Alain Resnais
Birth : 1922-06-03, Vannes, Morbihan, Bretagne, France
Death : 2014-03-01
History
Alain Resnais (3 June 1922 – 1 March 2014) was a French film director and screenwriter whose career extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct a number of short films which included Night and Fog (1955), an influential documentary about the Nazi concentration camps.
Resnais began making feature films in the late 1950s and consolidated his early reputation with Hiroshima mon amour (1959), Last Year at Marienbad (1961), and Muriel (1963), all of which adopted unconventional narrative techniques to deal with themes of troubled memory and the imagined past. These films were contemporary with, and associated with, the French New Wave (la nouvelle vague), though Resnais did not regard himself as being fully part of that movement. He had closer links to the "Left Bank" group of authors and filmmakers who shared a commitment to modernism and an interest in left-wing politics. He also established a regular practice of working on his films in collaboration with writers previously unconnected with the cinema such as Jean Cayrol, Marguerite Duras, Alain Robbe-Grillet, Jorge Semprún and Jacques Sternberg.
In later films, Resnais moved away from the overtly political topics of some previous works and developed his interests in an interaction between cinema and other cultural forms, including theatre, music, and comic books. This led to imaginative adaptations of plays by Alan Ayckbourn, Henri Bernstein and Jean Anouilh, as well as films featuring various kinds of popular song.
His films frequently explore the relationship between consciousness, memory, and the imagination, and he was noted for devising innovative formal structures for his narratives. Throughout his career, he won many awards from international film festivals and academies.
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Himself (archive)
A genius inventor of forms, Alain Resnais is one of the fathers of cinematic modernity. This portrait, rich in archives, looks back on the career of a discreet non-conformist, in perpetual search of renewal to fight against anxiety.
Voix d'Alain Resnais
Director
In the midst of rehearsals for a new play, amateur dramatics proponents Colin and Kathryn receive the shattering news that their friend George is fatally ill and only has a few months to live.
Screenplay
From beyond the grave, celebrated playwright Antoine d'Anthac gathers together all his friends who have appeared over the years in his play "Eurydice." These actors watch a recording of the work performed by a young acting company, La Compagnie de la Colombe. Do love, life, death and love after death still have any place on a theater stage? It's up to them to decide. And the surprises have only just begun...
Director
From beyond the grave, celebrated playwright Antoine d'Anthac gathers together all his friends who have appeared over the years in his play "Eurydice." These actors watch a recording of the work performed by a young acting company, La Compagnie de la Colombe. Do love, life, death and love after death still have any place on a theater stage? It's up to them to decide. And the surprises have only just begun...
Writer
Marguerite loses her wallet, and it's found by Georges, a seemingly happy head of family. As he looks through the wallet and examines the photos of Marguerite, he finds he's fascinated with her and her life, and soon his curiosity about her becomes an obsession.
Adaptation
Marguerite loses her wallet, and it's found by Georges, a seemingly happy head of family. As he looks through the wallet and examines the photos of Marguerite, he finds he's fascinated with her and her life, and soon his curiosity about her becomes an obsession.
Director
Marguerite loses her wallet, and it's found by Georges, a seemingly happy head of family. As he looks through the wallet and examines the photos of Marguerite, he finds he's fascinated with her and her life, and soon his curiosity about her becomes an obsession.
Audio interview with Alain Resnais
Director
In Paris, six people all look for love, despite typically having their romantic aspirations dashed at every turn.
(voice)
Luc Lagier puts Alain Resnais' film back in its historical context and in the filmmaker's biography. He tells the story, then the development of what was originally intended to be a short documentary film and which turned into an unusual allegory. Composed of fascinating archives, including notably the correspondence between Duras and Resnais, this analysis of 'Hiroshima mon amour' manages to put the film in perspective while detaching itself from it. A rare and captivating work.
Director
A musical drawing room farce set in Paris in October, 1925. Gilberte, in middle-age, flirts with men but loves her husband Georges, wishing he were more demonstrative. He's negotiating a deal with an American, Eric Thomson, who turns out to be Gilberte's first husband from an annulled and secret stateside marriage. Along with her sister Arlette, Gilberte begs Eric not to tell Georges about the marriage. Meanwhile, a young artist, Charly, pursues Gilberte while Arlette tries to match him with the young Huguette, who loves him. Will Eric play along or try to re-win Gilberte's affection? Can Gilberte play one off against another? And who will manage to kiss whom on the lips?
