Screenplay
Landscapes of Resistance traces a journey through the memories of antifascist fighter Sonja (97), the first Partisan woman in Serbia, who was also one of the leaders of the Resistance movement at Auschwitz. We make her story travel through time towards the bodies of the new generation of antifascists, bespeaking that it is always possible to think and practice resistance.
Producer
Landscapes of Resistance traces a journey through the memories of antifascist fighter Sonja (97), the first Partisan woman in Serbia, who was also one of the leaders of the Resistance movement at Auschwitz. We make her story travel through time towards the bodies of the new generation of antifascists, bespeaking that it is always possible to think and practice resistance.
Director
Landscapes of Resistance traces a journey through the memories of antifascist fighter Sonja (97), the first Partisan woman in Serbia, who was also one of the leaders of the Resistance movement at Auschwitz. We make her story travel through time towards the bodies of the new generation of antifascists, bespeaking that it is always possible to think and practice resistance.
Writer
Cultural Worker 3 in 1 is a documentary film about the role of the left-oriented independent cultural-artistic scene and cultural workers in the region of ex-Yugoslavia. Following the life and work of several characters in four cities of former Yugoslavia the film explores two issues – what it means to be a cultural worker in post-socialist contexts of Skopje, Belgrade, Zagreb and Ljubljana, and what the possibilities for action and intervention in social reality are, from the position of art and culture. In this way, the film reflects on actual tendencies and problematics at the critical independent cultural scenes, as well as on relations between art, theory and activism, which are strongly present in the region.
Director
Cultural Worker 3 in 1 is a documentary film about the role of the left-oriented independent cultural-artistic scene and cultural workers in the region of ex-Yugoslavia. Following the life and work of several characters in four cities of former Yugoslavia the film explores two issues – what it means to be a cultural worker in post-socialist contexts of Skopje, Belgrade, Zagreb and Ljubljana, and what the possibilities for action and intervention in social reality are, from the position of art and culture. In this way, the film reflects on actual tendencies and problematics at the critical independent cultural scenes, as well as on relations between art, theory and activism, which are strongly present in the region.
Writer
A research-based essay film, but also a very personal perspective on the history of socialist Yugoslavia, its dramatic end, and its recent transformation into a few democratic nation states.
Director
A research-based essay film, but also a very personal perspective on the history of socialist Yugoslavia, its dramatic end, and its recent transformation into a few democratic nation states.
Writer
Bata's understanding of life changes when from a bouncer in a nightclub he becomes guard in a museum of contemporary art. Touched by a controversial artwork, he makes excursion from his class milieu.
Director
Bata's understanding of life changes when from a bouncer in a nightclub he becomes guard in a museum of contemporary art. Touched by a controversial artwork, he makes excursion from his class milieu.
