Post Production Supervisor
Ross McElwee travels through the North Carolina tobacco belt in search of the ancient southern traditions associated with tobacco growing and use, while comparing his filmmaking to commercial cinema, represented by Bright Leaf, a melodrama directed by Michael Curtiz in 1950, starring Gary Cooper, apparently based on the life of his great-grandfather.
Editorial Staff
Negative Cutter
The world of a young housewife is turned upside down when she has an affair with a free-spirited blouse salesman.
Negative Cutter
Once a successful television sitcom star, Francis McGowan is now a struggling actor who returns to his family home on the Jersey Shore to sell it following his father's death. While there, he interacts with his agent Michael Woods, his childhood friend Duane Hopwood, and tour guide Lucy Bammer, with whom he drifts into a casual affair while his wife and children wait for him to return home.
Negative Cutter
A film about one woman's personal freedom and the price she pays to keep it.
Negative Cutter
Richard Dees (Miguel Ferrer), um jornalista de um tablóide sensacionalista sai em busca de um aviador misterioso, uma espécie de vampiro que pilota à noite e vai fazendo vítimas pelos aeroportos onde passa. Dees decide refazer o caminho macabro percorrido pelo piloto e acaba se envolvendo demais, colocando sua vida em risco.
Negative Cutter
Uma repentina tempestade de gelo prende grande parte das pessoas em casa. Dentro de casa, a família passa a encarar todas as suas contradições e seus problemas, formando um melancólico retrato de uma família burguesa nos anos 70.
Negative Cutter
Em virtude da morte do marido, uma viúva e as três filhas passam a enfrentar dificuldades financeiras, pois praticamente toda a herança foi para um filho do primeiro casamento, que ignora a promessa feita no leito de morte de seu pai que ampararia as meias-irmãs. Neste contexto, enquanto uma irmã prática (Emma Thompson), usando a razão como principal forma de conduzir as situações, a outra (Kate Winslet) se mostra emotiva, sem se reprimir nunca com uma sensibilidade flor da pele.
Editorial Production Assistant
When Jill Godmilow’s documentary Roy Cohn/Jack Smith premiered at the 1994 Toronto International Film Festival, the number of AIDS-related deaths was reaching an all-time high in the United States (over 270,000). In New York City, the epicenter of the AIDS epidemic, many artists and filmmakers were grappling with the disease. While Broadway was hosting the second part of Tony Kushner’s award-winning play Angels in America, downtown New Yorkers were fondly recalling another recent production, Ron Vawter’s one-man show Roy Cohn/Jack Smith, in which the actor, who died of AIDS in April 1994, performed two monologues, first as Cohn, the conservative lawyer, and secondly, as Smith, the flamboyant experimental filmmaker—both of whom died of AIDS-related causes in the late 1980s.
Negative Cutter
Swearing fidelity to his fiancée, two-faced Scott attempts to bed every woman who crosses his path.
Negative Cutter
A Pittsburgh apartment superintendent loses his job and home when the apartment building where he lives and works at is suddenly destroyed by fire. Daniel and his family moves in with his brother but that doesn't last for long due to the two families not getting along with each other. The family moves from rundown hotels to homeless shelters as Daniel searches work as a electrician while his wife takes waitress jobs to try to make ends meet.
Editorial Staff
