Michelle Couttolenc

Following “the life in the kitchen of a vast New York City restaurant where all the cultures of the world mix during the lunchtime rush.”

Sylvia is a social worker who leads a simple and structured life: her daughter, her job, her AA meetings. This is blown open when Saul follows her home from their high school reunion. Their surprise encounter will profoundly impact both of them as they open the door to the past.

From Golden Bear winner Radu Jude, DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD takes a fierce and darkly comic swipe at modern day life. Overworked and underpaid production assistant Angela (Ilinca Manolache) is assigned to film a workplace safety video for a multinational corporation in Bucharest. When one of the interviewees makes a statement that ignites a scandal, Angela has to re-invent the story. Featuring appearances from Nina Hoss, Uwe Boll, and Angela’s TikTok alter-ego Bobiță, Jude’s anarchic satire is a wild and unforgettable ride through the vulgar indignities of the 21st century.

An overworked and underpaid production assistant who must drive around the city of Bucharest to film the casting for a workplace.

In the remote village of El Echo that exists outside of time, the children care for the sheep and their elders. While the frost and drought punish the land, they learn to understand death, illness and love with each act, word and silence of their parents. A story about the echo of what clings to the soul, about the certainty of shelter provided by those around us, about rebellion and vertigo in the face of life. About growing up.

Alejandro's life is disrupted when actress Sophie Wilder stays at his hotel. To their surprise, the two fall for one another, meeting at midnight.

As every year, the Los Pinos school, a prestigious school of the confessional type, sends its students on retreat to the countryside. Under the watchful eye of teachers and priests, the children are led on the path of their physical and moral development. Through the gaze of several middle and upper class teenagers, the film shows how their upbringing affects the future of society itself.

While exploring the neighboring woods, 13-year-old John discovers an unfinished bunker — a deep hole in the ground. Seemingly without provocation, he drugs his affluent parents and older sister and drags their unconscious bodies into the bunker, where he holds them captive. As they anxiously wait for John to free them from the hole, the boy returns home, where he can finally do what he wants.

Metal drummer Ruben begins to lose his hearing. When a doctor tells him his condition will worsen, he thinks his career and life is over. His girlfriend Lou checks the former addict into a rehab for the deaf hoping it will prevent a relapse and help him adapt to his new life. After being welcomed and accepted just as he is, Ruben must choose between his new normal and the life he once knew.

In 1994, Mexican presidential candidate Colosio garnered attention for his democratic ideology and anti-corruption stance until he was shot through the head in Tijuana. The wondrous ColOZio, which is partly based on true events, starts three days prior with a prophecy to tripping friends Diego and Gael: save Colosio from death. The duo's dancing in a kaleidoscopic animated, almost 10-minute-long title sequence subsequently sets the tone for a playful, delightfully over-the-top road movie. Expect mythical apparitions, cartoony chases and plenty of drink and drugs.

A beautiful woman turns to prostitution. She must surrender her income to the leader of a human trafficking ring, but her daughter’s illness and a drug addiction prevent her from delivering her usual share. An unexpected event will give her the opportunity to stop obeying and take justice into her own hands.

While leading a police investigation of a massacre in a public school at the border of Mexico and U.S.A, special Agent Emanuel Ritter links this strange case to the coming and rising of the ancient demon Belzebuth. But in order to stop the trail of upcoming infanticides, Ritter shall have to confront himself before dealing with the forces of good and evil.

Ramin flees from persecution in Iran and ends up living in the limbo of exile, far from everything he knows, in the tropical port town of Veracruz, Mexico. There his nostalgia and melancholy are confronted with new friendships, while he starts to rediscover his own desires.

A family lives in the Mexican countryside raising fighting bulls. Esther is in charge of running the ranch, while her husband Juan, a world-renowned poet, raises and selects the beasts. Although in an open marriage, their relationship begins to crumble when Esther falls in love with an American horsebreaker and Juan is unable to control his jealousy.

Jimi, a young man living in the Brussels' neighbourhood Cité Modèle, tries to pass on a parcel to a local woman that was delivered to his apartment by mistake. When Jimi can't locate her, finding her becomes an obsession.

A gambling addict faces a conflict when entrusted with keeping a bunch of money that isn't his.

Mexico, 2016. In some of the world's most dangerous cities life is not worth much. Looking into the eyes of the protagonists of violence, victims as well as executioners, helps to understand how fear inserted itself in the subconscious of our society. Through a network of concrete stories, we are facing the most obscure traits of the human psyche, the frail balance between humanity and evil.

Nicolás, a photographer, has suffered epilepsy since childhood and he is forced to take care of himself and sacrifice a lot, though he lives a normal life. On the other hand, Isabel is a woman who, apparently, has her whole life figured out although her mother is ill and she has no choice but to try to save her. Isabel and Nicolás fall in love in spite of themselves, their demons, their ghosts, and their weaknesses. Suddenly engaged in a relationship none of them would have even dared to imagine, they experience the love, passion, insecurity, fear, and allergy to commitment typical in people who are drifting away.

Based on a miraculous true story that drew the attention of the entire nation, is the dramatic, thrilling, and spiritual journey of Ashley Smith and Brian Nichols. After being taken hostage by Brian in her own apartment, Ashley turns to Rick Warren’s inspirational book, The Purpose Driven Life, for guidance. In reading from the book, Ashley not only finds purpose in her own life, but helps Brian find a more peaceful resolution to a harrowing situation.

July, 1925. Thurber Phillips, an art collector, is invited by his favorite painter, the elusive and mysterious Richard Upton Pickman, to visit his home, a sinister place where his friend's macabre paintings seem to threaten him from the walls in shadows.

A portrait documentary tracing the inspiration, philosophy and imagination of the celebrated theatre and screen writer - and Bunuel's long term collaborator - Jean Claude Carrière. Carrière predicts that between the house he was born in and the cemetery in which he will end there is a life journey of just 250 meters. "Carrière: 250 Meters" follows him as he reflects on the wealth of global traditions of storytelling, travelling through past and present, across countries and cultures from Paris to New York, Mexico and India and joined by his family, friends and collaborators. A testament to the life and work of an extraordinary man and a key architect in contemporary cinema.

This film traces the unbelievable true story of the Calderón family, who built grand movie palaces in Mexico and the U.S., employing thousands to produce incomparable, hugely successful, and often reprehensible populist-genre films that were utterly and uniquely Mexican.

Adaptation and unification in a single story of several stories by the writer Rubem Fonseca, where the theme of violence in contemporary society is explored.

A love story between a Mexican teenager and an American woman who meet one summer in Mexico.

Dakota, a young American, arrives in the Dominican Republic at the dawn of the Trump era with little idea of why he is there, where he is headed, or what might come next. After checking into a beachside hotel, he finds himself in the crossfire of a volatile love triangle between two hotheads and the mysterious and elusive femme fatale Fabiola. The second feature by Juan Antonio Bisonó (Mosh) is a love letter to film noir both classic and contemporary - if the love letter in question was never sent because it got burned to a crisp by its dejected author - and a romantic comedy in reverse, where a breakup precedes the meet-cute, shaking up the beloved and her suitors like a spiked rum cocktail in the Santo Domingo sun.