Jeong Jae-eun

At the eastern end of Seoul, in a huge apartment complex, it has long been a paradise for cats and people to run around and give love and joy together. However, there are people who are worried about cats who are not leaving the place which will be demolished soon, ahead of reconstruction. "I want to ask. Do you want to keep living here?" For the happy farewell of cats and people, a beautiful struggle begins!

Ryoko Matsumura is a popular writer in her 50's. She also knows that she has Alzheimer’s. Ryoko Matsumura begins to teach at a university. She meets a young Korean man in his 20's. They become attracted to each other.

Ryoko Matsumura is a popular writer in her 50's. She also knows that she has Alzheimer’s. Ryoko Matsumura begins to teach at a university. She meets a young Korean man in his 20's. They become attracted to each other.

I wanted to document various stories around apartment buildings from the first-generation urbanologist of Seoul and also from the apartment generation who was born and raised in apartments. They have cozy memories, upcoming anxieties and inconvenient experiences in their apartments, and in addition, they have witnessed the street trees growing up all the while. I was sad to hear that the residents do not garden trees because they want to start to rebuild as soon as possible.Therefore, the life circulation of an apartment building in Korea is only 30 to 40 years.

A documentary film about Seoul City Hall Construction. The construction project has a hard going in every way. A city plan, excessive administrative notions, a design and all got mingled up. Can the project sail, yes?

Chung Guyon is a second-generation Korean modern architecture. By implementing the Miracle Library Project for children in six major metropolitan cities nationwide for instance, he confronts and fights society, displaying his indefatigable will to build a better one through architecture.

Ordinary teen So-Yo (Chun Jung-Myung) discovers the world of inline skating and his life changes forever. He joins a group of skaters, which includes group leader Gap-Ba (Lee Chun-Hee), skater Moggy (Kim Kang-Woo) and his girlfriend Han-Joo (Jo Yi-Jin). Han-Joo is an aspiring filmmaker who films her boyfriend's amazing skating sets. So-Yo also finds Han-Joo attractive. Meanwhile, group leader Gap-Ba hopes to send his send team to the world inline skating championship in Los Angeles, but mandatory military service is right around the corner. Meanwhile, Moggy takes part in a commercial shoot which causes major problems for the tight-knit skating group.

Ordinary teen So-Yo (Chun Jung-Myung) discovers the world of inline skating and his life changes forever. He joins a group of skaters, which includes group leader Gap-Ba (Lee Chun-Hee), skater Moggy (Kim Kang-Woo) and his girlfriend Han-Joo (Jo Yi-Jin). Han-Joo is an aspiring filmmaker who films her boyfriend's amazing skating sets. So-Yo also finds Han-Joo attractive. Meanwhile, group leader Gap-Ba hopes to send his send team to the world inline skating championship in Los Angeles, but mandatory military service is right around the corner. Meanwhile, Moggy takes part in a commercial shoot which causes major problems for the tight-knit skating group.

Ordinary teen So-Yo (Chun Jung-Myung) discovers the world of inline skating and his life changes forever. He joins a group of skaters, which includes group leader Gap-Ba (Lee Chun-Hee), skater Moggy (Kim Kang-Woo) and his girlfriend Han-Joo (Jo Yi-Jin). Han-Joo is an aspiring filmmaker who films her boyfriend's amazing skating sets. So-Yo also finds Han-Joo attractive. Meanwhile, group leader Gap-Ba hopes to send his send team to the world inline skating championship in Los Angeles, but mandatory military service is right around the corner. Meanwhile, Moggy takes part in a commercial shoot which causes major problems for the tight-knit skating group.

Anthology film of six shorts by leading Korean directors. Park Chan-Wook, tackles racial prejudice and the economic exploitation of immigrant workers through the real-life story of a Nepalese woman in Korea. Jeong Jae-Eun, tackles the plight of a paedophile released into the community. Yeo Gyun-Dong, invites disabled actor Kim Moon-Joo to re-enact his most famous protest. Im Soon-Rye, goes for the engrained sexism of Korean men with superb wit and, Park Jin-Pyo, confronts the horror of children forced into oral surgery to improve their English-speaking ability.

Anthology film of six shorts by leading Korean directors. Park Chan-Wook, tackles racial prejudice and the economic exploitation of immigrant workers through the real-life story of a Nepalese woman in Korea. Jeong Jae-Eun, tackles the plight of a paedophile released into the community. Yeo Gyun-Dong, invites disabled actor Kim Moon-Joo to re-enact his most famous protest. Im Soon-Rye, goes for the engrained sexism of Korean men with superb wit and, Park Jin-Pyo, confronts the horror of children forced into oral surgery to improve their English-speaking ability.

Keeping the Vision Alive is a documentary film containing the voices and images of Korean women filmmakers-both senior filmmakers and also the peers of director Yim. The film is Yim’s homage to both contemporary Korean women filmmakers, written by a filmmaker of the same age, and also to the history of women filmmakers in Korea. Yim does not reveal her own voice or opinion and lets the voices and images of the filmmakers speak for themselves through a non-interventionist camera. From the pioneers, Park Nam-ok, and Hwang Hye-mi, who directed First Experience in 70’s, to recent filmmakers, Byun Young-joo and Jang Hee-sun, the film traces their experiences, troubles, concerns and thoughts as women and women filmmakers. Keeping the Vision Alive calmly and enthusiastically encourages and celebrates the struggles, the resistance and the survival of women filmmakers in a conservative Korean film industry and a male-dominated and sexist social system. (Kwon Eun-sun)

The fashionable Hye-joo is focused on her career at a brokerage house. She's making a decent living, but her co-workers look down on her. Tae-hee is sick of living under the thumb of her domineering father. She spends her time doing volunteer work for a poet with cerebral palsy. Sullen Ji-young lives in poverty with her grandparents and struggles to find work. The girls, close friends in high school, find themselves drifting apart as their adult lives begin to take shape.

The fashionable Hye-joo is focused on her career at a brokerage house. She's making a decent living, but her co-workers look down on her. Tae-hee is sick of living under the thumb of her domineering father. She spends her time doing volunteer work for a poet with cerebral palsy. Sullen Ji-young lives in poverty with her grandparents and struggles to find work. The girls, close friends in high school, find themselves drifting apart as their adult lives begin to take shape.

Young Yu-jin likes The X-Files and keeps a diary written in a secret code.

Young Yu-jin likes The X-Files and keeps a diary written in a secret code.

Young Yu-jin likes The X-Files and keeps a diary written in a secret code.

Seung-Jin and Ji-Seon are high school students who sneak out at night and play. They are friends but what they want is different. Seung-Jin is ashamed of having a father who is too old and Ji-Seon is bored with her daily routine and her family. Seung-Jin wants to be a photographer, so she carries around a camera and one day…

Seung-Jin and Ji-Seon are high school students who sneak out at night and play. They are friends but what they want is different. Seung-Jin is ashamed of having a father who is too old and Ji-Seon is bored with her daily routine and her family. Seung-Jin wants to be a photographer, so she carries around a camera and one day…

Seung-Jin and Ji-Seon are high school students who sneak out at night and play. They are friends but what they want is different. Seung-Jin is ashamed of having a father who is too old and Ji-Seon is bored with her daily routine and her family. Seung-Jin wants to be a photographer, so she carries around a camera and one day…