France Arbour

The heroic struggle of Canadian Louise Arbour, Chief War Crimes Prosecutor at the International Criminal Tribunal for the former Yugoslavia, as she battles world politics and fierce opposition to indict Slobodan Milosevic for crimes against humanity.

When an Italian man comes out of the closet, it affects both his life and his crazy family.

When the president of Russia suddenly dies, a man whose politics are virtually unknown succeeds him. The change in political leaders sparks paranoia among American CIA officials, so CIA director Bill Cabot recruits a young analyst to supply insight and advice on the situation. Then the unthinkable happens: a nuclear bomb explodes in a U.S. city, and America is quick to blame the Russians.

Three women who share a familial bond but little more come to know each other better in this beautifully-photographed drama. Marie-Madeleine (Sylvie Drapeau) is a photographer in her mid-30s who, for the first time, has come into contact with Mado (France Arbour), her biological mother, who put her up for adoption shortly after she was born. Marie-Madeleine is to take a long road trip for a magazine assignment, and she invites Mado along. Joining the two women is Marie-Madeleine's daughter (Isadora Galwey), who has yet to meet her German father. The three women share their thoughts and ideas as they travel through an idyllic setting to photograph birds. Les Fantomes des Trois Madeleine was shown at the 2000 Cannes Film Festival as part of the Directors Fortnight series.

After a mobster agrees to cooperate with an FBI investigation in order to stay out of prison, he's relocated by the authorities to a life of suburban anonymity as part of a witness protection program. It's not long before a couple of his new neighbours figure out his true identity and come knocking to see if he'd be up for one more hit—suburban style.

Deliberately Felliniesque, this surreal and uneven Canadian satire from iconoclastic French Canadian director Gilles Carle offers an episodic look into an anarchistic, metaphorical world filled with a bizarre assortment of weirdos, wackos and misanthropes. The story roughly centers on the adventures of Yo-Yo, a young woman who is first seen acting as a high priestess for a ceremony involving the miraculous healing powers of the little boy Alphonse.

Despite the fact that he is completely unrepentant about his crimes, when Regis Savoie's son asks to visit him, prison authorities grant permission for the boy to come. The thief and murderer (Gildor Roy) takes advantage of the moment of his son's arrival to steal a gun and take flight. He settles some old scores, gets together with his girlfriend, and heads for the hills, pursued by a detective who is not to be swayed in his efforts to follow and recapture him.

A young girl is orphaned when her nurturing grandmother enters a nursing. She is sent to live with her Bach-obsessed uncle, an organist preparing for an important recital.

When a dead newborn is found, wrapped in bloody sheets, in the bedroom wastebasket of a young novice, psychiatrist Martha Livingston is called in to determine if the seemingly innocent novice, who knows nothing of sex or birth, is competent enough to stand trial for the murder of the baby.