Keisuke Toyoshima

Mio Meguro (Fuka Koshiba) continues her dream of becoming a writer, while living with yokai (folklore monsters) in a share house. She struggles in her job in the editorial department of a publishing company. She proposes plans at her company, but her plans are rejected. A popular AI dating app has become popular, but Mio Meguro isn't interested because of her work. One day, Mio Meguro meets genius mathematician AITO (Ayumu Mochizuki), who was raised in England. She falls in love with him, but her love causes problems for the share house and yokai.

Restored footage of a famous debate between Yukio Mishima and students at Tokyo University in 1969, just one year before the author's death.

Mari is 46 years old. She has a job and a family. One day as she routinely finishes her extremely busy schedule, a strange incident makes her travel 30 years back in time to meet her high school self. That particular day just happened to be the worst day of her life.

Kiyotaka Sato (Shuhei Nomura) is a university student. He is sociable, but he looks like he doesn't have interest in those around him. During his summer vacation, Kiyotaka Sato plans to get his driver's license to impress schoolmate Matsuda (Yukino Kishii). At this time, a yakuza boss (Ken Mitsuishi) orders Todoroki (Kento Kaku) to get his driver’s license. Todoroki doesn't show his feelings outwardly. Later, Todoroki drives a car without a driver’s license and he hits Kiyotaka Sato. To cover up the accident, Kiyotaka Sato is placed in a car and taken to away. He arrives at an unofficial driving school. The driving school is run by the Uehara family. There, Kiyotaka Sato and Todoroki learn that they graduated from the same high school. They spend their summer at the driving school.

Kiyotaka Sato (Shuhei Nomura) is a university student. He is sociable, but he looks like he doesn't have interest in those around him. During his summer vacation, Kiyotaka Sato plans to get his driver's license to impress schoolmate Matsuda (Yukino Kishii). At this time, a yakuza boss (Ken Mitsuishi) orders Todoroki (Kento Kaku) to get his driver’s license. Todoroki doesn't show his feelings outwardly. Later, Todoroki drives a car without a driver’s license and he hits Kiyotaka Sato. To cover up the accident, Kiyotaka Sato is placed in a car and taken to away. He arrives at an unofficial driving school. The driving school is run by the Uehara family. There, Kiyotaka Sato and Todoroki learn that they graduated from the same high school. They spend their summer at the driving school.

Nakatsu was laid off at his company and now works part-time at a convenience store. One day, Nakatsu forms a vigilante group to protect his town with Toshida, who has a mysterious physical ability, Kanari, who is a female high school student with excellent information gathering abilities, and Kusaki, who wields hammers under his sleeves. As they punish evil doers, the group gains popular support and flourish.

Mari is exhausted by life in the city and opens up a shop selling snow cones in the small town of Nishiizu where she grew up. The simple flavors of her cold desserts soothe the emotional wounds of her customers and Mari comes to terms with herself by spending time with a young woman with a scarred face.

Japan around 1860: popular courtesan Asagiri will be freed soon from her service, yet she cannot imagine any other existence. Until one day at a local festival, Asagiri meets the young artisan Hanjiro by chance – an encounter that changes her destiny. With a strong performance by leading actress Yumi ADACHI and exquisite camerawork and production design, A COURTESAN WITH FLOWERED SKIN succeeds in recalling the golden age of Japanese erotic film.

High school student Noguchi learns that there isn't a single male softball team in the nearby area. He figures if he starts up a softball team, they are sure thing to go to the national tournament. He then persuades his friend Onitsuka to help him start a softball club. Once Noguchi and Onitsuka rounds up enough players, they teams preps to win one all important game in the tournament.

This is an omnibus of six short films by six different directors, whose lead characters are unconventional women. They are "Hijoshi," females who live true to themselves and their desires.

This is an omnibus of six short films by six different directors, whose lead characters are unconventional women. They are "Hijoshi," females who live true to themselves and their desires.

