Erika Addis

BRAZEN HUSSIES reveals for the first time, an exciting and revolutionary chapter in Australian history, the Women’s Liberation Movement (1965 -1975). Interweaving freshly uncovered archival footage, personal photographs, memorabilia and lively personal accounts from activists all around Australia, BRAZEN HUSSIES shows us how a daring and diverse group of women joined forces to defy the status quo, demand equality and create profound social change. These women defined one of the greatest social movements of the 20th Century, at times at great personal cost. This documentary is full of the raw energy and determination that fueled feminism for the next 50 years.

Reveals the history of camerawomen around the world, celebrating not only the survival of pioneer women in a male-dominated field, but a new generation of camerawomen's visions.

BREATHING UNDER WATER is the story of a woman's journey into an imaginary underworld city. The birth of her daughter into an increasingly perilous world has unsettled everything in Beatrice's (Anne Louise Lambert) life. Her growing unease prompts Beatrice to undertake a journey - an investigation into human nature, a confrontation with the fears of our time, and a search for clues that will ultimately give her an answer to the central riddle of the film: why has humankind set the stage for its own extinction? The director’s preoccupation with humankind’s tendency to self-destruct was one factor that lead to the creation of this complex film.

Set in 1962, a young prepubescent boy in rural Australia watches painfully as his best friend and first love blossoms into womanhood and falls for a thuggish rugby player, changing the lives of everyone involved.

Using almost totally historical material, For Love or Money encompasses the role of Australian women in both paid and unpaid work, over a 200 year period.

After throwing his orange peel out of the car window, a boy is kicked out of the car by his father, and forced to pick up every piece.

Private Detective Mike Hayes (Guy Doleman), is working on a divorce case, when he stumbles upon a series of cover-ups that leads to a corpse. His investigation takes him into the lievs of two families living in the Sydney suburbs. Although they look like ordinary people, one of them is the killer. Hayes meets the strange teenager David Prentice (David Franklin), who keeps a violent crime scrapbook, and Val Meadows (Diane McLean), the mistress who believes that someone is trying to kill her. The more the investigation deepens, the more twisted and complex it becomes. It appears the only people who hate Val enough to want her dead, are her own family. Could it be her two sons, alienated by her dominant nature, her lover, or even her best friend?