Dariela Ludlow

실종된 딸을 찾으려는 어머니. 한 지원 단체에 도움을 청하게 되고, 그곳에서 폭력으로 인해 삶이 망가진 다른 여성들과 연대한다.

멕시코의 산기슭 외딴 마을에서 마약 카르텔에 피해를 입은 이웃의 빈집은 점점 늘어나고, 안나와 친구들은 짧은 머리로도 감출 수 없을 만큼 여성스러운 모습으로 자라난다. 흙구덩이를 파서 대피 훈련을 해보지만, 남자들은 돈 벌러 도시로 떠나고 여자와 어린 아이들만 남은 마을에 다가오는 위협은 커져만 간다. (제26회 부산국제영화제)

항상 매력적이고 완벽하지만 버릇없는 소피아는 친구들 사이에 여왕벌로 군림한다. 그러나 1982년 멕시코에 경제적 위기가 닥쳐오면서 지금까지는 상상할 수 없었던 사교적 몰락에 직면한다. 소피아는 그녀의 외형을 유지하고 싶지만 몰락을 피할 수 없고 돈이 없으면 무엇을 잃게 되는지 또한 인정해야 한다.

Rosario Castellanos is an introverted university student who doesn't seem to belong to her time. In the early 1950s in Mexico City, she is fighting to have voice heard in a society run by men. She is about to become one of the biggest female writers in Mexican literature, but her tumultuous love story with Ricardo Guerra will manifest her fragility and contradictions. At the peak of her career and her marriage, she will ignite a discussion that will mark a turning point in her life.

Portraits the crude reality a young and troubled teenage mother faces, while searching for her identity. It is the story of a young woman facing the challenge of raising a little girl on her own, while trying to reinvent herself each day in a relentless social environment towards the least mistake.

Portraits the crude reality a young and troubled teenage mother faces, while searching for her identity. It is the story of a young woman facing the challenge of raising a little girl on her own, while trying to reinvent herself each day in a relentless social environment towards the least mistake.

Jesús Andrade, a young thug, has decided to rob a stagecoach. At the time of the robbery he realizes that this is one of many stagecoaches of Governor Francisco Carreño and without giving enough importance he continues to theft, then suddenly he falls in love.

The economy has collapsed. In a universe of moral and economic impoverishment, we find Flavia, a spoiled teenager with artistic aspirations that are somewhat frustrated when she is not accepted at the University. Her neighbor Martin, a mature man with rigid routines, is her antipode. When Flavia meets Martin, there are sparks of friction at all times, and the situation is unlikely to get any better.

The economy has collapsed. In a universe of moral and economic impoverishment, we find Flavia, a spoiled teenager with artistic aspirations that are somewhat frustrated when she is not accepted at the University. Her neighbor Martin, a mature man with rigid routines, is her antipode. When Flavia meets Martin, there are sparks of friction at all times, and the situation is unlikely to get any better.

Carmen (84) and Emeterio (97) are an elderly couple living out their last years in their house in Acapulco, the same house they built with their own hands. Time seems to have stopped for them; there is no day more special or less special than the one preceding it. All there is left to do is wait. Carmen and Eme survive together as they await the next visit of their family.

Carmen (84) and Emeterio (97) are an elderly couple living out their last years in their house in Acapulco, the same house they built with their own hands. Time seems to have stopped for them; there is no day more special or less special than the one preceding it. All there is left to do is wait. Carmen and Eme survive together as they await the next visit of their family.

Marce, his wife Adriana, his two sons, Mario and Jacqueline, and groom it, Carmelo, are the only members of Aztlan Circus, who wanders through the villages of Texcoco, north of Mexico City. The tightrope is the history of resistance in this family that persists in taking forward an old-fashioned circus because she is convinced of the importance of his art.