Shinichi Aoki
An executive of a shoe company becomes a victim of extortion when his chauffeur's son is kidnapped and held for ransom.
Koji Wada, who is good at shooting, karate, judo and boxing, has a tough fight with the sea gangsters!
Masao, their son
The family of an older man who runs a small sake brewery become concerned with his finances and his health after they discover him visiting an old mistress from his youth.
The life of a toilet-seller during the Japanese Economic Miracle.
Child
Eye-popping visuals and black humor mark this wild New Wave masterpiece about a vengeful contractor who hires a series of young killers to target a woman muckraker. Trouble brews when an amateur marksman shows up his eclectic competition.
The story is of two people. One is deaf, the other deaf and mute. They marry after meeting at a school reunion, and the film follows their trials and tribulations ... and joys.
Tadao
A woman and her daughter are each forced to contend with an increasing pressure to marry, particularly from three men who knew her late husband.
The young rambler, Shinji Taki, with his guitar arrives a hot spa town at the foot of Mount Aizu Bandai. Of course he solves the problems in the town while encountering the sinister rival, Masa "the pistol guy".
Sono mago, Masao
When a theater troupe's master visits his old flame, he unintentionally sets off a chain of unexpected events with devastating consequences.
Isamu Hayashi
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
This short comedy concerns the extramarital affair of a drugstore owner. It is based on a popular song by the star of the film, Frank Nagai.
