reactions, occasional gunshots - "Suze" represents love as I have dreamt it: dramatic, kitsch, naive, but always sincere.
Producer
Leandre goes looking for a stranger named Tristan to give him some bad news about a mutual friend. However, when they meet, Leandre fails to deliver his message, which makes Tristan believe that they met by pure chance. They form a bond, but the true nature of what links them to the same boy remains ambiguous.
Producer
Frank, a man of action who worked his way up all by himself, dedicates his life to work. No matter the place or the circumstances, be it day or night, he’s on the phone, handling the cargo ships he charters for major companies. But when he has to deal with a crisis situation, Frank makes a brutal decision and gets fired. Profoundly shaken, betrayed by a system to which he gave his all, he has to progressively question himself to save the one connection that still matters to him: the bond he’s managed to maintain with his youngest daughter, Mathilde.
Producer
8-year old Alice and her brother, the 5-year old Lucas accompany their parents to visit their beloved grandfather in the hospital where he is to be dying. All baffled, they observe the adults wearing each other down about a situation that seems so evident to the children. They decide to take matters into their own hands...
Producer
Straight out of jail, Sombra returns to his life as a drug dealer in the creole slum of Lisbon. In between the money he has lent and can't get back, the money he owes, a fanciful iguana, an invasive little girl and a ringleader who begins to mistrust him, he starts to think that he might have been better off in the clink...
Producer
Zé, a 50-year-old alcoholic, works in the port of Lisbon where he loads and unloads containers. Zé never left his neighborhood and is hiding his savings so that one day he'll be able to board one of the huge cruise ships he sees everyday. When his jealous wife steals his money, Zé will do everything to fulfil his dream.
Co-Producer
Nuvem, a young man with a strong penchant for stroll and daydream and little given to work, prefers the company of dogs and clowns. Seeing the indifference of his entourage, he lets his need for independence guide him and sets out to find the mysterious sunfish.
Producer
Carnival in a small town: Margaux, Louisa and Théo are getting ready for a night out. They put on their costumes, drink too much. Each one of them apprehends this evening in a different way. A night like so many others… But on the next morning, their lives will have changed forever.
Producer
Along with her husband and three children, Marthe lives in an eden of her own creation, nearly isolated from the rest of the world. The arrival of a construction vehicle, however, pierces their tranquil, hermetic existence—before long a disused highway has been re-opened, and the family finds their home situated in the midst of rush-hour traffic. While the privileges of clean air, quietude and privacy are thus denied them, Marthe remains determined to stay no matter the cost.
Producer
Adopted by a well-off Swiss couple with slightly older son and daughter, Vinh never cut off links with his country of origin. Postcards from the adoptive family regularly conveyed to Vinh's mother in Vietnam reassurance about the warmth and nurturing environment that she always wished for her boy. Now grown up, Vinh is getting married; after so many years, the wedding is the ideal opportunity for his mother, accompanied by uncle Dac, to visit the adoptive family. Nothing would cause a greater consternation among its members. The parents underwent a less than amicable divorce, the father is bankrupt, the sister estranged, the elder brother brooding, the model family broken up. What can be done to prevent the unavoidable and profound disappointment of Vinh's mother and uncle Dac when they discover the fiasco?
