Carlos Arango De Montis

During World War II, looking up the Mountain, in Italy, a Brazilian Expeditionary Force - FEB - mines weeping platoon is hit by a panic-attack that sets them running aimlessly right in the middle of 'no man's land'. Desperate cold and hungry, the ill-prepared soldiers have to choose between facing military court or delve deeper into enemy lines. After a tense discussion, they decide to save their faces with the Brazilian Army by tackling a daring military objective: to disarm the most feared minefield in Italy. On their way there, they end meeting two others deserters; a remorseful Italian soldier trying to join the Partigianos and German officer who is just simply tired of war. with unexpected help of their ex-enemy, the soldiers are set to accomplish a mission that so far had been deemed impossible.

Filmmakers expose the horrifying mass executions of accused communists in Indonesia and those who are celebrated in their country for perpetrating the crime.

Surrounded by candles and immersed in petals, a woman tired of a life without purpose carefully prepares her death scene in the bathtub, turning it into a ritual. Every drop of blood in her veins mixes with the warm water as she remembers small fragments of her life.

In a world devoured by an invisible force known as disenchantment, the stories of three characters intertwine: Diego, who tries to make a movie about the dreams of Ximena, an adolescent experiencing her sexual awakening, who is secretly in love with him and who, in order to help him in his bizarre project, leads him to Ainda, a conceptual artist with bat wings, with whom the naïve filmmaker falls madly in love. Ainda is attracted by the purity of the young people and seduces them both, which leads to a magical moment in the lives of all three. But soon the young people discover that their beloved harpy’s heart belongs to a being from beyond the grave. Then the idyllic relationship of the three characters begins to crumble and they do everything in their power to prevent it, as the dark force of disenchantment closes over the city.

Dad Iván, is the testimony of the daughter of a Montonero guerilla leader that died during combat: Iván Roqué, the Iván in the title and father of the director. The documentary exposes in a moving way the difficult relationship between a daughter and her heroic, mythified father. At the same time it also becomes not only the reflection of a daughter but of an entire generation, about the feelings of abandoment, abscense, the tragedy, the exile and death. Feelings, ideas, dreams and facts are confronted. Tears are shed as much as admiration is expressed for the father, he is questioned as strongly as he is veneered.