Věra Uzelacová

Jan Wiener is a young Czech Jew struggling to survive at the outset of Nazi occupation during World War II.

Folklore collectors and con artists, Jake and Will Grimm, travel from village to village pretending to protect townsfolk from enchanted creatures and performing exorcisms. However, they are put to the test when they encounter a real magical curse in a haunted forest with real magical beings, requiring genuine courage.

In the mid-eighties, screenwriter and director Jaroslav Balík tried to give voice to the problems of an ambitious young woman who decides to get back to work after a few years spent on maternity leave. NFA.CZ

An old man is wandering round a badly signposted and as yet mostly under construction Prague housing estate looking for the high rise block into which he is supposed to be moving with his daughter's family. The old granddad from the countryside likes chatting, nothing escapes his eyes and he wants to give everyone a helping hand.

Sarcastic comedy about the Czechoslovakia of the seventies. A young gynaecologist can't figure out whether to get serious with a young nurse or to stay casual with his married lover. Things get complicated when both women don't want to play his game anymore.

Sixteen-year-old students of a grammar school are supposed to write essays on "Love". The class best student Andrea (Jaroslava Schallerová) writes about a patriotic love to a country as she has no experience with a partner love. She has been living alone with her divorced pretty mother Eva (Milena Dvorská), a dentist, for many years. Recently, however, Eva met her former school-days love at a graduates' party, nowadays a famous hockey goalkeeper Brukner (Frantisek Velecký). Also his marriage fell apart; he leaves the national team and decides to leave Prague for his home town and to share flat with Eva. He takes with him his son Petr (Oldrich Kaiser), in Andrea's age, who gets his last chance to finish a grammar school in the town.

The protagonist (Rudolf Hrusinsky) is a dull, fat, shy government clerk indulging in voyuerism and ego fantasies. In love with another clerk (Kveta Fiolova), he is urged on in his pursuit by a commiserate executive. The story is told in a flashback sequence as the cuckolded Hrusinsky attempts suicide by gassing himself in his bathtub. The "Murder" of the title is not a murder as such, rather the murder that Hrusinsky remembers planning upon discovering his wife's unfaithfulness with his supposed friend and advisor. Both plots failing in his mind, he loses himself in fantastic reveries of his funeral and of hypocritical mourners. ' Deciding (perhaps) that this is not the way out either, he gives up the attempt and imagines a life of reconciliation and eventual affluence.

A successful art historian who has trouble telling people difficult truths, finds himself in an inescapable situation when a small lie quickly gets out of hand.

A woman attempts to cover up the thefts committed by the manager at the shop she works at.

In her first feature, Věra Chytilová uses a combination of documentary and fiction film techniques to tell two stories in counterpoint. The first follows Olympic champion gymnast Eva Bosáková, who contemplates retirement as she undergoes a gruelling training schedule; the second, a housewife who is unappreciated and ignored by her husband.

The young Marta has made a break in her medical education to fully invest in her career as a model. We follow her for a day in her life, almost completely without hearing her voice. It is seldom that Marta gets the space to speak, instead she is mostly subject to the voice of others.