Director
Odile is a business executive looking for a new, bigger apartment. Her younger sister Camille has just completed her doctoral thesis in history and is a Paris tour guide. Simon is a regular on Camille's tours because he's attracted to her. Camille has fallen for Marc, and they begin an affair. Nicolas is also looking for an apartment, since he hopes to eventually have his family join him in Paris.
Director
"Smoking" and "No Smoking" are two segments of the film which are based on closely connected plays. The original plays covered eight separate stories, which have been pared down to three each for these movies. At a certain point in the story of each segment, the five female characters (all played by Sabine Azema) and the four male characters (all played by Pierre Arditi) have their lives skillfully recapped in terms of "what might have happened" if they had made or failed to make certain choices. For example, "No Smoking" focuses chiefly on the relationship between the mild-mannered Miles Coombes and his infinitely more aggressive and ambitious wife, Rowena.
Director
"Smoking" and "No Smoking" are two segments of the film which are based on closely connected plays. The original plays covered eight separate stories, which have been pared down to three each for these movies. At a certain point in the story of each segment, the five female characters (all played by Sabine Azema) and the four male characters (all played by Pierre Arditi) have their lives skillfully recapped in terms of "what might have happened" if they had made or failed to make certain choices. For example, "No Smoking" focuses chiefly on the relationship between the mild-mannered Miles Coombes and his infinitely more aggressive and ambitious wife, Rowena.
Director
"Smoking" and "No Smoking" are two segments of the film which are based on closely connected plays. The original plays covered eight separate stories, which have been pared down to three each for these movies. At a certain point in the story of each segment, the five female characters (all played by Sabine Azema) and the four male characters (all played by Pierre Arditi) have their lives skillfully recapped in terms of "what might have happened" if they had made or failed to make certain choices. For example, "No Smoking" focuses chiefly on the relationship between the mild-mannered Miles Coombes and his infinitely more aggressive and ambitious wife, Rowena.
Director
Documentary about George Gershwin directed by Alain Resnais with various celebrities speaking on their admiration and affection for Gershwin's music.
Director
Contre l'Oubli (Against Oblivion) is a compilation of 30 French filmmakers, Alain Resnais and Jean Luc Godard among them, who use film to make a plea on behalf of a political prisoner. Jean Luc Godard and Anne Marie Mieville's film concerns the plight of Thomas Wanggai, West Papuan activist who has since died in prison. The short films were commissioned by Amnesty International.
Director
Joey Wellman, an American cartoonist from Cleveland now largely forgotten at home, visits France with his partner Lena to attend an exhibition in Paris about the comic strip (bande dessinée) which features his work. He also hopes to be reconciled with his daughter Elsie who has been a student in Paris for two years, in flight from the American culture of which she sees her father as a typical example. Elsie is naively infatuated with French literature, and is trying to secure an introduction to the brilliant university professor Christian Gauthier, an expert on Flaubert but also an enthusiast for comic books. The meeting of father and daughter goes badly, but Elsie is persuaded to join Joey and Lena for the weekend at the country house of Gauthier's mother, Isabelle. During a comic-themed masquerade party, all of the characters are made to reconsider their present and past relationships.
Writer
Pierre Belcroix and Marcel Blanc are violinists and lifelong friends living in Paris in the 1920s. While Marcel has become famous and Pierre has not, both are happy with their lives. Pierre is happily married to Romaine, a stylish young flapper. However, Marcel meets and falls in love with her, which Marcel little suspects.
Director
Pierre Belcroix and Marcel Blanc are violinists and lifelong friends living in Paris in the 1920s. While Marcel has become famous and Pierre has not, both are happy with their lives. Pierre is happily married to Romaine, a stylish young flapper. However, Marcel meets and falls in love with her, which Marcel little suspects.
Director
Elisabeth and Simon have been deeply in love for two months when Simon momentarily dies, but comes back to life. Simon does not want any further medical tests, but the couple are forced to grapple with the possibility of his death. They eventually tell their close friends Jérôme and Judith Martignac about the event. The Martignacs are both clerics, and Judith has just been giving a funeral service for a villager who committed suicide, though Jérôme would have nothing to do with suicide..
Director
In this whimsical fable, Resnais deftly interweaves three story lines: the creation of an early-20th-century utopia; romantic high jinks at a school conference; and a fantasy sparked by F/X pioneer Georges Méliès.
