Editor
The film presents artists from the Sinti and Roma minority who shape the trauma of persecution and very personal experiences in their works.
Producer
The film presents artists from the Sinti and Roma minority who shape the trauma of persecution and very personal experiences in their works.
Editor
For more than eight decades, German Sinti and Roma experienced injustice. The film tells of the family of activist Romani Rose, their resistance and insistence on justice. The painful story of a minority between trauma and self-assertion. The two-part film deals with various forms of resistance by German and Austrian Sinti and Roma over eight decades. It is about rebellion against injustice and the insistence on dignity and justice.
Producer
For more than eight decades, German Sinti and Roma experienced injustice. The film tells of the family of activist Romani Rose, their resistance and insistence on justice. The painful story of a minority between trauma and self-assertion. The two-part film deals with various forms of resistance by German and Austrian Sinti and Roma over eight decades. It is about rebellion against injustice and the insistence on dignity and justice.
Producer
In 1950, Picasso was offered a room that had once been used as a chapel in his hometown of Vallauris. He pictured turning it into a “pagan site for a unique cult” that would “unite all the people and be dedicated to peace.”
Sound Recordist
In 1950, Picasso was offered a room that had once been used as a chapel in his hometown of Vallauris. He pictured turning it into a “pagan site for a unique cult” that would “unite all the people and be dedicated to peace.”
Editor
In 1950, Picasso was offered a room that had once been used as a chapel in his hometown of Vallauris. He pictured turning it into a “pagan site for a unique cult” that would “unite all the people and be dedicated to peace.”
Director
A small report on the state of the (cyber)world.
Cinematography
Why do humans torture other humans? This is the question Frankfurt’s director Dieter Reifarth addresses in Die Tortur. Following along the lines of Jean Améry’s essay of the same name, he draws a picture of the author’s experiences of being a Nazi prisoner in the Belgian fort Breendonk. Archived footage and images from the present-day museum are shown to accompany the original audio recordings.
Director
Why do humans torture other humans? This is the question Frankfurt’s director Dieter Reifarth addresses in Die Tortur. Following along the lines of Jean Améry’s essay of the same name, he draws a picture of the author’s experiences of being a Nazi prisoner in the Belgian fort Breendonk. Archived footage and images from the present-day museum are shown to accompany the original audio recordings.
Writer
체코의 브루노에 있는 투겐타트 하우스는 모더니즘 건축을 대표하는 건축사 미스 반 데어 로에와 설계를 의뢰한 투겐타트 부부의 유토피아적 상상력에 의해 1930년에 만들어진 걸작 건축물이다. 그러나, 세계대전의 혼란 속에 투겐타트 가족은 스위스로, 베네수엘라로 이주하였고, 집은 발레학교, 치료센터, 척추장애아들을 위한 학교 등으로 사용되었다. 미스 반 데어 로에는 미국으로 이주하여 본격적으로 거대한 사무용 건물들을 설계하였다. 투겐타트 하우스는 1962년에 체코의 국가기념물로 지정되었고, 1980년대부터 복원 캠페인이 시작되어 1994년부터 본격적인 복원 작업이 시작되었다. 2001년에는 유네스코 세계유산에 등재되었다. 영화는 예술적 유토피아와 정치적 비극, 공적인 삶과 사생활, 건축과 가족의 역사, 기억과 망각 사이의 갈등에 대해 이야기한다.
Director
체코의 브루노에 있는 투겐타트 하우스는 모더니즘 건축을 대표하는 건축사 미스 반 데어 로에와 설계를 의뢰한 투겐타트 부부의 유토피아적 상상력에 의해 1930년에 만들어진 걸작 건축물이다. 그러나, 세계대전의 혼란 속에 투겐타트 가족은 스위스로, 베네수엘라로 이주하였고, 집은 발레학교, 치료센터, 척추장애아들을 위한 학교 등으로 사용되었다. 미스 반 데어 로에는 미국으로 이주하여 본격적으로 거대한 사무용 건물들을 설계하였다. 투겐타트 하우스는 1962년에 체코의 국가기념물로 지정되었고, 1980년대부터 복원 캠페인이 시작되어 1994년부터 본격적인 복원 작업이 시작되었다. 2001년에는 유네스코 세계유산에 등재되었다. 영화는 예술적 유토피아와 정치적 비극, 공적인 삶과 사생활, 건축과 가족의 역사, 기억과 망각 사이의 갈등에 대해 이야기한다.
Editor
Ethnologist and adventurer, Count Eric von Rosen was a man of contradictions: interested in the natives of Africa and colonial racism. Nestler embarks on a journey in search of his grandfather.
Producer
Ethnologist and adventurer, Count Eric von Rosen was a man of contradictions: interested in the natives of Africa and colonial racism. Nestler embarks on a journey in search of his grandfather.
Editor
Peter Nestler's poetic documentary Verteidigung der Zeit is not only an hommage to Jean-Marie Straub's and Danièle Huillet's film Quei loro incontri (2005), but also to their access to cinema itself. In various encounters and conversations Nestler offers an insight into their life and work, including passages from Italian poet Cesare Pavese.
Editor
Compilation film by Dieter Reifarth.
Director
Compilation film by Dieter Reifarth.
Producer
Documentary on the final days of the final days of the German government before its relocation to Berlin.
Director
Everyday life of a bizarre bookseller who sees his main occupation in stacking and sorting paperbacks.
Pfleger
Herbert (Heinz Lieven) is a solid, middle-class engineer who one day quits his job and ensconces himself at home (preferably in the bathroom), refusing to say very much to anyone. His wife (Dorothea Moritz ) is all the more upset at his behavior because on Sunday mornings he goes out into the street and yells at the top of his lungs for everyone to "get up." Eventually, the hard-working wife who is also earning their support convinces Herbert to go to a clinic for treatment. But is it a clinic he needs? Or is Herbert rebelling against a society that is too ordered, too sterile, too buried in the monotony of routine?
Writer
Herbert (Heinz Lieven) is a solid, middle-class engineer who one day quits his job and ensconces himself at home (preferably in the bathroom), refusing to say very much to anyone. His wife (Dorothea Moritz ) is all the more upset at his behavior because on Sunday mornings he goes out into the street and yells at the top of his lungs for everyone to "get up." Eventually, the hard-working wife who is also earning their support convinces Herbert to go to a clinic for treatment. But is it a clinic he needs? Or is Herbert rebelling against a society that is too ordered, too sterile, too buried in the monotony of routine?
