Alfonso Sanz

Movies

Una película póstuma
Cinematography
A city man receives a call from the woman he loved and embarks on a clandestine journey to reunite with her in an outlaw community settled on the top of a mountain. Two successive guides take him to his destination: the reunion with a story that he has not been able to forget.
Blockbuster
Director of Photography
Bear Cub
Director of Photography
Pedro, a gay man with an active social life and big circle of friends, takes in his nephew Bernardo for a couple weeks. When it appears as though it might become a permanent arrangement, however, Pedro turns to his friends for guidance as he and 9-year-old Bernardo begin to forge a household together.
Ten Days Without Love
Camera Operator
Miguel, a young psychiatrist working in Madrid, learns that his wife has just dumped him for no one else than his own father while he's expecting his mother-in-law's visit, who's come to the city on a medical revision, and doesn't know anything about her daughter's affair; to make things worse, one of Miguel's deranged patients has just stolen his wallet. Going to his patient's home to retrieve his wallet he'll meet instead his spontaneous and outspoken hairdresser sister Jasmina, who's bound to change Miguel's ordered, upper-middle-class world for good.
Marta and Surroundings
Director of Photography
A group of friends, all about in their thirties, gather at Julio's home, one of them, to help him paint the walls. During the hours they are together, their problems, their envy, their failures, their quarrels come to light. Around them, Marta will find how they really are.
Manolito Four Eyes
Director of Photography
The usually absent father of a chubby kid shows up to take him on a road trip.
The Guardian Angel
Director of Photography
Madrid, 1981. Jorge has just arrived in Madrid to live in beautiful large house with his brother, mother, grandmother Obdulia, a wealthy woman who is somewhat deaf, and his grandfather, an aged and senile octogenarian.