Eiji Ooi

A man is involved in a fatal car accident, and though he is blameless, his company transfers him to a remote branch in a small town. Before he leaves, he gives the man's widow a large sum of money that she uses to move back to her hometown.

Four sisters are all named after flowers. While the two youngest are married, the eldest two remain single, much to the annoyance of their long-suffering mother. The mother and her brother try various schemes to find husbands for them.

When an only child is struck by a car and dies, the child's mother seeks vengeance against the driver in this thrilling drama. The car was driven by the wife of a company president who is having an affair. The woman's husband manages to buy silence about the incident, but the victim's mother discovers the identity of the driver. After she secures a job in the home of the company president and his philandering spouse, the woman plans to murder the couple's son when he reaches the age of her late son.

Tashiro coincidentally meets his best friend Sugimoto in a bar very close to the apartment in which Sugimoto’s wayward wife is found dead. Although Tashiro is not a suspect in the police investigation, he is racked with guilt and confesses to his wife, Masako. In an effort to further relieve his tortured sense of guilt, he then confesses to Sugimoto. Neither his wife nor his friend can believe that he could have been involved.

After a bombing raid destroys the family store and her husband, Reiko rebuilds and runs the shop out of love stopped short by destruction.

A woman remember's her own marriage when dealing with the love life of her son.

A dark family secret sends a 21-year-old French student (Hoshi) on a journey of self-discovery.

Considered one of the finest late Naruses and a model of film biography, A Wanderer’s Notebook features remarkable performances by Hideko Takamine – Phillip Lopate calls it “probably her greatest performance” – and Kinuyo Tanaka as mother and daughter living from hand to mouth in Twenties Tokyo. Based on the life and career of Fumiko Hayashi, the novelist whose work Naruse adapted to the screen several times, A Wanderer’s Notebook traces her bitter struggle for literary recognition in the first half of the twentieth century – her affairs with feckless men, the jobs she took to survive (peddler, waitress, bar maid), and her arduous, often humiliating attempts to get published in a male-dominated culture.

Drama about the lives of the five daughters and daughter-in-law of a store owner.

In "The Other Woman" the children of a distinguished professor find that the woman they have come to regard as their racy and slightly disreputable Ginza aunt is really their mother.

A single mother from the country raising a 6th grade boy comes to Tokyo, leaves the boy to live with his uncle's family, runs a struggling grocery store, and works a local inn. The boy befriends a girl, the daughter of the innkeeper...

A woman and her daughter are in love with the same man, a chef at the restaurant that the mother manages. He is slightly crippled from frostbite in his years in Siberian labor camps and considers himself "already dead."

Sanae is left a widow after her prestigious husband dies, but holds the proceeds of a million yen insurance policy. Being childless, her former in-laws have no objection to her return to her own family.

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older. She's of an age when she must choose: to seek marriage (difficult given her tarnished occupation), to be a kept woman, or to borrow money to buy a bar of her own. Each route has dangers, including investors demanding a return on their loans. Keiko has a quiet dignity that attracts men, but are they what they seem? Does she actually have choices?

The story is about the social problems faced by Japan's indigenous Ainu, mostly centered on the reactions of the characters to their oppressed state.

7th film in the President series and the first entry in color.

Fifth entry in the Company President Series.

A war widow with a young boy manages a farm with her bossy mother-in-law. When a reporter comes to interview her, the two begin an affair. He turns out to be married and won't leave his wife. Her older brother tries to marry off his children and hang on to/ extend his farm through an advantageous marriage in the face of threatened land confiscation and the desire of his children to get comfortable urban jobs instead of the backbreaking work in the paddy fields under parental control.

Anzukko (Little Peach) is the daughter of a successful writer. She turns down each one of her suitors, until she marries a beginning writer named Ryokichi. Their life quickly sinks into despair.

The fourth entry in the Company President Series

A woman marries, gives birth to a stillborn child, and divorces, falls in love with a hotel-keeper, only to find herself subordinated to his drive for success, takes up with a tailor who cannot console himself with her strong personality.

Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mothers trade in the late days of Geisha. But Otsuta will not give up. This film portraits the day time life of geisha when not entertaining customers.

Kiyoko (Takamine Hideko) and her husband want to open a coffee shop. She becomes increasingly close to the bank clerk (Mifune Toshiro) she's asked for a loan.

A husband and wife's pet peeves and minor irritations escalate into major rifts and animosity.

A married Japanese forester during WWII is sent to Indochina to manage forests. He meets a young Japanese typist and promises to leave his wife. He doesn't and after the war, she turns up and the affair resumes.

Struggling to elevate himself from his low caste in 17th century Japan, Miyamoto trains to become a mighty samurai warrior.

What is the life of a Geisha like once her beauty has faded and she has retired? Kin has saved her money, and has become a wealthy money-lender, spending her days cold-heartedly collecting debts. Even her best friends, Tomi, Nobu, and Tamae, who were her fellow Geisha, are now indebted to her. For all of them, the glamor of their young lives has passed; Tomi and Tamae have children, but their children have disappointed them. Kin has two former lovers who still pursue her; one she wants to see, and the other she doesn't. But even the one she remembers fondly, when he shows up, proves to be a disappointment.

Comedy about a 50-something movie director, his new bride, a classical dancer, and his adult son and daughter and their loves.

Ten years into a marriage, the wife is disappointed by the husband's lack of financial success, meaning she has to work and can't treat herself and the husband finds the wife slovenly and mean-spirited: she neither cooks not cleans particularly well and is generally disagreeable. In turn, he alternately ignores her and treats her as a servant. Neither is particularly happy, not helped by their unsatisfactory lodgers. The husband is easily seduced by an ex-colleague, a widow with a small child who needs some security, and considers leaving his wife.