In future Tokyo, a young woman in the privatized police force tracks down her father's killer while battling against mutant rebels known as engineers.

A two-part feature directed separately by Shimizu and his colleague Keisuke Toyoshima. Unrelated to each other, both have a common goal: to bring ghosts and aliens together in pure, referential and absurdistic delirium, including neo-Nazi specters, zombie yakuzas and nasty aliens.

Like a good ghost story? Then turn out the lights and prepare to feel a chill as Japan's masters of the macabre spin some of the creepiest spectral sagas to grace the screen. Four Roads To Hell is an anthology featuring short stories based on true accounts as collected from writers Hirokatsu Kihara and Ichiro Nakayama. This is part of the "Tales Of Terror From Japan" series.

Like a good ghost story? Then turn out the lights and prepare to feel a chill as Japan's masters of the macabre spin some of the creepiest spectral sagas to grace the screen. Four Roads To Hell is an anthology featuring short stories based on true accounts as collected from writers Hirokatsu Kihara and Ichiro Nakayama. This is part of the "Tales Of Terror From Japan" series.

Like a good ghost story? Then turn out the lights and prepare to feel a chill as Japan's masters of the macabre spin some of the creepiest spectral sagas to grace the screen. Four Roads To Hell is an anthology featuring short stories based on true accounts as collected from writers Hirokatsu Kihara and Ichiro Nakayama. This is part of the "Tales Of Terror From Japan" series.

A new season of the acclaimed series finishes with these twenty sensational shorts capturing the essence of psychological terror with chilling visuals.

Based on renowned Japanese writer Natsume Soseki's same-titled short story collection, Ten Nights of Dreams brings ten fantastical dream sequences to film with great visual and psychological panache. Representing the combined efforts of eleven directors, this outstanding anthology delves into the surreal subconscious with ten madly imaginative, reality-subverting visions that range from wonderfully wacky to nightmarishly unsettling.

Based on renowned Japanese writer Natsume Soseki's same-titled short story collection, Ten Nights of Dreams brings ten fantastical dream sequences to film with great visual and psychological panache. Representing the combined efforts of eleven directors, this outstanding anthology delves into the surreal subconscious with ten madly imaginative, reality-subverting visions that range from wonderfully wacky to nightmarishly unsettling.

Unholy Women (Kowai onna), is a composite of three unrelated half-hour horror movies. A compilation of 3 separate short horror films (Rattle Rattle, Hagane, The Inheritance) written and directed by Keita Amemiya, Takuji Suzuki, and Keisuke Toyoshima respectively. The first segment, “Rattle Rattle”, tells the story of a young woman who is pursued by an evil other-worldly being. The second movie, “Steel”, concerns a young man who agrees to take the sister of his boss out on a blind date, drawing him into a world more frightening than he ever dreamed possible. The third and final episode, “The Inheritance”, is a supernatural tale of a woman and her young son, scarred by abuse and psychological trauma.

Unholy Women (Kowai onna), is a composite of three unrelated half-hour horror movies. A compilation of 3 separate short horror films (Rattle Rattle, Hagane, The Inheritance) written and directed by Keita Amemiya, Takuji Suzuki, and Keisuke Toyoshima respectively. The first segment, “Rattle Rattle”, tells the story of a young woman who is pursued by an evil other-worldly being. The second movie, “Steel”, concerns a young man who agrees to take the sister of his boss out on a blind date, drawing him into a world more frightening than he ever dreamed possible. The third and final episode, “The Inheritance”, is a supernatural tale of a woman and her young son, scarred by abuse and psychological trauma.

Nobuhiro is convinced that, in order to honor his mother's death by suicide, he needs to find the reincarnation of his mother and die with her, together, under the spell of love. A young model tries to discover the truth behind one of his paintings which depicts the horrific death of a woman and her lover.

