Justin Barber

20 years after three teenagers disappeared in the wake of mysterious lights appearing above Phoenix, Arizona, unseen footage from that night has been discovered, chronicling the final hours of their fateful expedition.

20 years after three teenagers disappeared in the wake of mysterious lights appearing above Phoenix, Arizona, unseen footage from that night has been discovered, chronicling the final hours of their fateful expedition.

Four young people navigate the suburban wonderland of metro-Detroit looking for love and adventure on the last weekend of summer.

Oliver meets the irreverent and unpredictable Anna only months after his father Hal Fields has passed away. This new love floods Oliver with memories of his father, who, following the death of his wife of 44 years, came out of the closet at age 75 to live a full, energized, and wonderfully tumultuous gay life – which included a younger boyfriend.

Upon returning to their countryside cabin one day, Kaya, his wife Helen, and their daughter Naomi are confronted by two suited men: representatives of the San Francisco Remigration Program. The men explain that San Francisco is now occupied entirely by the wealthy class. But stoplights still burn out and trains occasionally jump their rails. Blue-collar labor isn't obsolete, but it's scarce. The city has created a program to "remigrate" long-gone working class families from their inland homes back to the city that once pushed them out. Kaya, Helen, and Naomi return to San Francisco and join a handful of other potential remigrants for a tour of what can be expected in their new lives. But can they learn to trust their old home once again?

Waking from a one-night stand that neither remembers, Micah and Joanne find themselves wandering the streets of San Francisco, sharing coffee and conversation and searching for a deeper connection.

Heists do not solely exist in the movies. These high profile schemes are elaborately planned, artful in their Machiavellian plotting, and so meticulously coordinated that they are often referred to as "the masterpieces of the confidence game". Often aimed at impossibly ambitious targets - casinos, jewelry stores, or famous museums - the masterminds behind these crimes are often heralded as the ingenious magicians of the underworld. The mystery and magnitude of these real crime stories sparks an undeniable interest for us innocent onlookers - a sense of seduction, spectacle and entertainment.

Short film written and directed by Lauren Miller.

A little brown boy gets caught up in a violent shooting and must come to terms with the incident and the part he has played.