Lise Ringheim

Copenhagen 1984. Ronni is a young, mediocre punk-guitarist, eager to make it big in the death obsessed late-punk milieu. But his girlfriend has left him, the other members of his band are fed up with his incompetence and insecure attitude, he has a problem with his stomach, his doctor wants to abuse him sexually and the former manager of the band thinks Ronni owes him some money. It seems to reach an ultimate low, when Ronni collapses onstage during an all-important concert, but it turns out to be his ticket to glory as he claims to be mortally ill

Maria grows up in a seedy 1960s working class neighborhood, the daughter of an ambitious emigrant father and soon caught up in her own dangerously one track-minded pursuit of a violinist's career. A rich gallery of highly original characters contribute, for better and for worse, to Maria's coming of age. Based on Kirsten Thorup's critically acclaimed 1982 novel, filmed by Morten Arnfred.

Bergman took one of his favourite plays to Copenhagen for a guest performance, which was even broadcast on Danish TV. In his Copenhagen The Misanthrope, Bergman maintained a dual approach. On the one hand, a production of Molière's play as a theatrical game performed in style and intellectually conceived; on the other hand, an exposure, through physical and psychological intensity, of the emotional tragedy in which Alceste and Celemine are both victims. Expectations were high prior to Bergman's production of The Misanthrope. A reviewer wrote, 'For the first time Molière's connection to the Danish stage is intercepted by a director whose forte is physiological tragedy, Strindberg over Holberg'. Many reviews had expected Bergman to put his very personal stamp on the production. Instead they experienced 'a clean Molière' and were struck by Bergman's faithfulness to the original mise-en-scene and to the classical rhythm of Molière's text.

Two of Hans Christian Andersen's fairytales in a blend of animation and live-action.

Solange and Claire are two housemaids who construct elaborate and subversive sadomasochistic rituals when their mistress is away.

Copenhagen around the turn of the century - December 29th, 1899. Great merchant and shipowner Jacob Friis is one of Copenhagen's richest men. His home is the gathering place for family and friends. Since his wife's dead 10 years earlier, he shares sense of family and business acumen with his three daughters. Jacob wants to find a nobleman for his daughter Emily. Baron Claes is a very charming gentleman, but also a great womanizer...

A gentle comedy offering the promise of easy social consensus. Harry (Helmuth) is a simple old-time shop porter offered a chance at self-realisation when he's bequeathed a sum by an unknown relative (via several levels of fiscal blood suckers). He decides to engage a butler to take good care of him for a time. This is a man of distinguished upper class service, but a generous nature which happily integrates with Harry's small but colourful world of drinking buddies and crackpot neighbourhood kids.