Director
Prof. Henri Laborit uses the stories of the lives of three people to discuss behaviorist theories of survival, combat, rewards and punishment, and anxiety. René is a technical manager at a textile factory and must face the anxiety caused by corporate downsizing. Janine is a self-educated actress/stylist who learns that the wife of her lover is dying and must decide to let them reunite. Jean is a controversial career-climbing writer/politician at a crossroads in life.
Filmmaker William Klein documents the Paris student riots that occurred in May of 1968.
Director
On the eve of his 78th birthday, the ailing, alcoholic writer Clive Langham spends a painful and sleepless night mentally composing and recomposing scenes for a novel in which characters based on his own family are shaped by his fantasies and memories, alongside his caustic commentary on their behaviour.
Director
Irresistible charm and talent helps Serge Alexandre alias Stavisky, small-time swindler, to make friends with even most influential members of French industrial and political elite during the early 30s. But nothing lasts forever and when his great scam involving hundreds millions of francs gets exposed result is an unprecedented scandal that almost caused a civil war.
Co-Director
The film narrates a utopian abandonment, consensual and festive of the market economy and high productivity. The population decides on a number of resolutions beginning with "We stop everything" and the second "After a total downtime will be revived-reluctantly-that the services and products including lack will prove intolerable. Probably: water to drink, electricity for reading at night, the TSF to say "This is not the end of the world, this is an 01, and now a page of Celestial Mechanics". The implementation of these resolutions is the first day of a new era, Year 01. The Year 01 is emblematic of the challenge of the 1970s and covers such diverse topics as ecology, negation of authority, free love, communal living, rejection of private property and labor.
Director
A series of 41 documentary shorts, directed (without credit) by several famous French filmmakers and each running between two and four minutes. Each "tract" espouses a leftist political viewpoint through the filmed depiction of real-life events, including workers' strikes and the events of Paris in May '68.
Director
Recovering from an attempted suicide, a man is selected to participate in a time travel experiment that has only been tested on mice. A malfunction in the experiment causes the man to experience moments from his past in a random order.
Director
In seven different parts, Godard, Ivens, Klein, Lelouch, Marker, Resnais, and Varda show their sympathy for the North-Vietnamese army during the Vietnam War.
Director
Diego is one of the chiefs of the Spanish Communist Party. On his way from Madrid to Paris, he is arrested at the border for an ID check but manages to get free. When he arrives in Paris, he starts searching for one of his comrade to prevent him from going to Madrid where he could be arrested.
Thanks
This impressionistic portrait of the 1964 Tokyo Summer Olympics pays as much attention to the crowds and workers as it does to the actual competitive events. Highlights include an epic pole-vaulting match between West Germany and America, and the final marathon race through Tokyo's streets. Two athletes are highlighted: Ethiopian marathon runner Abebe Bikila, who receives his second gold medal, and runner Ahamed Isa from Chad, representing a country younger than he is.
Director
In the seaside town of Boulogne, no one seems to be able to cope with their past, least of all Hélène, an antique furniture saleswoman, her stepson Bernard, and her former lover Alphonse.
Self (uncredited)
Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.
Un Consommateur (uncredited)
An American in Paris lives by sponging off his working friends, and throws a party using borrowed money when his rich American aunt dies, believing firmly in his horoscope.
Director
In a strange and isolated chateau, a man becomes acquainted with a woman and insists that they have met before.
Editor
Le chant du Styrène is a 1958 French documentary film directed by Alain Resnais. The film was an order by French industrial group Pechiney to highlight the merits of plastics.
Director
Le chant du Styrène is a 1958 French documentary film directed by Alain Resnais. The film was an order by French industrial group Pechiney to highlight the merits of plastics.
Director
The deep conversation between a Japanese architect and a French actress forms the basis of this celebrated French film, considered one of the vanguard productions of the French New Wave. Set in Hiroshima after the end of World War II, the couple -- lovers turned friends -- recount, over many hours, previous romances and life experiences. The two intertwine their stories about the past with pondering the devastation wrought by the atomic bomb dropped on the city.
Technical Advisor
William Klein’s first film is an impressionistic study of late-fifties Broadway, an ominous city-symphony lit by bright flickering light. Orson Welles would delcare it "the first film I've seen in which colour was absolutely necessary".
Director
A documentary film about occupational diseases shot in 1957 at the Francolor factory in Oissel. It takes the form of a scientific investigation to discover the origin of a mysterious illness that has infected a worker at the factory.
Editor
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Director
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Editor
A penetrating study of a marriage on the rocks, set against the backdrop of a small Mediterranean fishing village. Both a stylized depiction of the complicated relationship between a married couple and a documentary-like look at the daily struggles of the inhabitants of Sète in the South of France.
