Filip Marek

출생 : 1990-09-24,

참여 작품

레스토레이션 포인트
Director of Photography
2041년, 사회 경제적 불평등이 심각한 수준으로 세계는 위기에 직면해 있다. 과학의 획기적인 발전으로 인류는 범죄에 의해 사망한 희생자들의 뇌를 이틀에 한번씩 되살려 희생자들을 회생시킬 수 있는 기술을 갖게 되었다. 이때 한 야망 넘치는 젊은 형사는 복원팀이 살해된 부부 중 한 명을 회생시키는 과정에서 살인 사건을 해결할 실마리를 찾게 된다.
원 라이프
Gaffer
British stockbroker Nicholas Winton visits Czechoslovakia in the 1930s and forms plans to assist in the rescue of Jewish children before the onset of World War II, in an operation that came to be known as the Kindertransport.
Frontier
Director of Photography
During a random check, the commander of the Czech Customs Unit notices that there are immigrants in the back of a van. In the turmoil that followed, a minor is injured while trying to escape into the forest. The officers scatter the woods to look for the boy who managed to escape. Their aim is to find him and cover up the event. When the child's father refuses to cooperate, the incident becomes insurmountable and the officers start to mistreat the refugees. It is a fairly harsh short film about human emotions and views against immigrants.
The Glass Room
Camera Operator
Liesel Landauer and her friend Hana are linked by a lifelong relationship and an exceptional house built by the architect Von Abt for Liesel and her husband Viktor in Czechoslovakia in the early 1930s.
Teaching War
Cinematography
This episode from the Czech Journal series examines how a military spirit is slowly returning to our society. Attempts to renew military training or compulsory military service and in general to prepare the nation for the next big war go hand in hand with society’s fear of the Russians, the Muslims, or whatever other “enemies”. This observational flight over the machine gun nest of Czech militarism becomes a grotesque, unsettling military parade. It can be considered not only to be a message about how easily people allow themselves to be manipulated into a state of paranoia by the media, but also a warning against the possibility that extremism will become a part of the regular school curriculum.