Pablo Bürmann

참여 작품

Carpoolers
Director of Photography
Four travellers meet in Madrid’s city centre through a rideshare app. Four individuals who could never imagine the journey they are about to embark on, as they gradually exchange secrets, emotions and mistrust, eventually arriving at a very different destination to the one they had planned. Along the way, they will learn a lot about who they are travelling with... and about themselves.
웨이 다운
Camera Operator
2010년 스페인 마드리드. 도시 전체가 대표팀의 성공적인 월드컵 참가에 열광하는 가운데, 한 무리의 대담한 도둑들이 지구상에서 가장 보안이 철저하고 경비가 삼엄한 곳에 침입할 방법을 모색합니다.
웨이 다운
Second Unit Director of Photography
2010년 스페인 마드리드. 도시 전체가 대표팀의 성공적인 월드컵 참가에 열광하는 가운데, 한 무리의 대담한 도둑들이 지구상에서 가장 보안이 철저하고 경비가 삼엄한 곳에 침입할 방법을 모색합니다.
Amador
Director of Photography
Amador seems to be the perfect husband and doting father. Nobody would ever imagine that, on one fateful afternoon, Amador is about to lose everything for wanting to be just himself. He wants to try something new on his son's birthday and it all goes terribly wrong.
The Mystery of Padre Pío
Cinematography
The documentary offers testimonies and documents never disclosed about the plot against its protagonist, who had the stigmata of Jesus Christ in his hands, feet and side for 50 consecutive years.
Caronte
Director of Photography
A self-absorbed teenager somehow contacts another universe after she's injured in a car accident.
The Fisherman
Director of Photography
Mr Wong is a third generation fisherman in Hong Kong, struggling to keep this tradition alive. One night, he decides to leave the crowded waters of the harbour, and fish in calmer waters. His luck changes when he catches something that does not belong to this world.
Los muertos no se tocan, nene
First Assistant Camera
Logroño, 1959. The death of a local authority creates a double expectation in his family, the coming of the TV set the deceased bought and the mayor to attend the funeral. His grandson (Airas Brispo) will witness the grotesque situations.
Tritones, más allá de ningún sitio
Cinematography
El elefante del rey
Camera Operator
North Sudan, summer 1923. King Alfonso XIII of Spain captures an enormous African elephant, an apparently irrelevant act that, however, will be paramount to understand the Spain of 20th century; an animal from far lands that will become a symbol of the Second Spanish Republic, the communist movement and many other things; a royal hunting that marks the beginning of a bizarre story of jealousy, passion, political intrigues and taxidermy.
오픈 유어 아이즈
First Assistant Camera
잘생긴 외모와 여자들을 매혹시키는 탁월한 능력을 가진 세자르. 레스토랑 체인을 운영하던 부모님이 물려준 막대한 재산 덕분에 호화로운 아파트에서 꿈같은 인생을 즐기며 산다. 어느날 저녁 그의 생일파티에 절친한 친구 펠라요가 애인 소피아와 함께 들어선다. 세자르는 첫눈에 사랑을 느끼게 되고 펠라요 몰래 그녀에게 접근해 그녀의 마음을 사로잡는다. 하지만 그들 뒤에는 소유욕과 질투심으로 두 사람을 응시하는 세자르의 전 연애 상대 누리아가 있다. 급기야 세자르를 차에 태운 채 죽음의 복수를 시도하는 누리아. 절벽으로 떨어진 사고에서 세자르만이 얼굴이 심하게 망가진 채 살아 남는다. 본래의 얼굴을 되살리려는 수술이 실패로 돌아가고 세자르는 괴로움 속에서 소피아를 찾아간다. 그러나 그녀는 세자르를 냉대하고 절망에 빠진 세자르는 만취하여 길거리에서 하룻밤을 지낸다. 다음날 아침. 모든 것이 변한다. 소피아는 세자르에게 사랑을 고백하고 의사들은 갑자기 그의 전 얼굴로 복구할 수 있다는 것이다. 세자르는 모든 행복을 얻은 듯하다. 그러던 어느날 밤 사랑을 나누던 소피아가 사라지고 죽은 줄 알았던 누리아가 자신이 소피아라고 주장하는데...
Siempre hay un camino a la derecha
Assistant Camera
Los náufragos
Second Assistant Camera
After 20 years of exile, Aron returns to Chile to find out who he is. He asks questions, not only of those who stayed behind but also of himself, examining his relationship with his past and his own memory. The people who stayed lived through 20 years of dictatorship. They were either victims or executioners. Amidst this wreckage, Aron wonders what name his brother is using now, where his father is... Can he, in Isol's arms and through her love, find his way again ? What future awaits him? Like Mola the torturer, he has returned from an impossible journey, and Aron knows that each man is his own executioner. Shipwreck and resurrection are the two facets of a complex truth.