Editor
Toute la mémoire du monde is a documentary about the Bibliothèque Nationale in Paris. It presents the building, with its processes of cataloguing and preserving all sorts of printed material, as both a monument of cultural memory and as a monstrous, alien being.
Director
Toute la mémoire du monde is a documentary about the Bibliothèque Nationale in Paris. It presents the building, with its processes of cataloguing and preserving all sorts of printed material, as both a monument of cultural memory and as a monstrous, alien being.
Editor
Editor
Short documentary ordered by the magazine "Présence Africaine". From the question "Why is the african in the Human museum while Greek or Egyptian art are in Le Louvre?", the two directors expose and criticise the lack of consideration for African art. The film was censored in France for eight years because of its anti-colonial perspective.
Director
Short documentary ordered by the magazine "Présence Africaine". From the question "Why is the african in the Human museum while Greek or Egyptian art are in Le Louvre?", the two directors expose and criticise the lack of consideration for African art. The film was censored in France for eight years because of its anti-colonial perspective.
Director
Alain Resnais & Robert Hessen use the famous Picasso mural "Guernica" in combination with newspaper headlines in an anti-war cry against the Spanish Civil War. Narration by Jacques Pruvost highlights the Guernica atrocity of April 1937, followed by a poem by Paul Eluard read by María Casares to a discordant score by Guy Bernard.
Director
Pictura is a documentary film directed by seven famous directors, and narrated by several famous Hollywood actors. The film attempts to give the general filmgoing public a taste of art history and art appreciation.
Director
Short documentary on Paul Gauguin by Alain Resnais
Editor
Nicole Védrèss' chronicle of Paris from 1900 to 1914 is brought to life through the use of original material, all authentic, secured from more then 700 films belonging to public and private collections. A few of the celebrities of the time shown are Enrico Caruso, Sarah Bernhardt, and Maurice Chevalier.
Assistant Director
Nicole Védrèss' chronicle of Paris from 1900 to 1914 is brought to life through the use of original material, all authentic, secured from more then 700 films belonging to public and private collections. A few of the celebrities of the time shown are Enrico Caruso, Sarah Bernhardt, and Maurice Chevalier.
Director
Oscar Winning 1948 short film by Alain Resnais, not to be confused with either the Short 1966 TV doc or the 1991 feature film by Maurice Pialat, both of which shared the same name.
Director
Here is a very rare and unknown documentary directed by Alain Resnais when he was still a student, part of his series about painters of his time. The film is only 6 minutes 20 seconds but it has an audio track, which is not the case with all the films of the series.Christine Boumeester was Henri Goetz 's wife and Resnais also directed a documentary about him.
Director
Directed by Alain Resnais
Director
A very rare and unknown documentary directed by Alain Resnais when he was still a student, part of his series about painters of his time.
Director
An art short subject about a visit to a French painter.
Director
An art short subject about a French surrealist painter, designer, and illustrator.
Director
A visit by the director to the studio of the artist is the basis for this documentary short subject.
Writer
This is the legendary meeting between a young filmmaker and one of the masters of surrealism: the spanish painter Óscar Domínguez, born in La Laguna, Tenerife, in 1906, died in Paris in 1957. In the "Visite," the artist -admirer of Picasso, rebellious disciple of Breton- is presented in solitude, far from the tumult of the exhibitions and parisian circles. An austere approach, almost “povera”, with no audio, nor flashy camera movements, but rarely attractive. Why Resnais could not finish his movie? Hope one of our experts help us to solve the mystery.
Director
This is the legendary meeting between a young filmmaker and one of the masters of surrealism: the spanish painter Óscar Domínguez, born in La Laguna, Tenerife, in 1906, died in Paris in 1957. In the "Visite," the artist -admirer of Picasso, rebellious disciple of Breton- is presented in solitude, far from the tumult of the exhibitions and parisian circles. An austere approach, almost “povera”, with no audio, nor flashy camera movements, but rarely attractive. Why Resnais could not finish his movie? Hope one of our experts help us to solve the mystery.
Extra (uncredited)
At the end of the 15th century, two traveling minstrels Gilles and Dominique come to the castle of Baron Hugues. Gilles charms Anne, Hugues' daughter, while Dominique charms both Hugues and Anne's fiance. Gilles and Dominique are not really in love: they were sent by the Devil to test desperate people. But Anne is so pure that Gilles is caught in his own trap... How will they fight against the Devil?