Angela Walsh

Angela Walsh

Profile

Angela Walsh

Movies

Nowhere Boy
Schoolmistress
The drama tells the story of John Lennon's teenage years in Liverpool and the start of his journey to becoming a successful musician. The story also examines the impact on his early life and personality of the two dominant females in his childhood.
Shockers:  Dance
Joy
Thirty-something single father Mike meets attractive younger Christine at a dance lesson. She likes him as much as he likes her. But are things too good to be true.
Wide-Eyed and Legless
Karen
Diana and Deric have an ideal marriage: they thrive in each other's company, they're funny, and they enjoy their two grown children and Deric's dotty mother; the trouble is, Diana can no longer walk and her malady defies medical diagnosis. To care for Diana, Deric is letting his business slide, but at a civic luncheon, he is seated next to Aileen Armitage, a novelist who is blind. They have a nice time, and on the sly, Diana contacts Aileen to made an odd request. Diana's declining health and her resolve bring this triangle of unlikely friends to a surprising place.
Blonde Fist
Mrs Cruikshank
A woman attempts to escape her domestic problems by fleeing to New York in search of her father. She finds him, and also new problems, some friendship, a romance, and an unexpected career as pro-boxer, to make ends meet.
I Hired a Contract Killer
Landlady
After losing his job and realizing that he is alone in the world, a businessman opts to voluntarily end his life. Lacking courage, he hires a contract killer to do the job. Then, while awaiting his demise, he meets a woman and promptly falls in love.
Needle
Angry Mother
Needle paints a harrowing picture of a Liverpool overrun by drugs, charting a young man's nightmarish descent into intravenous heroin use and AIDS and a police and political leadership incapable of the imagination or courage necessary to respond to the drug problem.
Small Zones
Intertwined story of the lives of two women; an Englishwoman suffering abuse from her violent husband, and a Russian poet serving hard labour because of her subversive work.
Distant Voices, Still Lives
Eileen
The second film in Terence Davies's autobiographical series (along with "Trilogy" and "The Long Day Closes") is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies's own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.