Arthur Tuoto
Рождение : 1986-05-09, Curitiba, Paraná, Brazil
История
Arthur Tuoto (1986) is a Brazilian filmmaker and film critic. His films and video installations has been screened at festivals and exhibitions such as Berlinale, BAFICI, Festival de Brasília, Mostra de Cinema de Tiradentes, Videonale, among many others.
Thanks
Editor
The existential crisis of the image haunting humanity.
Editor
From a selection of films excerpts, the video features isolated characters seeking comfort in an always unattainable ideal.
Director
From a selection of films excerpts, the video features isolated characters seeking comfort in an always unattainable ideal.
Producer
Audiovisual notes on the individual and the state. The film utilizes various forms of found material to create an association between verbal and audiovisual quotes which explores historical concepts of cinema, art and politics.
Editor
Audiovisual notes on the individual and the state. The film utilizes various forms of found material to create an association between verbal and audiovisual quotes which explores historical concepts of cinema, art and politics.
Director
Audiovisual notes on the individual and the state. The film utilizes various forms of found material to create an association between verbal and audiovisual quotes which explores historical concepts of cinema, art and politics.
Producer
After being found by extraterrestrial beings, a survivor of a mysterious incident that decimated part of the human race tries to make sense of the events that led Earth to its tragic fate. Composed entirely of public domain found footage material, the film is an adaptation of the science fiction short story “The Carnivore”, by Katherine MacLean.
Editor
After being found by extraterrestrial beings, a survivor of a mysterious incident that decimated part of the human race tries to make sense of the events that led Earth to its tragic fate. Composed entirely of public domain found footage material, the film is an adaptation of the science fiction short story “The Carnivore”, by Katherine MacLean.
Director
After being found by extraterrestrial beings, a survivor of a mysterious incident that decimated part of the human race tries to make sense of the events that led Earth to its tragic fate. Composed entirely of public domain found footage material, the film is an adaptation of the science fiction short story “The Carnivore”, by Katherine MacLean.
Sound Designer
Pedro is gone and Amanda must deal with his absence.
Editor
Pedro is gone and Amanda must deal with his absence.
Producer
Pedro is gone and Amanda must deal with his absence.
Screenplay
Pedro is gone and Amanda must deal with his absence.
Director
Pedro is gone and Amanda must deal with his absence.
Editor
Two shots from the movie "Le diable probablement" (1977), by Robert Bresson, are repeated in a loop, creating a cyclic and endless raccord.
Director
Two shots from the movie "Le diable probablement" (1977), by Robert Bresson, are repeated in a loop, creating a cyclic and endless raccord.
Producer
From a found footage material, the film tells the fable of the Monsters, describing the human condition from a tragic and desolate point of view.
Editor
From a found footage material, the film tells the fable of the Monsters, describing the human condition from a tragic and desolate point of view.
Director
From a found footage material, the film tells the fable of the Monsters, describing the human condition from a tragic and desolate point of view.
Director
Composed of images of the actress Lindsay Lohan being photographed by paparazzi, the work builds a visual experience of flashes, lights and pixels.
Director
Using a dialogue from the film Stalker (1979), by Andrei Tarkovski, as a starting point, the work is a free reflection on music and its primal potentiality.
Director
By placing side by side four sequences from the movie Elephant (2003), by Gus Van Sant, the work explores the simultaneous actions in the film, revealing elliptical nuances in its filmic dispositif.
Editor
A dialogue from the movie "J'entends plus la guitare" (1991), by Philippe Garrel, is the starting point for a reflection on the immateriality of cinema and its mimetic dimension.
Director of Photography
A dialogue from the movie "J'entends plus la guitare" (1991), by Philippe Garrel, is the starting point for a reflection on the immateriality of cinema and its mimetic dimension.
Producer
A dialogue from the movie "J'entends plus la guitare" (1991), by Philippe Garrel, is the starting point for a reflection on the immateriality of cinema and its mimetic dimension.
Director
A dialogue from the movie "J'entends plus la guitare" (1991), by Philippe Garrel, is the starting point for a reflection on the immateriality of cinema and its mimetic dimension.
Director
Images appropriated from an amateur porn video are reworked through reframing, distortion and other processes.
Director
Three shots from the movie "Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles" (1975), by Chantal Akerman, are placed side by side through a cyclic re-editing, revealing a trapped character in a panel of absent spaces.
Director
The image of an unconscious body, recorded through the fimmaker's apartment window, is the starting point for a reflection on the traumatic nature of the image.
Director
Experimental film shot on 8mm.
Director
A TV signal reveals an experience of shock and delight.
Director of Photography
A shadow questions itself about its shapes.
Producer
A shadow questions itself about its shapes.
Editor
A shadow questions itself about its shapes.
Director
A shadow questions itself about its shapes.
Editor
The film shows images captured through a window at the same time that, in the background, the filmmaker talks to a friend who was hospitalized in a psychiatric hospital.
Director
The film shows images captured through a window at the same time that, in the background, the filmmaker talks to a friend who was hospitalized in a psychiatric hospital.
Director
Experimental film shot by cellphone.
Editor
Experimental video shot on a cellphone.
Director
Experimental video shot on a cellphone.
Editor
Experimental video shot on Mini DV.
Director
Experimental video shot on Mini DV.
Editor
A bus crosses a border.
Director
A bus crosses a border.
Editor
Experimental film shot on a cellphone.
Director
Experimental film shot on a cellphone.
Writer
A sensory journey that over the course of hours, passes through crises. The constant non-communicability, even so, conceals carnal desire by the two human beings.
Editor
Experimental film by Arthur Tuoto.
Director
Experimental film by Arthur Tuoto.
Editor
Experimental film by Arthur Tuoto.
Director
Experimental film by Arthur Tuoto.
Editor
Experimental video shot on Mini DV
Director
Experimental video shot on Mini DV
Director
