Erika Addis

Erika Addis

프로필 사진

Erika Addis

참여 작품

브레이즌 허시-호주의 여성해방운동가들
Director of Photography
호주 역사의 혁명적 시기인 여성 해방 운동(1965~1975년)을 다룬다. 새롭게 공개되는 기록 영상, 개인적 사진, 활동가들의 생생한 이야기를 엮은 이 영화는, 대담하고 다양한 여성 집단이 어떻게 현 상황에 저항하고 평등을 요구하며 엄청난 사회 변화를 만들기 위해 협력하는지 보여 준다.
Shooting Women
Director of Photography
Reveals the history of camerawomen around the world, celebrating not only the survival of pioneer women in a male-dominated field, but a new generation of camerawomen's visions.
Breathing Under Water
Director of Photography
BREATHING UNDER WATER is the story of a woman's journey into an imaginary underworld city. The birth of her daughter into an increasingly perilous world has unsettled everything in Beatrice's (Anne Louise Lambert) life. Her growing unease prompts Beatrice to undertake a journey - an investigation into human nature, a confrontation with the fears of our time, and a search for clues that will ultimately give her an answer to the central riddle of the film: why has humankind set the stage for its own extinction? The director’s preoccupation with humankind’s tendency to self-destruct was one factor that lead to the creation of this complex film.
사랑하기엔 아직 일러요
Clapper Loader
소심하고 여성적인 성격을 가지고 있는 대니(Danny Embling: 노아 테일러 분)와 조금은 야성적인 성격을 가진 프라야. 어린 시절부터 둘만의 순수한 사랑을 키우며 성장하는 동안 대니는 프라야의 육체에 대한 호기심과 사랑이 싹터간다. 그러나 두사람 사이에 트레버가 나타나면서 삼각 관계로 발전한다.
For Love or Money
Director of Photography
Using almost totally historical material, For Love or Money encompasses the role of Australian women in both paid and unpaid work, over a 200 year period.
An Exercise in Discipline: Peel
Lighting Technician
After throwing his orange peel out of the car window, a boy is kicked out of the car by his father, and forced to pick up every piece.
Early Frost
Second Assistant Camera
Private Detective Mike Hayes (Guy Doleman), is working on a divorce case, when he stumbles upon a series of cover-ups that leads to a corpse. His investigation takes him into the lievs of two families living in the Sydney suburbs. Although they look like ordinary people, one of them is the killer. Hayes meets the strange teenager David Prentice (David Franklin), who keeps a violent crime scrapbook, and Val Meadows (Diane McLean), the mistress who believes that someone is trying to kill her. The more the investigation deepens, the more twisted and complex it becomes. It appears the only people who hate Val enough to want her dead, are her own family. Could it be her two sons, alienated by her dominant nature, her lover, or even her best friend?