Philippe Welsh

Tom, 11 years old, lives in a trailer home on the edge of the woods with Joss, his young mother. The two of them support each other and show unwavering optimism. While Joss is away working small jobs, Tom keeps himself occu- pied. One day, a young man fresh out of prison breaks into their home and their lives, and disrupts the equilibrium.

October 2015. French customs seize seven tonnes of cannabis in the heart of the capital. The same day, Hubert Antoine, a former mole with a shady past, contacts Stéphane Vilner, a journalist at Libération. He claims to be able to demonstrate the existence of State drug trafficking led by Jacques Billard, prominent media figure and high-ranking French police officer. Suspicious at first, the young journalist finally dives into an investigation that will lead him to the darkest corners of the Republic.

Annie, a bright young student, is facing an unwanted pregnancy in 1960s France, where abortion is illegal.

Artist and filmmaker Eric Baudelaire spent four years interacting with the pupils of a film class, at a secondary school in the Parisian suburb of Saint-Denis. Keeping himself on the sidelines, he gives way to the children to express their thoughts and dreams. Their remarks are intuitive, inquisitive, yet passionate and surprisingly mature, concerning rocky and complicated issues, ranging from racism, immigration, and identity, all the way to the possibilities of film as a medium. As time flows almost unnoticed, it is evident that these children have not only become the co-directors of this film but also the heroes of their own lives.

Eddie is no longer living with his wife and their son Noam. One night, he gets mugged and badly injured, and consequently becomes a hero to his son and the victim of a vicious crime to his wife. But when Ahmed, the perfect scapegoat for the attack, is charged, the gravitas of his accusation sucks Eddie into an infernal spiral of self-doubt and lies, marking the start of a dangerous freefall.

Documentary About French Actress Brigitte Bardot

Follow-up to the TV trilogy “Heimat”, this time for cinemas, set again in the fictional village Schabbach in the Hunsrück region of Rhineland-Palatinate.

A film on exile, revolution, landscapes and memory, Anabasis brings forth the remarkable parallel stories of Adachi and May, one a filmmaker who gave up images, the other a young woman whose identity-less existence forbade keeping images of her own life. Fittingly returning the image to their lives, director Eric Baudelaire places Adachi and May’s revelatory voiceover reminiscences against warm, fragile Super-8mm footage of their split milieus, Tokyo and Beirut. Grounding their wide-ranging reflections in a solid yet complex reality, Anabasis provides a richly rewarding look at a fascinating, now nearly forgotten era (in politics and cinema), reminding us of film’s own ability to portray—and influence—its landscape.

In his film "Women Are Heroes", photographer JR takes his audience into some exceptional women’s lives. Because there are, most of the time, the first victims in war-time and left to their own during peace-time, JR pays tribute to those women who, in spite of the hurdles, keep smiling, keep fighting and keep hoping a better life. From Rio’s shantytowns to Kenyan slums, passing by Indian and Cambodian streets, he offers a fresh look at their struggles and expectations. Displaying their portraits via huge montages on their neighborhood’s walls, JR sublimates those extraordinary destinies and sheds the lights on those strong and moving personalities, too rarely recognized enough.