In Tokyo, prostitution in the name of "Enjo Kosai" is in fashion among some high school girls. A mysterious man Kuni lament such girls but cannot deny a strong desire for them. He punish the girls by having sex with them without paying them. He calls this operation "Stop the Bitch Campaign" for public justice. Working in a sex trade shop where abnormal people are satisfied with their lust. Aoi tries to find out the man who raped her desperately in the past. One day, Aoi meets Kuni.

An anthology series based on stories collected throughout Japan, mainly by writers Hirokatsu Kihara and Ichiro Nakayama.

8 short stories comprise this anthology movie, based on the Tales of Terror TV series.

Horror, gag, and entertainment by Keisuke Toyoshima of "Heller master Shimizu Takashi ×" Kaidan New Ear Bag Nobuhiro "!" Hellstone catching out hell "and" Alien of the table "are included.

Horror, gag, and entertainment by Keisuke Toyoshima of "Heller master Shimizu Takashi ×" Kaidan New Ear Bag Nobuhiro "!" Hellstone catching out hell "and" Alien of the table "are included.

Horror, gag, and entertainment by Keisuke Toyoshima of "Heller master Shimizu Takashi ×" Kaidan New Ear Bag Nobuhiro "!" Hellstone catching out hell "and" Alien of the table "are included.

An anthology series based on stories collected throughout Japan, mainly by writers Hirokatsu Kihara and Ichiro Nakayama.

Horror, gag, entertainment by Keisuke Toyoshima of "Heller master Shimizu Takashi ×" "Kaidan New Ear Bag Nobuhiro" !! "Kaidanui watching me ..." and "My alien" are included.

Horror, gag, entertainment by Keisuke Toyoshima of "Heller master Shimizu Takashi ×" "Kaidan New Ear Bag Nobuhiro" !! "Kaidanui watching me ..." and "My alien" are included.

Horror, gag, entertainment by Keisuke Toyoshima of "Heller master Shimizu Takashi ×" "Kaidan New Ear Bag Nobuhiro" !! "Kaidanui watching me ..." and "My alien" are included.

The fourth chapter in the Love Cinema series, is a story of a cloistered and obsessive character who is confining and closed. When many suicides occur in an apartment building the police are by to question a female resident.

My brother took my brother. A woman, always frustrated, forces him to pick pockets and rob people just for the thrill of it. A man who resists but continues to be an accomplice with infinite tolerance. Is it the man or the woman who is desperate to keep his partner in line? It is the woman's brother who comes between the frustration and tolerance that seems to swell endlessly. But as he makes her apologise at the graveside of her parents, he also commits the sin of lying in order to keep his love alive. There is very little expository dialogue. There is very little exposition in the film, but it is enough to convey the feelings and circumstances of each character. The structure, the script and the acting are the foundations of a film that succeeds in depicting the birth of a new love triangle in a cool and realistic way.

My brother took my brother. A woman, always frustrated, forces him to pick pockets and rob people just for the thrill of it. A man who resists but continues to be an accomplice with infinite tolerance. Is it the man or the woman who is desperate to keep his partner in line? It is the woman's brother who comes between the frustration and tolerance that seems to swell endlessly. But as he makes her apologise at the graveside of her parents, he also commits the sin of lying in order to keep his love alive. There is very little expository dialogue. There is very little exposition in the film, but it is enough to convey the feelings and circumstances of each character. The structure, the script and the acting are the foundations of a film that succeeds in depicting the birth of a new love triangle in a cool and realistic way.

My brother took my brother. A woman, always frustrated, forces him to pick pockets and rob people just for the thrill of it. A man who resists but continues to be an accomplice with infinite tolerance. Is it the man or the woman who is desperate to keep his partner in line? It is the woman's brother who comes between the frustration and tolerance that seems to swell endlessly. But as he makes her apologise at the graveside of her parents, he also commits the sin of lying in order to keep his love alive. There is very little expository dialogue. There is very little exposition in the film, but it is enough to convey the feelings and circumstances of each character. The structure, the script and the acting are the foundations of a film that succeeds in depicting the birth of a new love triangle in a cool and realistic way.