Jane Karen

History

Jane Karen is known for 1917 (2019), F9: The Fast Saga (2021) and The Outpost (2019).

Movies

F9
Dialect Coach
Dominic Toretto and his crew battle the most skilled assassin and high-performance driver they've ever encountered: his forsaken brother.
The Outpost
Dialect Coach
A small unit of U.S. soldiers, alone at the remote Combat Outpost Keating, located deep in the valley of three mountains in Afghanistan, battles to defend against an overwhelming force of Taliban fighters in a coordinated attack. The Battle of Kamdesh, as it was known, was the bloodiest American engagement of the Afghan War in 2009 and Bravo Troop 3-61 CAV became one of the most decorated units of the 19-year conflict.
1917
Dialect Coach
At the height of the First World War, two young British soldiers must cross enemy territory and deliver a message that will stop a deadly attack on hundreds of soldiers.
Cats
Dialect Coach
A tribe of cats called the Jellicles must decide yearly which one will ascend to the Heaviside Layer and come back to a new Jellicle life.
Born a King
Dialect Coach
A coming-of-age story set in 1919 about 14 year old Faisal, an Arab prince who is dispatched from the deserts of Arabia to London by his warrior father, Prince Abd Al-Aziz, on a high stakes diplomatic mission to secure the formation of his country.
The Children
Dialect Coach
A relaxing Christmas vacation turns into a terrifying fight for survival as the children begin to turn on their parents
Charlie and the Chocolate Factory: Becoming Oompa-Loompa
Herself
A short documentary that explains the process of how actor Deep Roy prepared to play the Oompa-Loompas in the 2005 film Charlie and the Chocolate Factory and shows how Deep was able to play all of them.
Cabaret
Lulu
A filmed stage performance of the 1993 London revival. Sam Mendes (American Beauty, Road to Perdition, Skyfall) directed this new production for the Donmar Warehouse in London's West End. It starred Jane Horrocks as Sally, Adam Godley as Cliff, Alan Cumming as the Emcee and Sara Kestelman as Fräulein Schneider. Cumming received an Olivier Award nomination for his performance and Kestelman won the Olivier for Best Supporting Performance in a Musical. Mendes's conception was very different from either the original production or the conventional first revival. The most significant change was the character of the Emcee. The role, as played by Joel Grey in both prior incarnations, was an asexual, edgy character dressed in a tuxedo with rouged cheeks. Alan Cumming's portrayal was highly sexualized, as he wore suspenders (i.e. braces) around his crotch and red paint on his nipples.