Carlo Ayhllón

"El Grillo" trains with his best friend "Espinas" and other young boxers. The dynamic of the gym is altered when "El Grillo" brings his little newborn baby, alias "La Chapulina".

The mountains of Oaxaca harbor the remains of a ravaged and burnt shelter, once home to a psychoanalyst priest who used it to look after savage children, trying to re-integrate them into society. Through videotape diaries and interviews, the truth of what happened is shockingly revealed.

Dante spends his days between factories, skateboards and corpses, but the only thing he cares about is the Death Metal band he plays in with his best friends. Lucy, the girlfriend of his comatose brother, comes to visit, and here presence will cause chaos, confusion, but also hope.

Mexico City, November 1901. The police raid a private home where a secret party is being held. Among those attending is the son-in-law of President Porfirio Díaz.

The love of his life hates kids. So when his 9-year-old daughter suggests she pretend to be his sister... what could go wrong?

A lonely road stretches along the desert of Chihuahua, Lucia and her son Ismael driving through assuming that the pathway together is not over yet.

Nestor wants to go live with his sister in the US, nevertheless, he is the only one who lives with his mother and he can't leave her alone.

On December 11, 2013, Víctor Álvarez Damián and other young men were arrested amid a joint security operation led by the local police of Veracruz. Their whereabouts remain unknown to this day. Perla, Víctor’s mother, has been looking for him since then. “Open the Earth” portrays her painful and tireless fight to access to the truth and justice.

Lalo is a fourteen year old teenager who, from an naive approach, gets involved in the underground world of the gas theft mafia while he's trying to make money to buy a gift for Ana and win her heart.

Ana's shyness holds her back from talking to her crush, but with inspiration from Hans Christian Andersen's The Little Mermaid, this may finally change.

The great lakes of Mexico's Valley were a natural system that regulated the temperature of the country's Capital City. By disappearing them, it created an ecological imbalance that has not been able to be reversed yet.

Aura, Juan, and Evaristo live in San Antonio del Querer, an old town that nobody remembers and nobody comes back to. Aura will try to leave her town and look for a new life elsewhere. She will tries to convince her father and grandfather to leave with her and save them from fading into oblivion.

In the town of San Miguel Tzinacapan, in Puebla’s Nahua Mountain Range, a family lost its father. His absence transforms the lives of those who were so deeply connected to him. Tere, now in charge of the family, must make money by selling crafts. Jorge is about to finish school and will soon have to choose his own path. Chayo, 16, must make an important decision. A year has passed, and the members of the family have been able to redefine themselves, finding their own destiny while always venerating their father’s memory.

Inside the elevators of the oldest multi-family residential building in Latin America, life goes by quickly. Bodies and stories crowd together in front of the elevator operators’ eyes in the small metal box. Elevator operators are spectators, guardians and confidants. They are the ones who know the living history of the buildings.

This documentary tells the story of César, the oldest Mexican prisoner on death row in the United States. César has waited for his execution date for more than 30 years, always insisting that he is innocent. Los años de Fierro is a reflection on justice, imprisonment, punishment, guilt and brotherly love, through the eyes of César and his bother, Sergio.

Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.