Marta Popivoda

참여 작품

저항의 풍경
Screenplay
아우슈비츠에서 레지스탕스 운동을 이끈 지도자이며 유고슬라비아 최초의 여성 파르티잔 중 한 명이자 반파시스트 운동가인 97세 소냐의 기억을 따라간다. 이 영화는 소냐의 이야기가 시간을 넘어 오늘날의 반파시스트 운동가들에게까지 가닿도록 하며, 레지스탕스를 사유하고 실천에 옮기는 것이 항상 가능한 일임을 시사한다. (제22회 전주 영화제)
저항의 풍경
Producer
아우슈비츠에서 레지스탕스 운동을 이끈 지도자이며 유고슬라비아 최초의 여성 파르티잔 중 한 명이자 반파시스트 운동가인 97세 소냐의 기억을 따라간다. 이 영화는 소냐의 이야기가 시간을 넘어 오늘날의 반파시스트 운동가들에게까지 가닿도록 하며, 레지스탕스를 사유하고 실천에 옮기는 것이 항상 가능한 일임을 시사한다. (제22회 전주 영화제)
저항의 풍경
Director
아우슈비츠에서 레지스탕스 운동을 이끈 지도자이며 유고슬라비아 최초의 여성 파르티잔 중 한 명이자 반파시스트 운동가인 97세 소냐의 기억을 따라간다. 이 영화는 소냐의 이야기가 시간을 넘어 오늘날의 반파시스트 운동가들에게까지 가닿도록 하며, 레지스탕스를 사유하고 실천에 옮기는 것이 항상 가능한 일임을 시사한다. (제22회 전주 영화제)
Cultural Worker: 3 in 1
Writer
Cultural Worker 3 in 1 is a documentary film about the role of the left-oriented independent cultural-artistic scene and cultural workers in the region of ex-Yugoslavia. Following the life and work of several characters in four cities of former Yugoslavia the film explores two issues – what it means to be a cultural worker in post-socialist contexts of Skopje, Belgrade, Zagreb and Ljubljana, and what the possibilities for action and intervention in social reality are, from the position of art and culture. In this way, the film reflects on actual tendencies and problematics at the critical independent cultural scenes, as well as on relations between art, theory and activism, which are strongly present in the region.
Cultural Worker: 3 in 1
Director
Cultural Worker 3 in 1 is a documentary film about the role of the left-oriented independent cultural-artistic scene and cultural workers in the region of ex-Yugoslavia. Following the life and work of several characters in four cities of former Yugoslavia the film explores two issues – what it means to be a cultural worker in post-socialist contexts of Skopje, Belgrade, Zagreb and Ljubljana, and what the possibilities for action and intervention in social reality are, from the position of art and culture. In this way, the film reflects on actual tendencies and problematics at the critical independent cultural scenes, as well as on relations between art, theory and activism, which are strongly present in the region.
Yugoslavia: How Ideology Moved Our Collective Body
Writer
A research-based essay film, but also a very personal perspective on the history of socialist Yugoslavia, its dramatic end, and its recent transformation into a few democratic nation states.
Yugoslavia: How Ideology Moved Our Collective Body
Director
A research-based essay film, but also a very personal perspective on the history of socialist Yugoslavia, its dramatic end, and its recent transformation into a few democratic nation states.
The Guard
Writer
Bata's understanding of life changes when from a bouncer in a nightclub he becomes guard in a museum of contemporary art. Touched by a controversial artwork, he makes excursion from his class milieu.
The Guard
Director
Bata's understanding of life changes when from a bouncer in a nightclub he becomes guard in a museum of contemporary art. Touched by a controversial artwork, he makes excursion from his class milieu.