Ignacio
A woman in a Catholic brotherhood in the south of Spain tries to be president in a world traditionally reserved to men.
Pablo Ortiz
Two journalists investigate the criminal activities of the GAL (Grupos Antiterroristas de Liberación), a secret terrorist organization founded in the eighties and financed by leading figures in the Spanish government and security forces to hunt down and exterminate both members and collaborators of the terrorist gang ETA.
Federico
Diana, the Countess of Belflor, is an intelligent, impulsive woman in love with her secretary, Teodoro. He is engaged to Marcela, one of the countess's ladies in waiting. When the countess finds out about the engagement, driven by jealousy, she does everything possible to separate the lovers.
Iván
A young woman’s passion forms the basis of this erotic Spanish drama adapted from a popular novel by Antonio Gala. The night before Desideria’s marriage, her girl friends give her some valuable advice on sex. The marriage takes place, and while it is generally happy, her husband Ramiro suffers from sexual dysfunction and Desideria is frustrated. The two end up on holiday in Istanbul with two friends. Desideria falls madly in love with the sensual ambiance of the ancient, teeming city. She begins a passionate affair with a handsome Turkish guide, Yaman. Upon her return home, she learns that she is pregnant. Ramiro agrees to support the child, but unfortunately it dies in infancy and the grieving Desideria flees for Istanbul to find her lover. She finds him and they renew their torrid affair. Later she learns some distressing things about Yaman, but this does not stop her from becoming his sexual slave and a call girl for wealthy carpet sellers.
Ginecólogo
Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age. She can be feisty and edgy, which sometimes gets in the way of what would make her happy. And she regularly threatens to leave Antonio. Will she, and on what terms? What will he do?
Duque de Barleta
Madrid, 1924. A ne'er-do-well in his 30s, perpetual disappointment to his aging military father, hatches a plan to rob the mail train to Andalusia. He intends the hit to be bloodless, but complications arise soon.
In 1940's Madrid. Juan plays piano for Pepita and her on-stage partner Mario. Although Mario really wants to steal Juan for himself, Juan is not interested and Mario resorts to a string of lovers as consolation. When he loves (and leaves) a young nobleman, the young man wants revenge.
