Editor
The film presents artists from the Sinti and Roma minority who shape the trauma of persecution and very personal experiences in their works.
Producer
The film presents artists from the Sinti and Roma minority who shape the trauma of persecution and very personal experiences in their works.
Editor
For more than eight decades, German Sinti and Roma experienced injustice. The film tells of the family of activist Romani Rose, their resistance and insistence on justice. The painful story of a minority between trauma and self-assertion. The two-part film deals with various forms of resistance by German and Austrian Sinti and Roma over eight decades. It is about rebellion against injustice and the insistence on dignity and justice.
Producer
For more than eight decades, German Sinti and Roma experienced injustice. The film tells of the family of activist Romani Rose, their resistance and insistence on justice. The painful story of a minority between trauma and self-assertion. The two-part film deals with various forms of resistance by German and Austrian Sinti and Roma over eight decades. It is about rebellion against injustice and the insistence on dignity and justice.
Producer
In 1950, Picasso was offered a room that had once been used as a chapel in his hometown of Vallauris. He pictured turning it into a “pagan site for a unique cult” that would “unite all the people and be dedicated to peace.”
Sound Recordist
In 1950, Picasso was offered a room that had once been used as a chapel in his hometown of Vallauris. He pictured turning it into a “pagan site for a unique cult” that would “unite all the people and be dedicated to peace.”
Editor
In 1950, Picasso was offered a room that had once been used as a chapel in his hometown of Vallauris. He pictured turning it into a “pagan site for a unique cult” that would “unite all the people and be dedicated to peace.”
Director
A small report on the state of the (cyber)world.
Cinematography
Why do humans torture other humans? This is the question Frankfurt’s director Dieter Reifarth addresses in Die Tortur. Following along the lines of Jean Améry’s essay of the same name, he draws a picture of the author’s experiences of being a Nazi prisoner in the Belgian fort Breendonk. Archived footage and images from the present-day museum are shown to accompany the original audio recordings.
Director
Why do humans torture other humans? This is the question Frankfurt’s director Dieter Reifarth addresses in Die Tortur. Following along the lines of Jean Améry’s essay of the same name, he draws a picture of the author’s experiences of being a Nazi prisoner in the Belgian fort Breendonk. Archived footage and images from the present-day museum are shown to accompany the original audio recordings.
Writer
Relates the history of the Tugendhat House and family from the perspectives of the Tugendhat children.
Director
Relates the history of the Tugendhat House and family from the perspectives of the Tugendhat children.
Editor
Ethnologist and adventurer, Count Eric von Rosen was a man of contradictions: interested in the natives of Africa and colonial racism. Nestler embarks on a journey in search of his grandfather.
Producer
Ethnologist and adventurer, Count Eric von Rosen was a man of contradictions: interested in the natives of Africa and colonial racism. Nestler embarks on a journey in search of his grandfather.
Editor
Peter Nestler's poetic documentary Verteidigung der Zeit is not only an hommage to Jean-Marie Straub's and Danièle Huillet's film Quei loro incontri (2005), but also to their access to cinema itself. In various encounters and conversations Nestler offers an insight into their life and work, including passages from Italian poet Cesare Pavese.
Editor
Compilation film by Dieter Reifarth.
Director
Compilation film by Dieter Reifarth.
Producer
Documentary on the final days of the final days of the German government before its relocation to Berlin.
Director
Everyday life of a bizarre bookseller who sees his main occupation in stacking and sorting paperbacks.
Pfleger
Herbert (Heinz Lieven) is a solid, middle-class engineer who one day quits his job and ensconces himself at home (preferably in the bathroom), refusing to say very much to anyone. His wife (Dorothea Moritz ) is all the more upset at his behavior because on Sunday mornings he goes out into the street and yells at the top of his lungs for everyone to "get up." Eventually, the hard-working wife who is also earning their support convinces Herbert to go to a clinic for treatment. But is it a clinic he needs? Or is Herbert rebelling against a society that is too ordered, too sterile, too buried in the monotony of routine?
Writer
Herbert (Heinz Lieven) is a solid, middle-class engineer who one day quits his job and ensconces himself at home (preferably in the bathroom), refusing to say very much to anyone. His wife (Dorothea Moritz ) is all the more upset at his behavior because on Sunday mornings he goes out into the street and yells at the top of his lungs for everyone to "get up." Eventually, the hard-working wife who is also earning their support convinces Herbert to go to a clinic for treatment. But is it a clinic he needs? Or is Herbert rebelling against a society that is too ordered, too sterile, too buried in the monotony of routine?
