Jay Cocks

Jay Cocks

Birth : 1944-01-12,

History

​From Wikipedia, the free encyclopedia.   Jay Cocks (born January 12, 1944) is a film critic and motion picture screenwriter. He is a graduate of Kenyon College. He was a critic for Time, Newsweek, and Rolling Stone, among other magazines, before moving into film writing. As a screenwriter, he worked on Martin Scorsese's The Age of Innocence and Gangs of New York -- a screenplay he started working on in 1976 -- as well as Kathryn Bigelow's Strange Days. Cocks also performed an uncredited rewrite of James Cameron's screenplay for Titanic. Description above from the Wikipedia article Jay Cocks, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Profile

Jay Cocks

Movies

An American Named Kazan
Self
Elia Kazan represented the American dream. An immigrant who came without anything and who became the Prince of Hollywood and Broadway after World War II. Actor, theater director, filmmaker, writer, he is the founder of Actor’s Studio, a collaborator of Arthur Miller and Tennessee Williams, and a director who discovered Marlon Brando and James Dean.
Martin Scorsese's Journey Into Silence
Self
A behind-the-scenes documentary on the making of Martin Scorsese's "Silence"
Silence
Screenplay
Two Jesuit priests travel to seventeenth century Japan which has, under the Tokugawa shogunate, banned Catholicism and almost all foreign contact.
The Long Shadow of Dirty Harry
Self
An in-depth look at Dirty Harry (1971), featuring interviews with such film artists as Michael Madsen, 'Hal Holbrook', John Milius, 'Shane Black' and John Badham.
A Moral Right: The Politics of Dirty Harry
Self
Filmmakers, social scientists and authors take a provocative look at the moral, political and ethical themes of the Dirty Harry films.
The Craft of Dirty Harry
Self
A look at the cinematographers, editors, musicians, production designers and other talent of the Dirty Harry series.
The Business End: Violence in Cinema
Self
An unflinching look at the ongoing debate on violence in movies and its effect on the audience.
Full Metal Jacket: Between Good and Evil
Self
Follow Stanley Kubrick as he creates his savage and brilliant Vietnam film, hewing closely to the theme that dominated his creative life for four decades - the duality of human nature. Poised between good and evil, mankind was, in Kubrick's view, a complex creature equally capable of unspeakable savagery and heart-melting tenderness. Full Metal Jacket would make his case in vivid, blood-soaked Technicolor. Through interviews with Kubrick's collaborators and cast members, including Vincent D'Onofrio, Lee Ermey and Adam Baldwin, this documentary reveals how Kubrick's brilliant visual sense, astute knowledge of human nature, and unique perspective on the duality of man came together to make Full Metal Jacket an unforgettable cinematic experience, taking its place in his "war trilogy" alongside cinematic landmarks Fear and Desire and Paths of Glory.
De-Lovely
Author
From Paris to Venice to Broadway to Hollywood, the lives of Cole Porter and his wife, Linda were never less than glamorous and wildly unconventional. And though Cole's thirst for life strained their marriage, Linda never stopped being his muse, inspiring some of the greatest sons of the twentieth century.
Gangs of New York
Story
In 1863, Amsterdam Vallon returns to the Five Points of America to seek vengeance against the psychotic gangland kingpin, Bill the Butcher, who murdered his father years earlier. With an eager pickpocket by his side and a whole new army, Vallon fights his way to seek vengeance on the Butcher and restore peace in the area.
Gangs of New York
Screenplay
In 1863, Amsterdam Vallon returns to the Five Points of America to seek vengeance against the psychotic gangland kingpin, Bill the Butcher, who murdered his father years earlier. With an eager pickpocket by his side and a whole new army, Vallon fights his way to seek vengeance on the Butcher and restore peace in the area.
Strange Days
Screenplay
In the last days of 1999, ex-cop turned street hustler Lenny Nero receives a disc which contains the memories of the murder of a prostitute. With the help of bodyguard Mace, he starts to investigate and is pulled deeper and deeper in a whirl of murder, blackmail and intrigue. Can the pair live to see the new millennium?
The Age of Innocence
Screenplay
In 19th century New York high society, a young lawyer falls in love with a woman separated from her husband, while he is engaged to the woman's cousin.
Innocence and Experience: The Making of 'The Age of Innocence'
Self
A documentary about the making of director Martin Scorsese's 1993 film adaptation of Edith Wharton's Pulitzer Prize-winning novel, The Age of Innocence. It features a conversation between Scorsese and the star of the film, Daniel Day Lewis, as well as rare behind-the-scenes footage.
Martin Scorsese Directs
Self
Providing behind the scenes footage of the director on set with clips from his own films, Martin Scorsese Directs depicts to riveting effect the way Scorsese brings the written story to life on the big screen. Additional interviews with the likes of Joe Pesci, Harvey Keitel, Thelma Schoonmaker, the director’s own parents, and others build a perception of Scorsese that not everybody knows.
Made in Milan
Writer
A short documentary film about fashion designer Giorgio Armani; it shows him preparing for a show and discusses his ideas about fashion, his family history and the city of Milan.
The Last Temptation of Christ
Additional Writing
Jesus, a humble Judean carpenter beginning to see that he is the son of God, is drawn into revolutionary action against the Roman occupiers by Judas -- despite his protestations that love, not violence, is the path to salvation. The burden of being the savior of mankind torments Jesus throughout his life, leading him to doubt.
Movies Are My Life: A Profile on Martin Scorsese
Self
The very first full-length documentary on Scorsese offers an invaluable look at how he was perceived by his colleagues, and himself, in 1977. Catching Scorsese while he was in post-production on New York and editing The Last Waltz, British filmmaker Peter Hayden gets the manically hyper Scorsese to comment on his youth, his relation to his lead characters, and most importantly, his approach to direction. The doc doesn’t quite move at the pace of Scorsese’s revved-up speed-talking, but it does offer some real insight into his productivity in the 1970s, thanks to an impressive array of talking heads. Included are Scorsese’s collaborators Jay Cocks, Mardik Martin, Brian De Palma, Steven Prince (who co-produced this doc), and his mentor John Cassavetes. Also the performers, who discuss his working methods in detail — Jodie Foster, Liza Minnelli, and, of course, Robert De Niro.
Street Scenes
Self
In the late spring of 1970, nationwide protests against the war in Vietnam focused in the Wall Street area of New York City and ultimately in a major anti-war demonstration in Washington, D.C.. A group of New York University film students documented the demonstrations as they happened in both cities. Later, in New York, the massive amount of black and white and color 16mm footage was edited into this important record of the day-by-day events. The extended final scene, shot by Edward Summer in a hotel room in Washington, D.C., is a spontaneous conversation among Martin Scorsese, Harvey Keitel, Jay Cocks and Verna Bloom who, along with a large group of NYU students, found themselves frustrated and perplexed by the events and hopeful that the protests would result in change.
A Complete Unknown
Writer
19-year-old Bob Dylan arrives in New York City in 1961 seeking to find his hero, an ailing Woody Guthrie. He is embraced by the New York folk scene (Guthrie, Pete Seeger, Joan Baez and others) who recognize his talent. He finds gigs in downtown clubs and soon becomes a sensation, landing a contract with Columbia Records. From there, Dylan ascends to the status of a cultural phenomenon, but ultimately transitions away from folk music as he embraces the electric guitar, confusing his fans and disappointing the music community that first took him in.