Filip Marek

Birth : 1990-09-24,

Movies

Restore Point
Director of Photography
It’s 2041 and the gaps in social and economic inequality have left the world on the brink. A breakthrough in science has given humanity the ability to bring victims of a violent crime back to life by backing up their brain every 2 days. This allows an ambitious, young detective the opportunity to solve a case of a murdered couple when the restoration team is able to bring one of them back.
One Life
Gaffer
British stockbroker Nicholas Winton visits Czechoslovakia in the 1930s and forms plans to assist in the rescue of Jewish children before the onset of World War II, in an operation that came to be known as the Kindertransport.
Frontier
Director of Photography
During a random check, the commander of the Czech Customs Unit notices that there are immigrants in the back of a van. In the turmoil that followed, a minor is injured while trying to escape into the forest. The officers scatter the woods to look for the boy who managed to escape. Their aim is to find him and cover up the event. When the child's father refuses to cooperate, the incident becomes insurmountable and the officers start to mistreat the refugees. It is a fairly harsh short film about human emotions and views against immigrants.
The Glass Room
Camera Operator
Liesel Landauer and her friend Hana are linked by a lifelong relationship and an exceptional house built by the architect Von Abt for Liesel and her husband Viktor in Czechoslovakia in the early 1930s.
Teaching War
Cinematography
This episode from the Czech Journal series examines how a military spirit is slowly returning to our society. Attempts to renew military training or compulsory military service and in general to prepare the nation for the next big war go hand in hand with society’s fear of the Russians, the Muslims, or whatever other “enemies”. This observational flight over the machine gun nest of Czech militarism becomes a grotesque, unsettling military parade. It can be considered not only to be a message about how easily people allow themselves to be manipulated into a state of paranoia by the media, but also a warning against the possibility that extremism will become a part of the regular school curriculum.