Carlo Ayhllón

"El Grillo" trains with his best friend "Espinas" and other young boxers. The dynamic of the gym is altered when "El Grillo" brings his little newborn baby, alias "La Chapulina".

화재로 불탄 집에는 한 남자와 세 아이들이 살고 있었다고 한다. 한 야만의 아이를 발견한 목사가 아이를 문명/인간화 시키는 과정과, 두 아이가 더 발견된 후 세 아이들과 남자간에 일어난 광기 어린 사건의 실체를, 우리는 발견된 영상을 통해 목격한다.

Dante spends his days between factories, skateboards and corpses, but the only thing he cares about is the Death Metal band he plays in with his best friends. Lucy, the girlfriend of his comatose brother, comes to visit, and here presence will cause chaos, confusion, but also hope.

동성애가 금기시되던 멕시코. 대통령의 딸과 결혼한 의원이 비밀 클럽에서 젊은 남성과 은밀한 밤을 보낸다. 아무도 몰라야 할 그날의 이야기. 하지만 곧 뜨거운 스캔들이 멕시코 전역을 뒤흔든다. 실화를 바탕으로 한 작품.

꿈에 그리던 그녀와 로맨스는 순항 중. 그런데 살며시 드러난 '자그만' 문제 하나. 그녀는 아이가 싫은데 그에겐 눈에 넣어도 안 아플 예쁜 딸이 있을 뿐이고. 고민에 빠진 그에게 딸이 깜찍한 해결책을 제시한다. 내가 여동생 하지 뭐!

A lonely road stretches along the desert of Chihuahua, Lucia and her son Ismael driving through assuming that the pathway together is not over yet.

Nestor wants to go live with his sister in the US, nevertheless, he is the only one who lives with his mother and he can't leave her alone.

On December 11, 2013, Víctor Álvarez Damián and other young men were arrested amid a joint security operation led by the local police of Veracruz. Their whereabouts remain unknown to this day. Perla, Víctor’s mother, has been looking for him since then. “Open the Earth” portrays her painful and tireless fight to access to the truth and justice.

중부 멕시코의 황량한 들판에는 밤마다 지하 파이프라인에 구멍을 뚫어 석유를 훔치는 기름 도둑들이 기승이다. 가난한 홀어머니와 단둘이 사는 순진한 고등학생 랄로는 짝사랑 아나에게 용기를 내 여자친구가 돼달라고 말하지만 웃음거리만 된다. 아나는 오토바이를 타고 다니는 룰로 일당과 어울리지만 쉽게 룰로에게 마음을 주지도 않는다. 알바를 하는 석유 가게 노인에게 빚을 지고 있고, 아나에게 선물할 스마트폰도 사고 싶은 랄로는 큰돈을 벌 수 있는 일자리를 찾아 룰로가 속한 기름 도둑 일당에 가담한다. 아나에게 스마트폰을 선물한 후의 하룻밤 데이트는 랄로에게는 가장 행복한 순간이었을 것이다. 하지만 어른이 되고픈 소년의 운명은 비극적인 결말로 치닫는다. 트라이베카 영화제 극영화부문 최우수 감독상을 수상한 에드가니토의 이 강렬한 데뷔작은 과장 없이 담담하지만 커다란 충격과 울림을 던지는 범죄 드라마이자 성장영화다. 마치 감독이 예견한 듯 현실에서는 바로 넉 달 전 멕시코 송유관 폭발사고가 일어나 130명이 넘는 주민들의 목숨을 앗아갔다. 캐릭터가 충격에 종속되지 않고 현실을 살게 한, 감독이 취한 태도는 옳아 보인다. 아름다운 것은 사람이요, 잔혹한 것은 운명이며, 비극적인 것은 삶이다.

Ana's shyness holds her back from talking to her crush, but with inspiration from Hans Christian Andersen's The Little Mermaid, this may finally change.

The great lakes of Mexico's Valley were a natural system that regulated the temperature of the country's Capital City. By disappearing them, it created an ecological imbalance that has not been able to be reversed yet.

Aura, Juan, and Evaristo live in San Antonio del Querer, an old town that nobody remembers and nobody comes back to. Aura will try to leave her town and look for a new life elsewhere. She will tries to convince her father and grandfather to leave with her and save them from fading into oblivion.

In the town of San Miguel Tzinacapan, in Puebla’s Nahua Mountain Range, a family lost its father. His absence transforms the lives of those who were so deeply connected to him. Tere, now in charge of the family, must make money by selling crafts. Jorge is about to finish school and will soon have to choose his own path. Chayo, 16, must make an important decision. A year has passed, and the members of the family have been able to redefine themselves, finding their own destiny while always venerating their father’s memory.

Inside the elevators of the oldest multi-family residential building in Latin America, life goes by quickly. Bodies and stories crowd together in front of the elevator operators’ eyes in the small metal box. Elevator operators are spectators, guardians and confidants. They are the ones who know the living history of the buildings.

This documentary tells the story of César, the oldest Mexican prisoner on death row in the United States. César has waited for his execution date for more than 30 years, always insisting that he is innocent. Los años de Fierro is a reflection on justice, imprisonment, punishment, guilt and brotherly love, through the eyes of César and his bother, Sergio.

Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.