Post Production Supervisor
Ross McElwee travels through the North Carolina tobacco belt in search of the ancient southern traditions associated with tobacco growing and use, while comparing his filmmaking to commercial cinema, represented by Bright Leaf, a melodrama directed by Michael Curtiz in 1950, starring Gary Cooper, apparently based on the life of his great-grandfather.
Editorial Staff
Negative Cutter
The world of a young housewife is turned upside down when she has an affair with a free-spirited blouse salesman.
Negative Cutter
Once a successful television sitcom star, Francis McGowan is now a struggling actor who returns to his family home on the Jersey Shore to sell it following his father's death. While there, he interacts with his agent Michael Woods, his childhood friend Duane Hopwood, and tour guide Lucy Bammer, with whom he drifts into a casual affair while his wife and children wait for him to return home.
Negative Cutter
A film about one woman's personal freedom and the price she pays to keep it.
Negative Cutter
Two investigative reporters for a tabloid magazine track down across country "The Night Flier", a serial killer who travels by private plane stalking victims in rural airports. One of the reporters, Richard Dees, begins to suspect that "the Night Flier could perhaps be a vampire"
Negative Cutter
In the weekend after thanksgiving 1973 the Hood family is skidding out of control. Then an ice storm hits, the worst in a century.
Negative Cutter
Based on Jane Austen's classic novel of the Dashwood sisters, sensible Elinor and passionate Marianne, whose chances at marriage seem doomed by their family's sudden loss of fortune. When Henry Dashwood dies unexpectedly, his estate must pass on by law to his son from his first marriage, John and wife Fanny. But these circumstances leave Mr. Dashwood's current wife, and daughters Elinor, Marianne and Margaret, without a home and with barely enough money to live on. As Elinor and Marianne struggle to find romantic fulfillment in a society obsessed with financial and social status, they must learn to mix sense with sensibility in their dealings with both money and men.
Editorial Production Assistant
When Jill Godmilow’s documentary Roy Cohn/Jack Smith premiered at the 1994 Toronto International Film Festival, the number of AIDS-related deaths was reaching an all-time high in the United States (over 270,000). In New York City, the epicenter of the AIDS epidemic, many artists and filmmakers were grappling with the disease. While Broadway was hosting the second part of Tony Kushner’s award-winning play Angels in America, downtown New Yorkers were fondly recalling another recent production, Ron Vawter’s one-man show Roy Cohn/Jack Smith, in which the actor, who died of AIDS in April 1994, performed two monologues, first as Cohn, the conservative lawyer, and secondly, as Smith, the flamboyant experimental filmmaker—both of whom died of AIDS-related causes in the late 1980s.
Negative Cutter
Swearing fidelity to his fiancée, two-faced Scott attempts to bed every woman who crosses his path.
Negative Cutter
A Pittsburgh apartment superintendent loses his job and home when the apartment building where he lives and works at is suddenly destroyed by fire. Daniel and his family moves in with his brother but that doesn't last for long due to the two families not getting along with each other. The family moves from rundown hotels to homeless shelters as Daniel searches work as a electrician while his wife takes waitress jobs to try to make ends meet.
Editorial Staff