Pablo Bürmann

Movies

Carpoolers
Director of Photography
Four travellers meet in Madrid’s city centre through a rideshare app. Four individuals who could never imagine the journey they are about to embark on, as they gradually exchange secrets, emotions and mistrust, eventually arriving at a very different destination to the one they had planned. Along the way, they will learn a lot about who they are travelling with... and about themselves.
Way Down
Camera Operator
Madrid, Spain, 2010. While the whole city follows the national team's successful participation in the World Cup, a group of daring thieves look for a way into one of the most secure and guarded places on the planet.
Way Down
Second Unit Director of Photography
Madrid, Spain, 2010. While the whole city follows the national team's successful participation in the World Cup, a group of daring thieves look for a way into one of the most secure and guarded places on the planet.
Amador
Director of Photography
Amador seems to be the perfect husband and doting father. Nobody would ever imagine that, on one fateful afternoon, Amador is about to lose everything for wanting to be just himself. He wants to try something new on his son's birthday and it all goes terribly wrong.
The Mystery of Padre Pío
Cinematography
The documentary offers testimonies and documents never disclosed about the plot against its protagonist, who had the stigmata of Jesus Christ in his hands, feet and side for 50 consecutive years.
Caronte
Director of Photography
A self-absorbed teenager somehow contacts another universe after she's injured in a car accident.
The Fisherman
Director of Photography
Mr Wong is a third generation fisherman in Hong Kong, struggling to keep this tradition alive. One night, he decides to leave the crowded waters of the harbour, and fish in calmer waters. His luck changes when he catches something that does not belong to this world.
Los muertos no se tocan, nene
First Assistant Camera
Logroño, 1959. The death of a local authority creates a double expectation in his family, the coming of the TV set the deceased bought and the mayor to attend the funeral. His grandson (Airas Brispo) will witness the grotesque situations.
Tritones, más allá de ningún sitio
Cinematography
El elefante del rey
Camera Operator
North Sudan, summer 1923. King Alfonso XIII of Spain captures an enormous African elephant, an apparently irrelevant act that, however, will be paramount to understand the Spain of 20th century; an animal from far lands that will become a symbol of the Second Spanish Republic, the communist movement and many other things; a royal hunting that marks the beginning of a bizarre story of jealousy, passion, political intrigues and taxidermy.
Open Your Eyes
First Assistant Camera
A very handsome man finds the love of his life, but he suffers an accident and needs to have his face rebuilt by surgery after it is severely disfigured.
Siempre hay un camino a la derecha
Assistant Camera
Los náufragos
Second Assistant Camera
After 20 years of exile, Aron returns to Chile to find out who he is. He asks questions, not only of those who stayed behind but also of himself, examining his relationship with his past and his own memory. The people who stayed lived through 20 years of dictatorship. They were either victims or executioners. Amidst this wreckage, Aron wonders what name his brother is using now, where his father is... Can he, in Isol's arms and through her love, find his way again ? What future awaits him? Like Mola the torturer, he has returned from an impossible journey, and Aron knows that each man is his own executioner. Shipwreck and resurrection are the two facets of a complex truth.