Isabel Vázquez

Against a background of war breaking out in Europe and the Mexican fiesta Day of Death, we are taken through one day in the life of Geoffrey Firmin, a British consul living in alcoholic disrepair and obscurity in a small southern Mexican town in 1939. The consul's self-destructive behaviour, perhaps a metaphor for a menaced civilization, is a source of perplexity and sadness to his nomadic, idealistic half-brother, Hugh, and his ex-wife, Yvonne, who has returned with hopes of healing Geoffrey and their broken marriage.

In the storm is a Mexican film of the year 1980 directed by Fernando Vallejo. The film is about the time of La Violencia in Colombia. Vallejo wanted to make the film in Colombia, however he found numerous obstacles to film it in the country so he decided to do it in Mexico with Mexican actors and recreating the Colombian landscapes in that country.

Returning from a business trip, a man meets some peasants who arouse fears in him.

A union leader dies in a sleazy hotel room, then the wife, mistress, police, co workers, reporters, colleagues, and political figures arrive to the hotel and each has its own intentions.

Backwards fishing village is home to a widow and her teenaged daughter. Neighbors suspect the mother of having murdered her husband. A tourist in town gets it into his head to put the smooth big city moves on both women. And the-e-en...

Two little poor kids, who work selling chewing gum in the streets, must face the true nature of the horror surrounding them

Arnulfo is a man weaving baskets. Remedios has given birth in front of the house of a woman and her aid, but the village is spread the word that the child born as a child God and an atheist would think exploit to their advantage the "miracle ".

Desperate because of his son's illness, the peasant Eufemio steals a pearl from the image of Santa Lucía in the village church.

Nazarín is the priest who leaves his order and decides to go on a pilgrimage. As he goes along subsisting on alms, he shelters a prostitute wanted by the police for murder. He is released from suspicion and she eventually catches up with him when she escapes imprisonment. Another woman joins the duo and soon the ex-priest is learning more about the human heart and suffering than when he wore robes.

Newlywed Oliverio receives disturbing news that his mother is on her deathbed. He travels to a remote part of Mexico to fetch a lawyer who can sort out her will. Leaving his wife behind, he embarks on a bus ride that’s interrupted by an increasingly absurd series of episodes, including an impromptu birthday celebration; a one-legged man writhing in the mud; come-ons from an insatiable small-town belle, Raquel; and Oliverio’s frequent, Freudian nightmares.