Senji Horiuchi

When a tough yakuza gangster is betrayed by his bosses, it means all out war. Bodies pile up as he takes out everyone in his way to the top in a brutal quest for revenge.

Machisu is a painter. He never had the success he thinks he is entitled to. Regardless of this, he always remains trying to be successful. His wife Sachiko keeps supporting him, despite all setbacks.

Takeshi Kitano plays a version of himself in which he's a struggling director cycling through a number of different genres in an effort to complete his latest project.

An older gentleman deals with an incompetent projectionist.

Beat Takeshi lives the busy and sometimes surreal life of a showbiz celebrity. One day he meets his blond lookalike named Kitano, a shy convenience store cashier, who, still an unknown actor, is waiting for his big break. After their paths cross, Kitano seems to begin hallucinating about becoming Beat.

Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.

A Japanese Yakuza gangster’s deadly existence in his homeland gets him exiled to Los Angeles, where he is taken in by his little brother and his brother’s gang.

Nami Matsushima, a former doctor, is put in prison for murdering one of the men who raped and killed her sister. Now, faced with violent and lecherous prison gangs, an aggressively amorous warden, and with a friend on death row, Nami must steel herself for a ten year stay in one of Japan's toughest women's prisons.

Nami Matsushima has escaped from the prison to which she was sentenced in Scorpion, but is now obsessed with tracking down the--don't laugh--one-armed man who murdered her younger sister fifteen years ago. Nami is certainly no great action heroine, and the plot at times makes little sense, climaxing with a coincidence more ridiculous than any Shakespeare ever used. For complicated reasons, Nami uses her medical knowledge to break into a women's prison as staff physician. There, as in the previous movie, the convicts wind up naked awfully frequently.

Detective Nishi is relieved from a stakeout to visit his sick wife in hospital. He is informed that she is terminally ill, and is advised to take her home. During his visit, a suspect shoots one detective dead and leaves Nishi's partner, Horibe, paralyzed. Nishi leaves the police force to spend time with his wife at home, and must find a way to pay off his debts to the yakuza.

Shinji and Masaru spend most of their school days harassing fellow classmates and playing pranks. They drop out and Shinji becomes a small-time boxer, while Masaru joins up with a local yakuza gang. However, the world is a tough place.

While pursuing his dream of having car sex, a goofy middle-aged man makes all the wrong moves and ends up enrolling in a number of crazy escapades.

While pursuing his dream of having car sex, a goofy middle-aged man makes all the wrong moves and ends up enrolling in a number of crazy escapades.

The lives of a young, hearing-impaired and gloomy couple are fulfilled after the boy holds interest in surfboarding.

All the protagonists move about in a Tokyo Bar that has an entire wall taken up with a black-and-white reproduction of a photo of Monument Valley. The action starts as Billy the Kid, in full living color, walks out of the photo and gets a job as a waiter. Along with him on the working staff are a samurai straight out of the history books, a G.I. from World War II, and several other anachronistic characters. The plot (as such) revolves around keeping away the brutal mobsters and thugs who dominate the city streets outside of the bar, making the tavern safe for its easily recognized facsimiles of well-known characters.