Arthur Tuoto

Arthur Tuoto

Birth : 1986-05-09, Curitiba, Paraná, Brazil

History

Arthur Tuoto (1986) is a Brazilian filmmaker and film critic. His films and video installations has been screened at festivals and exhibitions such as Berlinale, BAFICI, Festival de Brasília, Mostra de Cinema de Tiradentes, Videonale, among many others.

Profile

Arthur Tuoto

Movies

O CANDIDATO
Thanks
O Fim da Imagem
Editor
The existential crisis of the image haunting humanity.
Ao Sol e à Morte Nunca se Olha de Frente
Editor
From a selection of films excerpts, the video features isolated characters seeking comfort in an always unattainable ideal.
Ao Sol e à Morte Nunca se Olha de Frente
Director
From a selection of films excerpts, the video features isolated characters seeking comfort in an always unattainable ideal.
Não Me Fale Sobre Recomeços
Producer
Audiovisual notes on the individual and the state. The film utilizes various forms of found material to create an association between verbal and audiovisual quotes which explores historical concepts of cinema, art and politics.
Não Me Fale Sobre Recomeços
Editor
Audiovisual notes on the individual and the state. The film utilizes various forms of found material to create an association between verbal and audiovisual quotes which explores historical concepts of cinema, art and politics.
Não Me Fale Sobre Recomeços
Director
Audiovisual notes on the individual and the state. The film utilizes various forms of found material to create an association between verbal and audiovisual quotes which explores historical concepts of cinema, art and politics.
The Carnivore
Producer
After being found by extraterrestrial beings, a survivor of a mysterious incident that decimated part of the human race tries to make sense of the events that led Earth to its tragic fate. Composed entirely of public domain found footage material, the film is an adaptation of the science fiction short story “The Carnivore”, by Katherine MacLean.
The Carnivore
Editor
After being found by extraterrestrial beings, a survivor of a mysterious incident that decimated part of the human race tries to make sense of the events that led Earth to its tragic fate. Composed entirely of public domain found footage material, the film is an adaptation of the science fiction short story “The Carnivore”, by Katherine MacLean.
The Carnivore
Director
After being found by extraterrestrial beings, a survivor of a mysterious incident that decimated part of the human race tries to make sense of the events that led Earth to its tragic fate. Composed entirely of public domain found footage material, the film is an adaptation of the science fiction short story “The Carnivore”, by Katherine MacLean.
The Last Portrait
Sound Designer
Pedro is gone and Amanda must deal with his absence.
The Last Portrait
Editor
Pedro is gone and Amanda must deal with his absence.
The Last Portrait
Producer
Pedro is gone and Amanda must deal with his absence.
The Last Portrait
Screenplay
Pedro is gone and Amanda must deal with his absence.
The Last Portrait
Director
Pedro is gone and Amanda must deal with his absence.
Je Proclame la Destruction
Editor
Two shots from the movie "Le diable probablement" (1977), by Robert Bresson, are repeated in a loop, creating a cyclic and endless raccord.
Je Proclame la Destruction
Director
Two shots from the movie "Le diable probablement" (1977), by Robert Bresson, are repeated in a loop, creating a cyclic and endless raccord.
Aquilo que Fazemos com as Nossas Desgraças
Producer
From a found footage material, the film tells the fable of the Monsters, describing the human condition from a tragic and desolate point of view.
Aquilo que Fazemos com as Nossas Desgraças
Editor
From a found footage material, the film tells the fable of the Monsters, describing the human condition from a tragic and desolate point of view.
Aquilo que Fazemos com as Nossas Desgraças
Director
From a found footage material, the film tells the fable of the Monsters, describing the human condition from a tragic and desolate point of view.
The Lindsay Lohan Experience
Director
Composed of images of the actress Lindsay Lohan being photographed by paparazzi, the work builds a visual experience of flashes, lights and pixels.
Morte de um Igual
Director
Using a dialogue from the film Stalker (1979), by Andrei Tarkovski, as a starting point, the work is a free reflection on music and its primal potentiality.
4xELEPHANT
Director
By placing side by side four sequences from the movie Elephant (2003), by Gus Van Sant, the work explores the simultaneous actions in the film, revealing elliptical nuances in its filmic dispositif.
Dead Hands
Editor
A dialogue from the movie "J'entends plus la guitare" (1991), by Philippe Garrel, is the starting point for a reflection on the immateriality of cinema and its mimetic dimension.
Dead Hands
Director of Photography
A dialogue from the movie "J'entends plus la guitare" (1991), by Philippe Garrel, is the starting point for a reflection on the immateriality of cinema and its mimetic dimension.
Dead Hands
Producer
A dialogue from the movie "J'entends plus la guitare" (1991), by Philippe Garrel, is the starting point for a reflection on the immateriality of cinema and its mimetic dimension.
Dead Hands
Director
A dialogue from the movie "J'entends plus la guitare" (1991), by Philippe Garrel, is the starting point for a reflection on the immateriality of cinema and its mimetic dimension.
Act of Love
Director
Images appropriated from an amateur porn video are reworked through reframing, distortion and other processes.
3xDIELMAN
Director
Three shots from the movie "Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles" (1975), by Chantal Akerman, are placed side by side through a cyclic re-editing, revealing a trapped character in a panel of absent spaces.
Body of Crime
Director
The image of an unconscious body, recorded through the fimmaker's apartment window, is the starting point for a reflection on the traumatic nature of the image.
Em Setembro
Director
Experimental film shot on 8mm.
Transcomunicação
Director
A TV signal reveals an experience of shock and delight.
Shapeless
Director of Photography
A shadow questions itself about its shapes.
Shapeless
Producer
A shadow questions itself about its shapes.
Shapeless
Editor
A shadow questions itself about its shapes.
Shapeless
Director
A shadow questions itself about its shapes.
Ensaio para um vídeo vigilância
Editor
The film shows images captured through a window at the same time that, in the background, the filmmaker talks to a friend who was hospitalized in a psychiatric hospital.
Ensaio para um vídeo vigilância
Director
The film shows images captured through a window at the same time that, in the background, the filmmaker talks to a friend who was hospitalized in a psychiatric hospital.
Buda
Director
Experimental film shot by cellphone.
Landscape Memory #1
Editor
Experimental video shot on a cellphone.
Landscape Memory #1
Director
Experimental video shot on a cellphone.
Passagem
Editor
Experimental video shot on Mini DV.
Passagem
Director
Experimental video shot on Mini DV.
Fronteira
Editor
A bus crosses a border.
Fronteira
Director
A bus crosses a border.
Tainah
Editor
Experimental film shot on a cellphone.
Tainah
Director
Experimental film shot on a cellphone.
Arid Hearts
Writer
A sensory journey that over the course of hours, passes through crises. The constant non-communicability, even so, conceals carnal desire by the two human beings.
Para Ela
Editor
Experimental film by Arthur Tuoto.
Para Ela
Director
Experimental film by Arthur Tuoto.
I'm Not Here
Editor
Experimental film by Arthur Tuoto.
I'm Not Here
Director
Experimental film by Arthur Tuoto.
Self-Portrait
Editor
Experimental video shot on Mini DV
Self-Portrait
Director
Experimental video shot on Mini DV
Foram os Sussurros que Me Mataram
Director