Carlos Arango De Montis

Filmes

A Estrada 47
Cinematography
Na Segunda Guerra Mundial, o Brasil era aliado dos Estados Unidos, Inglaterra e França. Na época, foram encaminhados mais de 25 mil soldados da FEB (Força Expedicionária Brasileira) para combater os inimigos, representados pelo Eixo: Alemanha, Itália e Japão.
O Acto de Matar
Director of Photography
Num país onde os assassinos são celebrados como heróis, o realizador e a sua equipa desafiaram os líderes impenitentes dos esquadrões da morte a encenar o seu papel no genocídio. O resultado alucinante é um delirante sonho cinematográfico, um mergulho perturbador nas profundezas da imaginação de assassinos em massa e no chocante regime de corrupção e impunidade banais em que vivem.
Violet of a Thousand Colors
Cinematography
Surrounded by candles and immersed in petals, a woman tired of a life without purpose carefully prepares her death scene in the bathtub, turning it into a ritual. Every drop of blood in her veins mixes with the warm water as she remembers small fragments of her life.
Stories of Disenchantment
Cinematography
In a world devoured by an invisible force known as disenchantment, the stories of three characters intertwine: Diego, who tries to make a movie about the dreams of Ximena, an adolescent experiencing her sexual awakening, who is secretly in love with him and who, in order to help him in his bizarre project, leads him to Ainda, a conceptual artist with bat wings, with whom the naïve filmmaker falls madly in love. Ainda is attracted by the purity of the young people and seduces them both, which leads to a magical moment in the lives of all three. But soon the young people discover that their beloved harpy’s heart belongs to a being from beyond the grave. Then the idyllic relationship of the three characters begins to crumble and they do everything in their power to prevent it, as the dark force of disenchantment closes over the city.
Papá Iván
Cinematography
Dad Iván, is the testimony of the daughter of a Montonero guerilla leader that died during combat: Iván Roqué, the Iván in the title and father of the director. The documentary exposes in a moving way the difficult relationship between a daughter and her heroic, mythified father. At the same time it also becomes not only the reflection of a daughter but of an entire generation, about the feelings of abandoment, abscense, the tragedy, the exile and death. Feelings, ideas, dreams and facts are confronted. Tears are shed as much as admiration is expressed for the father, he is questioned as strongly as he is veneered.