Yoshiko Yura

A mother is accused of murdering her daughter but when she tells her tale, things don't seem to make sense. Her husband says they have no daughter, there's a psychic that can trace phone calls, a blonde who sings the US anthem, a house with no bathroom, some Lynchian dream sequences, aliens, breeding experiments, very quirky FBI agents, and some other random events.

After her brother is accused of murdering four people, his sister, desperate to prove his innocence, goes to a psychic for help. The price they ask, however, is far more than she expected, and the answers they give her are nothing she could ever have imagined. And what is the FBI doing investgating a murder in Japan?

Infected with Tomie's blood, a surgeon disappears, leaving his daughter, Yumi, to try to discover Tomie's identity and to solve the mystery of her father's disappearance.

While investigating the horrifying death of her boyfriend, Mai Takano learns about a videotape haunted by the spirit of a disturbing girl named Sadako, which kills anyone who watches it exactly one week later. When her boyfriend’s son, Yoichi, starts to develop the same psychic abilities as Sadako, Takano must find a way to keep the boy and herself from becoming the next victims.

Sho Aikawa plays a police detective whose dark personal history makes it impossible for him to stay within the limits of the legal system. But he is not just a detective; he is also a husband who has to explain to his wife how he got blood on his sleeve. And the criminals he pursues turn out to be as imperfect and oddly human as he is-and just as determined to protect their own families. This is the first of Kurosawa's films to pay homage to 1970s American gunslingers like Dirty Harry and reinvent them for modern Tokyo.

Miyako is a frustrated insurance saleswoman stuck in a major dry spell. She tries every trick in the book, including aggressive flirting, which gets her plenty of gropers but no buyers. One day while venturing down a narrow stairwell, she injures her ankle and happens upon Mitsuru who works for some mysterious foreign company. Decked out in high goth style -- complete with long inky black hair and mascaraed eyes -- Mitsuru cuts quite an odd figure, yet his seductive though menacing ways make him difficult for Miyako to resist. Escorting her to his office to treat her ankle, Miyako notices that his all-female staff seem more glassy-eyed and soul-deadened than the average office workers. In fact, they seem almost like zombies. Later, weird things start happening. Mitsuko finds vomit on her doorstep, she seems to be tailed by a shadowy woman in a red dress, and most strikingly, she finds herself utterly powerless against Mitsuru's advances.

Ryo Masuda is a washed up adult video director without a leading actress. Now, he has to find someone to re-place her quick, so he can produce his latest low budget S&M video. When the young Yukie appears to turn the production into an unexpected hit, Ryo becomes drawn to the world of sadomasochism and his newfound star.

The Yakuza clan Inoshika decides to help a small family business, Taxi Tanaka, lured by the clan Jinryûkaï and deeply in debt.

One of the contemporary masters of Japanese film, Kiyoshi Kurosawa here fashions a dark tale that is both a sharp satire of corporate life and a B-movie thriller. A former sumo wrestler now working as a security guard goes on a murderous rampage in the company that's employed him.

The film begins with some Polaroids of a young boy and a young girl. A female voice over tells us who these people are...they are brother and sister, she is seven and he is eight. She goes on to say that when she was seven and he was eight, she told her brother that she would marry him.