Dariela Ludlow

Julia is a mother, or rather, one of many mothers, sisters, daughters, colleagues, who have had their lives torn apart by the widespread violence in a country waging a war against its women. Julia is searching for Ger, her daughter. And in her search, she will weave through the stories and struggles of the different women she will meet.

In a mountain town, where corn and poppies grow, the girls wear boyish haircuts and have hiding places underground to escape the threat of being stolen. Ana and her two best friends grow up together, affirming the bonds of their friendship and discovering what it means to be women in a rural town marked by violence. Their mothers train them to flee death, to escape those who turn them into slaves or ghosts. They create their own impenetrable universe, but one day one of the girls doesn’t make it to her hiding place in time.

Sofía a well-to-do socialite and her husband must wrestle with the impact of Mexico's 1982 economic crisis.

Rosario Castellanos is an introverted university student who doesn't seem to belong to her time. In the early 1950s in Mexico City, she is fighting to have voice heard in a society run by men. She is about to become one of the biggest female writers in Mexican literature, but her tumultuous love story with Ricardo Guerra will manifest her fragility and contradictions. At the peak of her career and her marriage, she will ignite a discussion that will mark a turning point in her life.

Portraits the crude reality a young and troubled teenage mother faces, while searching for her identity. It is the story of a young woman facing the challenge of raising a little girl on her own, while trying to reinvent herself each day in a relentless social environment towards the least mistake.

Portraits the crude reality a young and troubled teenage mother faces, while searching for her identity. It is the story of a young woman facing the challenge of raising a little girl on her own, while trying to reinvent herself each day in a relentless social environment towards the least mistake.

Jesús Andrade, a young thug, has decided to rob a stagecoach. At the time of the robbery he realizes that this is one of many stagecoaches of Governor Francisco Carreño and without giving enough importance he continues to theft, then suddenly he falls in love.

The economy has collapsed. In a universe of moral and economic impoverishment, we find Flavia, a spoiled teenager with artistic aspirations that are somewhat frustrated when she is not accepted at the University. Her neighbor Martin, a mature man with rigid routines, is her antipode. When Flavia meets Martin, there are sparks of friction at all times, and the situation is unlikely to get any better.

The economy has collapsed. In a universe of moral and economic impoverishment, we find Flavia, a spoiled teenager with artistic aspirations that are somewhat frustrated when she is not accepted at the University. Her neighbor Martin, a mature man with rigid routines, is her antipode. When Flavia meets Martin, there are sparks of friction at all times, and the situation is unlikely to get any better.

Carmen (84) and Emeterio (97) are an elderly couple living out their last years in their house in Acapulco, the same house they built with their own hands. Time seems to have stopped for them; there is no day more special or less special than the one preceding it. All there is left to do is wait. Carmen and Eme survive together as they await the next visit of their family.

Carmen (84) and Emeterio (97) are an elderly couple living out their last years in their house in Acapulco, the same house they built with their own hands. Time seems to have stopped for them; there is no day more special or less special than the one preceding it. All there is left to do is wait. Carmen and Eme survive together as they await the next visit of their family.

Marce, his wife Adriana, his two sons, Mario and Jacqueline, and groom it, Carmelo, are the only members of Aztlan Circus, who wanders through the villages of Texcoco, north of Mexico City. The tightrope is the history of resistance in this family that persists in taking forward an old-fashioned circus because she is convinced of the importance of his art.