When an artist dies, the official cause of death is judged to be a stroke, but his daughter suspects foul play. She recruits the services of an assassin, who by chance encounters an old friend...
Fifth movie in the Hissatsu (Sure Death!) Series. At the behest of a corrupt bureaucrat, a mysterious band of murderers wage a bloody battle against three deadly assassins.
In 1026, students in western China are shanghaied into the forces of crown prince Li Yuanhao of Xi Xia, who wants to control the length of the Silk Road. One student is Zhao Xingde, who becomes the favorite of his commander, Zhu Wangli. While sacking a fortress, Xingde discovers Tsurpia, princess of the Uighur. He hides her; they fall in love. When he's sent away to study Xixian, he leaves Tsurpia in Zhu's care, but returns to find her engaged to Li. Tragedy follows, and he and Zhu enter a pact to take revenge when Li arrives at Dun-Huang, the region's seat of learning and culture. Against overwhelming odds, they find a surprising way to leave a monument to their life and love.
When the Shogunates greatest secret is stolen, the fate of the nation hangs in the balance. The Shogunate sends an incompetent cop, Tanaka, to Kyoto to act as a stalking horse. Hoping the thieves will kill Tanaka and the Ninja Spies will kill the thieves. But what the Shogunate doesn't realise is that Tanaka's even more incompetent assistant Mondo is in fact the leader of a gang of revengers for hire, there motto is "Sure Death" (or your money cheerfully refunded). Mondo doesn't know that everyone knows about the secret, but they all think he does. Poor Mondo, he not only has to deal with crazed Shogunate extremists, oddball ninjas, crooks who work for the Emperor and bicycle riding foreign death squads. He also have to deal with a wife and a crazy mother-in-law!
A group of seemingly ordinary merchants is really a band of assassins for hire. When they discover that all the assassins in Edo are being killed they must act quickly to find the culprit.
An industrialist is diagnosed with terminal cancer. He is on a trip to Europe at the time, and a glimpse of a Japanese woman in that setting causes him to fantasize about her as the personification of his impending death. As his dialogue with his imagined mortality continues, he actually meets the living woman who is the template for his fantasy, and together they tour rural churches. Gradually he comes to some kind of peace about the diagnosis. When he returns to Japan, he is met with a series of challenges which profoundly test the lessons he has learned.
