Petra Martínez

El Transplante focuses on the story of "a mature couple" who "sees the need to renew their bodies to avoid being fired from their jobs", but who only have enough money for one of them. That limiting circumstance will force them to make decisions.

MG, a policewoman who has been expelled from the Corps due to the problems with alcohol and drugs that she has had since the loss of her son, receives a call from a man asking her to look for Macarena Gómez, a popular TV actress.

Two Spanish women from different generations find themselves sharing a hospital room in Belgium. María has been living there for decades after emigrating when she was young and Verónica is a young girl recently arrived in search of opportunities she never found in Spain. A strange friendship is forged between them and this leads María to set out on a return journey to the south of Spain with an unusual mission. What begins as a search for Verónica's roots will become an opportunity to open herself up to the world and question certain principles on which she had based her life.

Petra doesn’t know who her father is. Her entire life, it’s been hidden from her. After the death of her mother, she embarks on a search that leads her to Jaume, a famous artist and a powerful, ruthless man. On her path to uncovering the truth, Petra also meets Jaume’s son, Lucas, as well as Marisa, his mother and Jaume’s wife. That is when the story of these characters begins to intertwine in a spiral of malice, family secrets and violence that drives them all to the edge. But fate’s cruel logic is derailed by a twist that opens a path to hope and redemption.

The story of Francisca Sánchez del Pozo, " Paca ", and the Prince of letters, the Nicaraguan Rubén Darío. In 1956, Francisca Sánchez, married to José Villacastín, and already in the twilight of her life, receives in Navalsaúz two writers, Antonio Oliver and Carmen Conde.

Spain, 2003. An accidental discovery leads Clarence to travel from the snowy mountains of Huesca to Equatorial Guinea, to visit the land where her father Jacobo and her uncle Kilian spent most of their youth, the island of Fernando Poo.

An anthology film with 20 stories on the subject of words, communication, linked to one another over a 400-metre stretch: from Madrid's Lavapiés Square to the Sala Mirador. A journey between theatre and cinema, filmed in a single fixed shot running continuously over 80 minutes and half a kilometer, in Madrid's popular Lavapiés district. The characters talk, argue, laugh, cry, threaten, whisper, shout, steal, make dates, get angry with and hug one another, prompting the spectator to reflect on the immense power of words.

A rural couple in crisis, who have a brother and sister with urban problems, and all of them trying to find a solution.

Tells the story of Nacho, a veterinarian, who faces women who have meant something in his life. Before him appears his lover, his mother, his psychologist, his partner, his ex-girlfriend and her sister. With all of them have outstanding accounts and they all have to face to resolve.

Having turned 60, Adela is living a life she never wanted. She has no children, a husband who walks all over her and, worst of all, nothing to look forward to. Then one day she has the chance to win 300,000 euros and leave her old life behind. All she has to do to get it is kick a ball into an open goal from the halfway line at half-time in a Spanish league match. Accepting the challenge, Adela starts training for the big day.

César, an unhappy concierge, maintains a peculiar relationship with the very diverse inhabitants of the upper-class apartment building where he works in Barcelona.

Tells the story of a grandmother after the death of her husband. And how this fact confronts her with her own life.

Eliseo is ugly, lame and single. He hasn't met the woman of his life and has never known love. Nati is ugly, missing a breast and separated. She found the man of her life but, even so, has never experienced true love. Eliseo thinks that the worst of his life is still to come. Nati thinks that the best of her life is still to come. The death of Eliseo's mother reunites them twenty years on in a last chance to find happiness and love. But what happens when the woman of your life is married to your brother

Life for Adela, a single mom trying to raise her infant son, and Antonia, a widow with three daughters, are forever altered by the terrorist bombing in Madrid.

Two speleologists, Esteban and Pedro, travel to a mountainous area located in northern Spain, near a small village, to study a newly discovered cave and determine if it is of scientific interest, while Gabi, Esteban's wife, awaits their return on a lonely road at the foot of the mountain.

"Escuela de seducción" is an acceptable comedy which deals, for the umpteenth time, with the war of the sexes using misunderstandings and fake personalities as dramatic resources. The premise is by no means original, but this is something most films lack nowadays, and therefore the result could have been more than acceptable.

Two children, Ignacio and Enrique, know love, the movies and fear in a religious school at the beginning of the 1960s. Father Manolo, director of the school and its professor of literature, is witness to and part of these discoveries. The three are followed through the next few decades, their reunion marking life and death.

A group of guys face the problems of daily life in a shared house

An aspiring novelist receives a charge that will change his life completely.

Short by Mateo Gil.

Manoli and Fernando, a couple of communist ideas, want to live their love freely, fleeing from any bourgeois convention. At first, the couple rejects the help of her parents, but soon they will begin to give in and accept all kinds of comforts.

While filming a movie, famous Spanish actor Julio Arenas disappears without a trace. Although his body is never found, the police conclude that he has suffered an accident at a cliff by the sea. Many years later, the mystery is brought up once more by a TV program, which offers previously unreleased images of the last scenes in which he participated, shot by his close friend, director Miguel Garay.

An old couple is looking forward to a visit from their son. The father cuts a tree so that his son could park his car.